One of Wall Street Journal’s “Five Best of World War II Fiction” A BBC miniseries starring Emma Thompson and Kenneth Branagh A spellbinding chronicle of a marriage and a panoramic account of Eastern Europe during WWII—the “finest fictional record of the war produced by a British writer” (Anthony Burgess) The Balkan Trilogy is the story of a marriage and of a war, a vast, teeming, and complex masterpiece in which Olivia Manning brings the uncertainty and adventure of civilian existence under political and military siege to vibrant life. Manning’s focus is not the battlefield but the café and kitchen, the bedroom and street, the fabric of the everyday world that has been irrevocably changed by war, yet remains unchanged. At the heart of the trilogy are newlyweds Guy and Harriet Pringle, who arrive in Bucharest—the so-called Paris of the East—in the fall of 1939, just weeks after the German invasion of Poland. Guy, an Englishman teaching at the university, is as wantonly gregarious as his wife is introverted, and Harriet is shocked to discover that she must share her adored husband with a wide circle of friends and acquaintances. Other surprises follow: Romania joins the Axis, and before long German soldiers overrun the capital. The Pringles flee south to Greece, part of a group of refugees made up of White Russians, journalists, con artists, and dignitaries. In Athens, however, the couple will face a new challenge of their own, as great in its way as the still-expanding theater of war.

'Her gallery of personages is huge, her scene painting superb, her pathos controlled, her humour quiet and civilised' Anthony Burgess 'So glittering is the overall parade - and so entertaining the surface - that the trilogy remains excitingly vivid; it amuses, it diverts and it informs, and to do these things so elegantly is no small achievement' Sunday Times 'A fantastically tart and readable account of life in eastern Europe at the start of the war' Sarah Waters The Balkan Trilogy is the story of a marriage and of a war, a vast, teeming, and complex masterpiece in which Olivia Manning brings the uncertainty and adventure of civilian existence under political and military siege to vibrant life. At the heart of the trilogy are newly-weds Guy and Harriet Pringle, who arrive in Bucharest - the so-called Paris of the East - in the autumn of 1939, just weeks after the German invasion of Poland. Guy's lecturing job awaits, alongside friends and the ever-ardent Sophie - but for Harriet, alone and naive, it's a strange new life. Other surprises follow: Romania joins the Axis, and before long German soldiers overrun the capital. The Pringles flee south to Greece, part of a group of refugees made up of White Russians, journalists, con artists, and dignitaries. In Athens, however, the couple will face a new challenge of their own...

The continuation of the World War II saga, Fortunes of War—hailed as “among the very best fiction about the Second World War”—from an English author whose work stands alongside that of Barbara Pym and Irish Murdoch (Sunday Times). A large cast of English ex-pats are caught overseas during WWII—first in Cairo and then Damascus—where the battle between courage and fear, love and betrayal, rages among exotic backgrounds and alien cultures. Olivia Manning returns to the story of the young English couple Guy and Harriet Pringle, last seen at the end of The Balkan Trilogy departing from Athens ahead of the invading Nazi army. Now, in the spring of 1941, they arrive in Egypt as Rommel’s forces slowly but surely approach Cairo across the Sahara from the west. Will the city fall? In the streets, the people contemplate welcoming a new set of occupiers, while European refugees and well-heeled Anglo-Egyptians prepare to pack their bags. And at night, everyone who is anyone flocks to the city’s famed hotels and seedy cabarets, seeking one last dance before the tanks roll in. Manning describes the Pringles’ ever complicated marriage and their motley group of friends and foes with the same sharp eye that earned The Balkan Trilogy a devoted following. And she also traces the fortunes of a marvelously drawn new character, Simon Boulderstone, a twenty-year-old recruit who must grapple with the boredom, chaos, and fleeting exhilaration of war.

This is a one-volume edition of the trilogy consisting of "The Great Fortune", "The Spoilt City" and "Friends and Heroes". It is a record of events during World War II as seen through the eyes of Guy and Harriet Pringle.

Autumn, 1939. Newly-weds Guy and Harriet Pringle step aboard the train to Bucharest. Guy's lecturing job awaits, alongside friends and the ever-ardent Sophie - but for Harriet, alone and naive, it's a strange new life. As Guy's world collides with that of his new bride, Harriet realises how little she knows the man she has married. Manning's masterpiece, alive with exhilarating characters, is a haunting evocation of young love and the uncertainty of war.

"The Balkan Trilogy" is the story of a marriage and of a war, a vast, teeming, and complex masterpiece in which Olivia Manning brings the uncertainty and adventure of civilian existence under political and military siege to vibrant life. Manning's focus is not the battlefield but the cafe and kitchen, the bedroom and street, the fabric of the everyday world that has been irrevocably changed by war, yet remains unchanged. At the heart of the trilogy are newlyweds Guy and Harriet Pringle, who arrive in Bucharest--the so-called Paris of the East--in the fall of 1939, just weeks after the German invasion of Poland. Guy, an Englishman teaching at the university, is as wantonly gregarious as his wife is introverted, and Harriet is shocked to discover that she must share her adored husband with a wide circle of friends and acquaintances. Other surprises follow: Romania joins the Axis, and before long German soldiers overrun the capital. The Pringles flee south to Greece, part of a group of refugees made up of White Russians, journalists, con artists, and dignitaries. In Athens, however, the couple will face a new challenge of their own, as great in its way as the still-expanding theater of war.