From one of the most distinctive voices in contemporary urban fiction comes a gripping, erotic, edge-of-your-seat thriller about four strangers whose lives are about to collide, with explosive and murderous consequences. Alias suffers from a curse that has haunted his family for generations and he vows to do whatever it takes to end it, even if the breaking of the curse results in his own death. D. Wayne's traumatic childhood at the hands of his abusive mother has turned him into a demented killer following the voice of his God, Ruh, who guides him in a deadly search—a journey that leads him to the brink of madness. Doin and Joozy both feel separated from the rest of the society, but as their imperfections draw them together, they discover a love that they thought was impossible. Set in the raw and tumultuous landscape of the projects, Nane Quartay's sharp-edged second novel chronicles the lives, loves, and losses of these four young strangers whose lives become inextricably intertwined. Eroticism, mysticism, and suspense are seamlessly woven together in a tough and thought-provoking narrative that reaches a shocking climax and brings an entire city to the brink of chaos.

Something is coming … something big. May knows it, but no one will listen to her. She is an outcast due to her odd ways and freakish ability with animals. Andrew knows it, but he has his position as gang leader to maintain. Ewan knows it, but what can he do? The sea creature is the biggest living thing on the face of the earth. And it won't stop until it has destroyed Ballydog. Can three teenagers save the baddest town in the world from its fate? Is it even worth saving?

A hilarious send-up of fantasy quest novels, perfect for fans of Adam Gidwitz and Jon Scieszka. Welcome to the kingdom of Great Kerfuffle! Great Kerfuffle is really great. And there's usually a kerfuffle (the clue's in the name really). This particular kerfuffle started the day Stinkbomb's twenty dollar bill went missing. Stinkbomb and his little sister Ketchup-Face know exactly who took it: the badgers. After all, they're called badgers because they do bad things; otherwise they'd just be gers. They bring news of the badgers' treachery to King Toothbrush Weasel (don't get us started on the story behind his name…), who sends them on a quest to rid the land of badgers. What follows is a full on kerfuffle-fest, containing: one deep dark forest, a grocery cart in distress, a song about jam--and, of course, a band of very tricky badgers. Be prepared to laugh your socks off, and maybe your ears, too.

A hilarious send-up of fantasy quest novels, perfect for fans of Adam Gidwitz and Jon Scieszka. Welcome to the kingdom of Great Kerfuffle! Great Kerfuffle is really great. And there's usually a kerfuffle (the clue's in the name really). This particular kerfuffle started the day Stinkbomb's twenty dollar bill went missing. Stinkbomb and his little sister Ketchup-Face know exactly who took it: the badgers. After all, they're called badgers because they do bad things; otherwise they'd just be gers. They bring news of the badgers' treachery to King Toothbrush Weasel (don't get us started on the story behind his name…), who sends them on a quest to rid the land of badgers. What follows is a full on kerfuffle-fest, containing: one deep dark forest, a grocery cart in distress, a song about jam--and, of course, a band of very tricky badgers. Be prepared to laugh your socks off, and maybe your ears, too.

The fourth in a series that explores cultural and ethical values in Classical Antiquity, this volume examines the negative foils, the anti-values, against which positive value notions are conceptualized and calibrated in Classical Antiquity. Eighteen chapters address this theme from different perspectives –historical, literary, legal and philosophical. What makes someone into a prototypically ‘bad’ citizen? Or an abomination of a scholar? What is the relationship between ugliness and value? How do icons of sexual perversion, monstruous emperors and detestable habits function in philosophical and rhetorical prose? The book illuminates the many rhetorical manifestations of the concept of ‘badness’ in classical antiquity in a variety of domains.

'Taxpayers are complicit in the illegal wars waged by their governments.' 'Corporations are complicit in human rights abuses perpetrated by their suppliers.' 'Aid workers who compromise with militias are complicit in their reign of terror.' We hear such allegations all the time. Yet there are many ways of being mixed up with the wrongdoing of others. They are not all on a par, morally; some are worse than others. Furthermore, complicitly contributing to wrongdoing, while still wrong in itself, might nonetheless be the right thing to do if that is the only way to achieve some greater good. Drawing on philosophy, law and political science, and on a wealth of practical experience delivering emergency medical services in conflict-ridden settings, Lepora and Goodin untangle the complexities surrounding compromise and complicity: carefully cataloguing their many varieties; identifying the dimensions along which those differ; and explaining why some are morally more worrying than others. Lepora and Goodin summarize their analysis in a formula that can be used as a decision heuristic for assessing any given act of complicity. They go on to illustrate its practical usefulness by applying it first to some stylized philosophical examples and then, in a more sustained way, to two vexing cases of complicity in the real world: the complicity of humanitarian aid organizations with genocidaires controlling Rwandan refugee camps; and the complicity of physicians treating patients who are being subjected to torture. Both rigorous and rooted, this is a book for philosophers and practitioners alike.