Before Fake News, there was the real Fake News. There was Truth. Hailed as ‘a fearless exposer of folly, vice and crime’ when it first hit the streets in the 1890s, Truth was later condemned by a High Court Judge as ‘a wretched little paper, reeking of filth, injurious to the health of house servants and young girls’. Much later it earned the nickname ‘The Old Whore of La Trobe Street’. Truth was called many things but it was never boring. Adrian Tame knows that better than anyone as he worked for Truth for more than a decade as a reporter and news editor. In the years it was owned by the Murdoch family he worked alongside young Rupert as he cut his teeth on the shock horror scandals that graced the pages of Truth when it was selling a whopping 400,000 copies a week. Funny, often outrageous and always thoroughly entertaining, The Awful Truth is a rollercoaster ride through an colourful era of newspapers and larger-than-life reporters that we will never see the like of again.

This is the budget version of CATS ON FILM, with black and white photos instead of colour ones. What is a Catguffin? Why should you be wary of a Catzilla? What is the difference between a Catagonist and a Heropuss? Who or what is a Modesty Cat, and why does The Third Man have such problems with kitten continuity? All these questions and many others are answered in CATS ON FILM, the definitive work of feline film scholarship, in which critic and novelist Anne Billson explores the many and varied narrative functions of cats by examining their appearances in one hundred films, from blockbusters to art films, foreign films to cult oddities, rom-coms to horror movies. Meet Clovis, Ulysses, Jezebel, Pyewacket, Pumpkin and a clowder of other celebrated film felines, learn how the White Cat of Evil launched his career as Blofeld's lapcat in the James Bond franchise, and thrill to My Day By Jones, in which the cat's eye view of Alien is finally revealed. CATS ON FILM. No cat-loving film fan can afford to be without it.

Should I tell him about Sushing or play dumb? Sticking in my comfort zone, I played dumb. Writer Marco Ocram has a secret superpower—whatever he writes actually happens, there and then. Hoping to win the million-dollar Sushing Prize, he uses his powers to write a true-crime thriller, quickly discovering a freakish murder. But Marco has a major problem—he's a total idiot who can't see beyond his next sentence. Losing control of his plot and his characters, and breaking all the rules of fiction, Marco writes himself into every kind of trouble, until only the world's most incredible ending can save his bacon. Fast, funny, and utterly different, welcome to the weird world of The Awful Truth.

With a jangle of keys, a door opened. Herbert clanked in, his arms locked to his sides, his ankles shackled, his face a Hannibal Lecter mask. He was overjoyed to see me. “Marco, I’m jailed day and night with murderous thugs who can’t tell Schiller from Shakespeare. I’m desperate for intellectual stimulus—but you’ll do for now.” TV personality Marco Ocram is the world’s only self-penned character, writing his life in real time as you read it. Marco’s celebrity mentor, Herbert Quarry, grooms him to be the Jackson Pollock of literature, teaching him to splatter words on a page without thought or revision. Quarry’s plan backfires when imbecilic Marco begins to type his first thought-free book: it’s a murder mystery—and Herbert’s caught red-handed by the butchered body of his lover. Now Marco must write himself into a crusade to clear his friend’s name. Typing the first words that come into his head, Marco unleashes a phantasmagorical catalogue of twists in his pursuit of justice, writing the world’s fastest-selling book to reveal the awful truth about the Herbert Quarry affair.

Witty, terrifying, and utterly cool, Yablonsky’s roman à clef is a searing, hyperreal account of the heroin underground in 1980s Manhattan Told with dark humor and unremitting honesty, Linda Yablonsky’s riveting first novel explores the New York art and postpunk music world of the early 1980s from deep within. Set in motion by the appearance of a federal agent, the tale follows two women on a dangerous and seductive journey through a bohemia where hard drugs, extreme behavior, intense friendships, and the emergence of AIDS profoundly alter their lives.

A guide to fifty-two examples of must-see cinema, The Essentials Vol. 2 -- based on the Turner Classic Movies series -- is packed with behind-the-scenes stories, illuminating commentary, moments to watch for, and hundreds of photos spotlighting films that define what it means to be a classic. Since 2001, Turner Classic Movies' The Essentials has been the ultimate destination for cinephiles both established and new, showcasing films that have had a lasting impact on audiences and filmmakers everywhere. In this second volume based on the series, fifty-two films are profiled with insightful notes on why they're Essential, a guide to must-see moments, and running commentary from Essentials hosts past and present: TCM's Ben Mankiewicz and the late Robert Osborne, as well as Rob Reiner, Sydney Pollack, Molly Haskell, Carrie Fisher, Rose McGowan, Alec Baldwin, Drew Barrymore, Sally Field, William Friedkin, Ava DuVernay, and Brad Bird. Enjoy one film per week for a year of stellar viewing or indulge in your own classic movie festival. Spanning the silent era through the late 1980s with such diverse films as Top Hat, Brief Encounter, Rashomon, Vertigo, and Field of Dreams, it's an indispensable book for movie lovers to expand their knowledge of cinema and discover -- or revisit -- landmark films that impacted Hollywood forever.

Looks at seven classic romantic comedies of the thirties and forties, and compares what each film expresses about marriage, interdependence, equality, and sexual roles.