The Avowal of Difference explores the potentialities and limitations that queer theory offers in the context of Latino American texts and subjects. Ben. Sifuentes-Jáuregui contrasts Latino American sexual genealogies with the Anglo-European "coming out" narrative—and interrogates the centrality of the "coming out" story as the regulating metaphor for gay, lesbian, or queer identities. In its place, the book looks at other strategies—from silence to circumlocution, from disavowal to indifference—to theorize queer subject formation in a Latino American cultural context. The analysis of texts by José Lezama Lima, Luis Zapata, Manuel Puig, Severo Sarduy, Junot Díaz, and others offers a comparative approach to understanding how queer sexualities are shaped and written in other cultural contexts.

Gray Matters is a thorough examination of the main topics in recent philosophy of mind. It aims at surveying a broad range of issues, not all of which can be subsumed under one position or one philosopher's theory. In this way, the authors avoid neglecting interesting issues out of allegiance to a given theory of mind.

Recent critically and commercially acclaimed Latin American films such as XXY, Contracorriente, and Plan B create an affective and bodily connection with viewers that elicits in them an emotive and empathic relationship with queer identities. Referring to these films as New Maricón Cinema, Vinodh Venkatesh argues that they represent a distinct break from what he terms Maricón Cinema, or a cinema that deals with sex and gender difference through an ethically and visually disaffected position, exemplified in films such as Fresa y chocolate, No se lo digas a nadie, and El lugar sin límites. Covering feature films from Argentina, Chile, Cuba, Ecuador, Mexico, Peru, the United States, and Venezuela, New Maricón Cinema is the first study to contextualize and analyze recent homo-/trans-/intersexed-themed cinema in Latin America within a broader historical and aesthetic genealogy. Working with theories of affect, circulation, and orientations, Venkatesh examines key scenes in the work of auteurs such as Marco Berger, Javier Fuentes-León, and Julia Solomonoff and in films including Antes que anochezca and Y tu mamá también to show how their use of an affective poetics situates and regenerates viewers in an ethically productive cinematic space. He further demonstrates that New Maricón Cinema has encouraged the production of “gay friendly” commercial films for popular audiences, which reflects wider sociocultural changes regarding gender difference and civil rights that are occurring in Latin America.

Provides a timely and original contribution to the debate surrounding privileged self-knowledge Contemporary epistemologists and philosophers of mind continue to find puzzling the nature and source of privileged self-knowledge: the ordinary and effortless ‘first-person’ knowledge we have of our own sensations, moods, emotions, beliefs, desires, and hopes. In Expression and Self-Knowledge, Dorit Bar-On and Crispin Wright articulate their joint dissatisfaction with extant accounts of self-knowledge and engage in a sustained and substantial critical debate over the merits of an expressivist approach to the topic. The authors incorporate cutting-edge research while defending their own alternatives to existing approaches to so-called ‘first-person privilege’. Bar-On defends her neo-expressivist account, addressing the objection that neo-expressivism fails to provide an adequate epistemology of ordinary self-knowledge, and addresses new objections levelled by Wright. Wright then presents an alternative pluralist approach, and Bar-On argues in response that pluralism faces difficulties neo-expressivism avoids. Providing invaluable insights on a hotly debated topic in epistemology and philosophy of mind, Expression and Self-Knowledge: Presents an in-depth debate between two leading philosophers over the expressivist approach Offers novel developments and penetrating criticisms of the authors' respective views Features two different perspectives on the influential remarks on expression and self-knowledge found in Wittgenstein’s later writings Includes four jointly written chapters that offer a critical overview of prominent existing accounts, which provide a useful advanced introduction to the subject. Expression and Self-Knowledge is essential reading for epistemologists, philosophers of mind and language, psychologists with an interest in self-knowledge, and researchers and graduate students working in expression, expressivism, and self-knowledge.

A philosophical and theological study of the eucharist in the Catholic Church. Emmanuel Falque’s The Wedding Feast of the Lamb represents a turning point in his thought. Here, Falque links philosophy and theology in an original fashion that allows us to see the full effect of theology’s “backlash” against philosophy. By attending closely to the incarnation and the eucharist, Falque develops a new concept of the body and of love. By avoiding the common mistake of “angelism”?consciousness without body?Falque considers the depths to which our humanity reflects animality, or body without consciousness. He shows the continued relevance of the question “How can this man give us his flesh to eat?” (John 6:52), especially to philosophy. We need to question the meaning of “this is my body” in “a way that responds to the needs of our time” (Vatican II). Because of the ways that “Hoc est corpus meum” has shaped our culture and our modernity, this is a problem both for religious belief and for culture. Praise for The Wedding Feast of the Lamb “Animality, embodiedness, and eros: such, for Emmanuel Falque, are the grounds for our hope as we kneel before the altar and await the words of consecration in the Eucharist and behold not only what nourishes us here but also an intimacy promised to us hereafter. Here, as a complement to theologies of the Eucharist, is a phenomenology of the sacred liturgy: perhaps the most capacious account of our desire for Christ in the Sacrament offered to us by a contemporary.” —Kevin Hart, The University of Virginia “A generative text for advanced study of worship and a deeper engagement of phenomenological approaches to sacramental theology.” —Homiletic: The Journal of the Academy of Homiletics

The senses, or sensory modalities, constitute the different ways we have of perceiving the world, such as seeing, hearing, touching, tasting and smelling. But how many senses are there? How many could there be? What makes the senses different? What interaction takes place between the senses? This book is a guide to thinking about these questions. Together with an extensive introduction to the topic, the book contains the key classic papers on this subject together with nine newly commissioned essays. One reason that these questions are important is that we are receiving a huge influx of new information from the sciences that challenges some traditional philosophical views about the senses. This information needs to be incorporated into our view of the senses and perception. Can we do this whilst retaining our pre-existing concepts of the senses and of perception or do we need to revise our concepts? If they need to be revised, then in what way should that be done? Research in diverse areas, such as the nature of human perception, varieties of non-human animal perception, the interaction between different sensory modalities, perceptual disorders, and possible treatments for them, calls into question the platitude that there are five senses, as well as the pre-supposition that we know what we are counting when we count them as five (or more). This book will serve as an inspiring introduction to the topic and as a basis from which further new research will grow.