The Doctor's Marriage Wish – Meredith Webber Emergency physician Hamish McGregor is about to leave Crocodile Creek to return to Scotland and for the ideal job...until the woman of his dreams walks in. Nurse Kate Winship is here to trace her birth father and pick up the pieces of a shattered life. So, Hamish has just three weeks to persuade her to love him for a lifetime. The Playboy Doctor's Proposal – Alison Roberts Though not entirely true, Dr Ryan Fisher has a playboy reputation. His charm wins over the patients and the female staff — all except one woman he really wants. Dr Hannah Jackson avoids men like Ryan. Yet, an emergency at Crocodile Creek forces them to work together and she discovers a different side of him... The Nurse He's Been Waiting For – Meredith Webber Beautiful nurse Grace O'Riordan has always been in love with police officer Harry Blake. Harry is recently widowed and Grace knows she must keep her distance for the friendship to continue — even if her heart tells her otherwise. When a cyclone hits the Creek, Harry and Grace are forced together to save lives — and Harry's feelings are jolted into an intense emotional connection he never believed he'd feel again...

An innovative collection of original essays on Jane Campion, renowned female auteur filmmaker. In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars--like her debt to New Zealand sources and her personal views of family dynamics--and those that benefit from additional insight--such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal. Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum. Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.

Fazio examines the significance of the US-Australian Korean engagement, 1947–53, in the evolution of the relationship between the two nations in the formative years of the Cold War. In the aftermath of World War Two, divergent American and Australian strategic and security interests converged and then aligned on the Korean peninsula. Fazio argues that the interactions between key US and Australian officials throughout their Korean engagement were crucial to shaping the nature of the evolving relationship and the making of the alliance between the two nations. The diplomacy of Percy Spender, John Foster Dulles, and James Plimsoll was particularly crucial. He demonstrates that the American evaluation of the geo-strategic significance of Korea was a significant factor in the making of the ANZUS alliance and events in Korea remained central to the evolving US-Australian relationship. Their Korean engagement showed the US and Australia had similar and overlapping, rather than identical interests, and that their relationship was much more nuanced and problematic than commonly perceived. Fazio challenges the Australian mythology on the origins of the ANZUS Treaty and presents a cautionary insight into the limits of Australia’s capacity to influence US policy to benefit its interests. An insightful read for diplomatic historians, providing greater depth to understanding the broader historical context of the trajectory of the US-Australian relationship and alliance since the beginning of the Cold War.