In this volume, Chinese Auspicious Culture, we examine how Chinese folk customs have evolved over the centuries to become a natural science that includes a combination of multidisciplinary thoughts such as philosophy, geography, zoology, architecture and psychology. All these are elements of Chinese auspicious culture, which has been practised by the Chinese for fortune, prosperity and longevity. In order to survive in a world beset with calamities, the ancient Chinese had developed a variety of taboos and customs that must be observed, and they remain the guidelines for the people today.

This volume is the first to attempt a comprehensive and cross-disciplinary analysis of the manuscript cultures implementing the pothi manuscript form (a loosely bound stack of oblong folios). It is the indigenous form by which manuscripts have been crafted in South Asia and the cultural areas most influenced by it, that is to say Central and South East Asia. The volume focuses particularly on the colophons featured in such manuscripts presenting a series of essays enabling the reader to engage in a historical and comparative investigation of the links connecting the several manuscript cultures examined here. Colophons as paratexts are situated at the intersection between texts and the artefacts that contain them and offer a unique vantage point to attain global appreciation of their manuscript cultures and literary traditions. Colophons are also the product of scribal activities that have moved across regions and epochs alongside the pothi form, providing a common thread binding together the many millions of pothis still today found in libraries in Asia and the world over. These contributions provide a systematic approach to the internal structure of colophons, i.e. their ‘syntax’, and facilitate a vital, comparative approach.

A translation of six stories from the "Chin ku ch'i kuan."

The book consists of a collection of essays on aspects of Tulu oral literature and its cultural and religious context. Taking sung poetic ritual texts from the west coast of South India (coastal Karnataka) as her starting point, the author addresses the relationship between text structure and the social and geographical distribution of particular local and subregional cults; questions of gender and genre, of the correlation between narrative and ritual dramatization especially with respect to death, and of success and failure of rituals in the local perception. One essay studies features of South Indian popular cults in a wider perspective. Two of the nine essays discuss historical material relating to Basel Mission activities in the area and compare texts collected in the 19th century with versions collected by the author in the 1980s. The last paper provides a short synopsis of the author's 1995 German monograph on the topic.