“This book is not just about a man of science but also about a scientific culture in the making—warts and all.” —The New York Times Book Review Charismatic and controversial Swiss immigrant Louis Agassiz took America by storm in the early nineteenth century, becoming a defining force in American science. Yet today, many don’t know the complex story behind this revolutionary figure. At a young age, Agassiz—zoologist, glaciologist, and paleontologist—was invited to deliver a series of lectures in Boston, and he never left. An obsessive pioneer in field research, Agassiz enlisted the American public in a vast campaign to send him natural specimens, dead or alive, for his ingeniously conceived museum of comparative zoology. As an educator of enduring impact, he trained a generation of American scientists and science teachers, men and women alike—and entered into collaboration with his brilliant wife, Elizabeth, a science writer in her own right and first president of Radcliffe College. But there was a dark side to his reputation as well. Biographer Christoph Irmscher reveals unflinching evidence of Agassiz’s racist impulses and shows how avidly Americans at the time looked to men of science to mediate race policy. He also explores Agassiz’s stubborn resistance to evolution, his battles with a student—renowned naturalist Henry James Clark—and how he became a source of endless bemusement for Charles Darwin and esteemed botanist Asa Gray. “A wonderful . . . biography,” both inspiring and cautionary, it is for anyone interested in the history of American ideas (The Christian Science Monitor). “A model of what a talented and erudite literary scholar can do with a scientific subject.” —Los Angeles Review of Books

Published in conjunction with the Brooklyn Museum of Art, this volume accompanies the first major retrospective of 19th-century American painter Eastman Johnson (1824-1906) in more than 25 years. 210 illustrations, 110 in color.

After the Civil War, the South was divided into five military districts occupied by Union forces. Out of these regions, a remarkable group of writers emerged. Experiencing the long-lasting ramifications of Reconstruction firsthand, many of these writers sought to translate the era's promise into practice. In fiction, newspaper journalism, and other forms of literature, authors including George Washington Cable, Albion Tourgee, Constance Fenimore Woolson, and Octave Thanet imagined a new South in which freedpeople could prosper as citizens with agency. Radically re-envisioning the role of women in the home, workforce, and marketplace, these writers also made gender a vital concern of their work. Still, working from the South, the authors were often subject to the whims of a northern literary market. Their visions of citizenship depended on their readership's deference to conventional claims of duty, labor, reputation, and property ownership. The circumstances surrounding the production and circulation of their writing blunted the full impact of the period's literary imagination and fostered a drift into the stereotypical depictions and other strictures that marked the rise of Jim Crow. Sharon D. Kennedy-Nolle blends literary history with archival research to assess the significance of Reconstruction literature as a genre. Founded on witness and dream, the pathbreaking work of its writers made an enduring, if at times contradictory, contribution to American literature and history.