What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?

Forgotten follows the journey of a young woman through the mental health system. The story begins when she was six years old and diagnosed with anxiety, OCD, depression and anorexia. She was one of the youngest on the ward. It shows the bitter truth behind being a patient at such a young age in a mental health institution. She takes you through various stages of her life such as her school years where she struggled but didn’t understand why, she describes how frightened she was in such a catching way you can almost feel yourself in her little shoes. She takes you through her life of adolescence where it becomes apparent that friends are important and she has a moment of clarity in her life. It takes a turn for the worst when she falls in love and is beaten up and hides it from her parents The most gripping chapter that will startle most readers and hopefully help anyone who is in a similar situation to realise that it isn’t ok to be treated in that way. She was diagnosed with Asperger’s and bipolar at the age of 30 after over 20 years of fighting for help.

The essays in this volume reinterpret and contest the Gothic cultural inheritance, each from a specifically twenty-first century perspective. Most are based on papers delivered at a conference held, appropriately, in Horace Walpoleʼs Gothic mansion at Strawberry Hill in West London, which is usually seen as the geographical origin of the first, but not the last, of the many Gothic revivals of the past 300 years. In a contemporary context, the Gothic sensibility could be seen as a mode particularly applicable to the frightening instability of the world in which we find ourselves at the beginning of the twenty-first century. The truth is probably less epochal: that Gothic never went away (when were we ever without fear?), or at least has persisted since its resurgence in the late nineteenth century. Gothic is at least as modern as it is ancient, and each essay in this collection contributes to current scholarship on the Gothic by exploring a particular aspect of Gothic’s contemporaneity. The volume contains papers on horror novels and cinema, poetry, popular music and fan cultures.

An unlikely couple from opposing areas of society checks into an upscale hotel and shares twelve hours of passion, con games, and violence that culminate in bliss--and murder.

Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media investigates contemporary fiction, cinema and television shows set in the Victorian period that depict mad murderers, lunatic doctors, social dis/ease and madhouses as if many Victorians were “mad.” Such portraits demand a “rediagnosing” of mental illness that was often reduced to only female hysteria or a general malaise in nineteenth-century renditions. This collection of essays explores questions of neo-Victorian representations of moral insanity, mental illness, disturbed psyches or non-normative imaginings as well as considers the important issues of legal righteousness, social responsibility or methods of restraint and corrupt incarcerations. The chapters investigate the self-conscious re-visions, legacies and lessons of nineteenth-century discourses of madness and/or those persons presumed mad rediagnosed by present-day (neo-Victorian) representations informed by post-nineteenth-century psychological insights.

"Using the most common post-mortem process as the backbone of the narrative, [this book] takes the reader through the process of an autopsy while also describing the history and changing cultures of our relationship with the dead. The book [examines] what happens to our bodies in the end. Each chapter considers an aspect of an autopsy alongside an aspect of Carla's own life and work and touches on some of the more controversial aspects of our feelings towards death, including the relationship between sex and death and our attitudes toward human tissue collection"--