This title, originally published in 1990, is a contribution to the social and literary history of ethnic groups in America. Its sources are the writings – chiefly novels – of five authors of Eastern and Southern European descent, chosen because they depict the acculturation of their people, the meeting of their own ethnic group and American society. From their marginal stance, they expressed in fiction what they had observed and experienced, and they wrote symbolically of their journey to a choice of belonging to one group or the other. This title will be of interest to students of literature, history, and sociology.

This new volume of original essays focuses on the presence of European ethnic culture in American society since 1830. Among the topics explored in Immigrant America are the alienation and assimilation of immigrants; the immigrant home and family as a haven of ethnicity; religion, education and employment as agents of acculturation; and the contours of ethnic community in American society.

The focus of this volume in our ongoing series has shifted from the technological advances that were the topic of numerous papers in the previous book to more rigorous and empirical research, especially in the linguistics and methodology section. While the former is represented by the majority of papers, methodology still manages to surprise with new findings in often-overlooked areas, such as how to address students with impairments in English Language Teaching (ELT), the use of gesture, and the development of Massive Open Online Courses (MOOCs). The linguistics section starts out with a look at academic English as a lingua franca (ELF) practices, native and non-native English varieties and ELT, pragmatic markers and hedging, and corpora. The compact literary section correlates with the diversity inherent in the field and concerns ethnic writing, indigenous storytelling, animality and elaborations on postmodernist fiction. As such, this collection of research papers will bring topics and approaches to the attention of a wide spectrum of practitioners as both an impetus and inspiration.

'Leeworthy set out to write a biography which fully reflects the complexity of Thomas' life, especially foregrounding 'the political character of Gwyn's character and creative output' but he does so much more, expanding the reader's knowledge by giving us not just the life but also the times... This punchy portrait of a real Welsh literary heavyweight hits home with the brutal realism of Thomas' jabbing prose and mordant wit.' – Jon Gower, Nation.Cymru 'Fury of Past Time is a model of its kind. An immense amount of research has gone into this biography, which will be the standard work on Gwyn Thomas for many years to come. It deserves to be read by those who already admire the fiction and will be an invaluable introduction for anyone coming to his writing for the first time.' – John Barnie (A review from www.gwales.com, with the permission of the Books Council of Wales) 'Leeworthy knows his subject intimately, sympathises with him entirely, and locates him globally in such a way as to leave the reader with no doubt as to his importance as a writer... Fury of Past Time is destined to be the definitive work on 'the Rhondda Runyon' for many years to come.' – Bethan Jenkins, Wales Arts Review Gwyn Thomas was born, the last of twelve children, into a Rhondda mining family in 1913. After a childhood marked by the strikes of the 1920s, he went off to study Spanish at Oxford University and in Madrid, where he met the poet Federico García Lorca and witnessed the turmoil which would lead to the Spanish Civil War. On his return, amidst the economic mire of the 1930s and his own burgeoning teaching career in Barry in the 1940s, he picked up his pen and began to write. For more than forty years, until his death in 1981, as novelist, screenwriter, master of the short story, and prizewinning playwright, Gwyn Thomas delivered compelling and comedic portraits of his world of South Wales. His creative genius earned enduring fame on both sides of the Atlantic and on both sides of the European Cold War divide. As a provocative and insightful broadcaster, he embraced the possibilities of radio and television, whilst leaving his hosts and guests alike in fits of knowing laughter. This landmark biography, enriched with unrivalled access to private papers and international archives, tells the remarkable story of one of modern Wales's greatest literary voices.

Originally published in 1953, Burning Valley tells the story of Benedict Bulmanis, son of a Lithuanian immigrant steelworker in western Pennsylvania. Determined to become a priest, Benedict faces great inner conflict as he witnesses the steelworkers' struggle against the destruction of their homes as well as the separation of classes that even the church cannot escape. As the story unfolds, Benedict discovers his beliefs and values changing and becomes more sympathetic with the workers and union organizers. Alan Wald's introduction focuses on the semi-autobiographical aspect of Burning Valley as well as its "multifaceted dramatization of ethnicity and race".

In The Heart and the Island, Chiara Mazzucchelli explores the strong bond between Sicilian American writers and the island of Sicily. Self-contained yet connected to the mainland, geographically separated from yet politically united to the rest of Italy, Sicily occupies a unique position. Throughout the twentieth century, the sense of a distinct sicilianità—or Sicilianness—has manifested itself in a corpus of texts that, although subsumed under the broader context of Italian literature, have distinguished themselves as examples of an exquisitely Sicilian literary experience. Mazzucchelli argues that a parallel phenomenon—sicilianamericanità—has emerged in the United States. Focusing on the island's geography, history, and culture, she examines how many American authors of Sicilian descent derive inspiration from their ethnic milieu and lay out a recognizable set of Sicilian culture markers in their works, thereby producing a literature that is distinctly Sicilian American. Drawing on both Italian and Italian American scholarship, The Heart and the Island is the first full-length study of Sicilian American literature, and it opens a space for new interdisciplinary discussions on what it means to be Italian on both sides of the ocean.

American Night, the final volume of an unprecedented trilogy, brings Alan Wald's multigenerational history of Communist writers to a poignant climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, Wa