On June 8, 1883, Rev. Elisha Green was traveling by train from Maysville to Paris, Kentucky. At Millersburg, about forty students from the Millersburg Female College crowded onto the train, accompanied by their music teacher, Frank L. Bristow, and the college president, George T. Gould. Gould grabbed the reverend by the shoulder and ordered him to give up his seat. When Green refused, Bristow and Gould assaulted him until the conductor intervened and ordered the assailants to stop or he would throw them off of the train. Friends advised Green to take legal action, and he did, winning his case against his assailants in March 1884, though with only token compensation. The significance of this case lies not only in the prevailing justice of the 1800s, but also in the fact that a black man won a lawsuit against two white men. In The Assault on Elisha Green: Race and Religion in a Kentucky Community, historian Randolph Paul Runyon recounts one man's pursuit of justice over violence and racism in the nineteenth century. He tells the story of Green's life and follows the network of relationships that led to the event of the assault. Tracing these three men's lives brings the reader from the slavery era to the eve of the First World War, from Kentucky to New Mexico, from Covington to the Kentucky River Palisades, with particular focus on Mason and Bourbon Counties. In this engagingly written tale, Runyon masterfully interweaves background information with the immediacy of the harrowing attack and its aftermath, revealing the true character of the primary actors and the racial tensions unique to a border state.

Stephen Foster's "My Old Kentucky Home" has been designated as the official state song and performed at the Kentucky Derby for decades. In light of the ongoing social justice movement to end racial inequality, many have questioned whether the song should be played at public events, given its inaccurate depiction of slavery in the state. In Slavery and Freedom in the Bluegrass State, editor Gerald L. Smith presents a collection of powerful essays that uncover the long-forgotten stories of pain, protest, and perseverance of African Americans in Kentucky. Using the song and the museum site of My Old Kentucky Home as a central motif, the chapters move beyond historical myths to bring into sharper focus the many nuances of Black life. Chronologically arranged, they present fresh insights on topics such as the domestic slave trade, Black Shakers, rebellion and racial violence prior to the Civil War, Reconstruction, the fortitude of Black women as they pressed for political and educational equality, the intersection of race and sports, and the controversy over a historic monument. Taken as a whole, this groundbreaking collection introduces readers to the strategies African Americans cultivated to negotiate race and place within the context of a border state. Ultimately, the book gives voice to the thoughts, desires, and sacrifices of generations of African Americans whose stories have been buried in the past.

In 1969, nineteen-year-old Robert Hunt was found dead in the Cairo, Illinois, police station. The white authorities ruled the death a suicide, but many members of the African American community believed that Hunt had been murdered -- a sentiment that sparked rebellions and protests across the city. Cairo suddenly emerged as an important battleground for black survival in America and became a focus for many civil rights groups, including the NAACP. The United Front, a black power organization founded and led by Reverend Charles Koen, also mobilized -- thanks in large part to the support of local Christian congregations. In this vital reassessment of the impact of religion on the black power movement , Kerry Pimblott presents a nuanced discussion of the ways in which black churches supported and shaped the United Front. She deftly challenges conventional narratives of the de-Christianization of the movement, revealing that Cairoites embraced both old-time religion and revolutionary thought. Not only did the faithful fund the mass direct-action strategies of the United Front, but activists also engaged the literature on black theology, invited theologians to speak at their rallies, and sent potential leaders to train at seminaries. Pimblott also investigates the impact of female leaders on the organization and their influence on young activists, offering new perspectives on the hypermasculine image of black power. Based on extensive primary research, this groundbreaking book contributes to and complicates the history of the black freedom struggle in America. It not only adds a new element to the study of African American religion but also illuminates the relationship between black churches and black politics during this tumultuous era.