A charming new collection of previously unpublished and uncollected poems by Sir John Betjeman. John Betjeman's unforgettable poems on landscape and suburbia, desire and death, faith and doubt, helped to establish him as the beloved voice of a nation. Yet the ten books of poetry he published individually, later assembled in the Collected Poems, were an incomplete representation of his poetic oeuvre. Many poems published in journals or magazines were excluded from Betjeman's books by him or his editors and a substantial number of finished poems were never printed at all, remaining unknown to readers – until now. In this exquisite new edition of Betjeman's verse editor Kevin Gardner promises new treasures for 'Betj's' admirers the world over. Betjeman wrote many of these poems in the late 1920s and early 1930s, when he was still developing his unique poetic voice. They reveal a young poet experimenting with both Modernism and post-Romanticism, yet influenced by Shelley and Pope among others. Some of these poems are profoundly psychological, personal and deeply affecting to read today. Several have the delicate and eccentric touch of much of his early poetry and shed new light on his growth as a young poet, while many others reflect the sustained maturity of his later verse. Almost all are typically amusing and highly witty in the style typical of Betjeman; some verge on the bawdy and even, in one instance, point towards homosexuality. These charming and surprising new discoveries, found in archives as far apart as Austin, Texas, and Christ Church, Oxford, will delight poetry lovers and introduce a whole new generation to Betjeman's unforgettable work.

A landmark collection of poetry by acclaimed fiction writer, translator, and MacArthur Fellow John Keene, PUNKS: NEW & SELECTED POEMS is a generous treasury in seven sections that spans decades and includes previously unpublished and brand new work. With depth and breadth, PUNKS weaves together historic narratives of loss, lust, and love. The many voices that emerge in these poems--from historic Black personalities, both familial and famous, to the poet's friends and lovers in gay bars and bedrooms--form a cast of characters capable of addressing desire, oppression, AIDS, and grief through sorrowful songs that "we sing as hard as we live." At home in countless poetic forms, PUNKS reconfirms John Keene as one of the most important voices in contemporary poetry. "John Keene's PUNKS is utterly brilliant. The range, vision, depth and humanity he brings to the page are as galactic as Banneker's astral wanderings, as crisp as the chordal cutting of a searching horn, as courageous and small as a nose wide open. Keene's masterfully inventive inquiry of self and history is queered, Blackened, and joyously thick with multitudes of voice and valence. Amen to this exploration!"--Tyehimba Jess Poetry. African & African American Studies. LGBTQIA Studies.

William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. Sharp was a Scottish poet, novelist, biographer and editor who in 1893 began to write critically and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlisting his sister to provide the handwriting and address, and for more than a decade "Fiona Macleod" duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. Sharp wrote "I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out". This three-volume collection brings together Sharp’s own correspondence – a fascinating trove in its own right, by a Victorian man of letters who was on intimate terms with writers including Dante Gabriel Rossetti, Walter Pater, and George Meredith – and the Fiona Macleod letters, which bring to life Sharp’s intriguing "second self". With an introduction and detailed notes by William F. Halloran, this richly rewarding collection offers a wonderful insight into the literary landscape of the time, while also investigating a strange and underappreciated phenomenon of late-nineteenth-century English literature. It is essential for scholars of the period, and it is an illuminating read for anyone interested in authorship and identity.

This third and concluding volume in the grand "life trilogy" of Everson's complete poems -- following The Residual Years: Poems 1934-1948 and The Veritable Years: Poems 1949-1966, both reissued last year by Black Sparrow -- brings into focus for the first time the full sweep of one of the great accomplishments of American poetry. A poet of moral conscience, natural landscape and spiritual meditation, Everson produced work of astonishing intellectual energy, kinetic power and symbolic resonance in these writings of his later years -- his output from the last days of his life as a lay brother (Brother Antoninus) through his departure from religious orders, marriage, and resumption of a secular name and career. the sea lions are gone. In their place, Beyond the white line of the breakers, Drifts a gaggle of surfers, oblique on their boards, Facing seaward. From the shore One sees but the tilted torsos, Tense shoulders, the alert heads. They look to the far Wrinkling of the sea, surmisin increment: Which influx of the swell, impending, Will coalesce into consequentiality, Engender thrust, and, reaching forward, Stoop towering in, all ultimate Augmentation? This, in their mind's eye, Is the vision of beatitude: The great wave of their wonder.

The exquisite poetry of John B. Tabb (1845-1909) is rich in technical precision and concise expression. His keen perspective looks carefully around, peers into the depths of the soul, and gazes up at the heights. Little in nature escaped Father Tabb's notice: flowers; birdsong; the beating of the rain; the passage of sun, moon, and stars; the cycles of the seasons; and the march of the years. Everywhere, he saw reflections and heard echoes of the gamut of human experience-loneliness and companionship, losses and rewards, regrets and hopes, man and God. He expressed the essence of his unique vision in a profusion of small poems. This collection of 244 poems-most of which have no more than eight lines-displays the best of Tabb's work, gathered into sets that showcase his various approaches to similar topics. With notes to help the reader with unfamiliar words and concepts, Long to Love and Memory brings John B. Tabb's gems out into the light once more and sets them anew for a new century.