Why do artists write novels? What impact does the artist?s novel have on the visual arts? How should such a novel be experienced? In recent years, there has been a proliferation of visual artists who create novels as part of their broader art practice. They do so in order to address artistic issues by means of novelistic devices, favoring a sort of art predicated on process and subjectivity, introducing notions such as fiction, narrative, and imagination. In this sense, it is possible to see the novel as a new medium in the visual arts; yet very little is known about it. This two-volume publication is the first to explore in depth the subject of the artist?s novel.00Part 2, 'The Fantasy of the Novel', is a research project in the form of a novel; it examines the process of creating an artist?s novel derived from five episodic performances and an exhibition. The creative process was affected by the circumstances of production, including intersubjective relationships usually invisible to audiences. The protagonist assumes the role of a detective who tries to understand the conditions under which an artist decides to write, and how this writing is possible within an artistic setting.00Published with Part 1: 'A New Medium'(ISBN 9788867494224) as a two-volume publication.

Why do artists write novels? What impact does the artist?s novel have on the visual arts? How should such a novel be experienced? In recent years, there has been a proliferation of visual artists who create novels as part of their broader art practice. They do so in order to address artistic issues by means of novelistic devices, favoring a sort of art predicated on process and subjectivity, introducing notions such as fiction, narrative, and imagination. In this sense, it is possible to see the novel as a new medium in the visual arts; yet very little is known about it. This two-volume publication is the first to explore in depth the subject of the artist?s novel.00Part 1, 'A New Medium', is a theoretical examination that looks critically at the different ways contemporary artists employ the artist?s novel, focusing mainly on four key case studies: Benjamin Seror?s 'Mime Radio', Cally Spooner?s 'Collapsing in Parts', Mai-Thu Perret?s 'The Crystal Frontier', and Goldin+Senneby?s 'Headless'. It seeks to situate the artist?s novel within the broader context of the visual arts in the hopes of sparking a much-needed discussion about a practice that has long been ignored by critical strands in art discourse. It includes valuable resources, such as the only existing bibliography of artists? novels.00Published with Part 2: 'The Fantasy of the Novel'(ISBN 9788867494255) as a two-volume publication.

Prepare to lose yourself in the heady, mythical expanse of The Vorrh, a daring debut that Alan Moore has called “a phosphorescent masterpiece” and “the current century's first landmark work of fantasy.” Next to the colonial town of Essenwald sits the Vorrh, a vast—perhaps endless—forest. It is a place of demons and angels, of warriors and priests. Sentient and magical, the Vorrh bends time and wipes memory. Legend has it that the Garden of Eden still exists at its heart. Now, a renegade English soldier aims to be the first human to traverse its expanse. Armed with only a strange bow, he begins his journey, but some fear the consequences of his mission, and a native marksman has been chosen to stop him. Around them swirl a remarkable cast of characters, including a Cyclops raised by robots and a young girl with tragic curiosity, as well as historical figures, such as writer Raymond Roussel and photographer and Edward Muybridge. While fact and fictional blend, and the hunter will become the hunted, and everyone’s fate hangs in the balance, under the will of the Vorrh.

Readers are invited to immerse themselves in the sovereignty of New Perigord, brought to life through the artistry of the author and illustrator, Ben Boos.

In Tira Virte, art is prized for its beauty and as a binding legal record of everything from marriages to treaties. Yet not even the Grand Duke knows how extraordinary the Grijalva family's art is, for certain Grijalva males are born with the ability to alter events and influence people in the real world through that they paint. Always, their power has been used for Tira Virte. But now Sario Grijalva has learned to use his Gift in a whole new way. And when he begins to work his magic both the Grijalvas and Tira Virte may pay the price.

Invaluable tutorials and insightful tips make Beginner's Guide to Fantasy Drawing a perfect start to a fantasy art journey.

Dick Jude, author of the previous book, brings together the work of 10 more of the brightest talents in the business, who once more give us an insight into their working methods and inspirations. Some of the press comments on Fantasy Art of the New Millennium - 'Apart from the sheer pleasure of gazing, there's a lot to be learned in this superior graphics treasury. Beautiful images, superbly reproduced.' Time Out'... book full of wonder. It's a brilliant look at artwork, past, present and future and if you don't have it, add it to your Christmas list now.' Starburst '... beautiful book, packed with enormous, lavish illustrations from each of the artists involved... affords a glimpse into the minds of many of the genre's finest painters and illustrators and it'll look great on your coffee table.'