From their inception, video games quickly became a major new arena of popular entertainment. Beginning with very primitive games, they quickly evolved into interactive animated works, many of which now approach film in terms of their visual excitement. But there are important differences, as Arthur Asa Berger makes clear in this important new work. Films are purely to be viewed, but video involves the player, moving from empathy to immersion, from being spectators to being actively involved in texts. Berger, a renowned scholar of popular culture, explores the cultural significance of the expanding popularity and sophistication of video games and considers the biological and psychoanalytic aspects of this phenomenon.Berger begins by tracing the evolution of video games from simple games like Pong to new, powerfully involving and complex ones like Myst and Half-Life. He notes how this evolution has built the video industry, which includes the hardware (game-playing consoles) and the software (the games themselves), to revenues comparable to the American film industry.

Drawing on a range of authors that includes Zadie Smith, Sally Rooney, Ben Lerner, Ali Smith, Tom McCarthy, Jennifer Egan and Kazuo Ishiguro, this book provides an innovative and original analysis of the interdependencies between digital technology and metamodernism through a detailed study of the contemporary novel. We are currently living through a period of profound rupture, in which the way the world is perceived is undergoing significant change. Just as the interplay between capitalism and technology hastened the evolution of modernism and postmodernism, then so too are those same forces now taking us into uncharted waters. In an increasingly fragile world, in which the very existence of humankind is threatened, it is vital that we begin to understand this new landscape.

This charming early work, first published in 1906, is the tenth book in a series of twelve ‘coloured’ fairy books published by Andrew Lang between 1889 and 1910. Each volume is distinguished by its own colour, and all in all, 437 tales from a wide array of cultures and countries are presented. The Orange Fairy Book is illustrated with numerous black and white illustrations by the master artist H.J. Ford. This book is thoroughly recommended for inclusion on the shelf of all folklorists and lovers of fairy tales. A delightful read for both adult and child. Includes 33 tales from Jutland, Rhodesia, Uganda, and various other European traditions. Tales include: The Magic Mirror, The Fox and the Wolf, The Ugly Duckling, The Enchanted Wreath, The Clever Cat, The Three Treasures of the Giants, The White Doe, The Princess Bella-Flor, The White Slipper and The Magic Book. Andrew Lang (1844 – 1912) was a Scots poet, novelist and literary critic, with a passion for folkloric storytelling. Most of his volumes (including this, ‘The Orange Fairy Book’) were beautifully illustrated by Henry J. Ford (1860 – 1941), an inordinately talented artist who came to public attention with his illustrations for Lang. The books captured the imagination of British children and later became worldwide bestsellers in the 1880s and 1890s.

"If readers of Sara Tanderup Linkis’ "Something to hold on to ..." open the book in the expectation of entering a niche of literature and literary studies, they will leave it after having encountered a new highway in literature. Here, the traditional theme of memory and the most recent use of digital media merge into a new understanding of the role of the book in the contemporary media landscape and of vicissitudes of memorial processes literature, which also offers a broader perspective on literature in human history. Spurred by Sara Tanderup Linkis’ sharp eye the readings of texts are lucid, engaging and offers so many ideas that teachers will renew their curricula, and readers will open the internet for more or rush to the library." — Svend Erik Larsen, professor emeritus Memory, Intermediality, and Literature investigates how selected literary works use intermedial strategies to represent and perform cultural memory. Drawing on the theoretical perspectives of cultural memory studies, this engaging, reader-friendly monograph examines new materialism and intermediality studies, analyzying works by Alexander Kluge, W.G. Sebald, Jonathan Safran Foer, Anne Carson, Mette Hegnhøj, William Joyce, J.J. Abrams and Doug Dorst. The works emerge out of different traditions and genres, ranging from neo-avant-garde montages through photo-novels and book objects to apps and children’s stories. In this new monograph, Sara Tanderup Linkis presents an interdisciplinary and comparative approach, reading the works together, across genres and decades, and combining the perspectives of memory studies and materialist and media-oriented analysis. This approach makes it possible to argue that the works not only use intermedial strategies to represent memory, but also to remember literature, reflecting on the changing status and function of literature as a mediator of cultural memory in the age of new media. Thus, the works may be read as reactions to modern media culture, suggesting the ways in which literature and memory are affected by new media and technologies – photography and television as well as iPads and social media.

This series presents a comprehensive, global and up-to-date history of English-language prose fiction and written ... by a international team of scholars ... -- dust jacket.

This charming early work, first published in 1907, is the eleventh book in a series of twelve ‘coloured’ fairy books published by Andrew Lang between 1889 and 1910. Each volume is distinguished by its own colour, and all in all, 437 tales from a wide array of cultures and countries are presented. The Olive Fairy Book is illustrated with numerous black and white illustrations by the master artist H.J. Ford. This book is thoroughly recommended for inclusion on the shelf of all folklorists and lovers of fairy tales. A delightful read for both adult and child. It includes 30 unusual stories from Turkey, India, Denmark, Armenia, and Sudan. Tales include: Geirlug The King's Daughter, Jackal or Tiger?, Diamond Cut Diamond, The Five Wise Words of the Guru, The Snake Prince, The Clever Weaver and many more. Andrew Lang (1844 – 1912) was a Scots poet, novelist and literary critic, with a passion for folkloric storytelling. Most of his volumes (including this, ‘The Olive Fairy Book’) were beautifully illustrated by Henry J. Ford (1860 – 1941), an inordinately talented artist who came to public attention with his illustrations for Lang. The books captured the imagination of British children and later became worldwide bestsellers in the 1880s and 1890s.