The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T162172 Attributed to Carington Bowles; the second edition [1770?] has the imprint: printed for the author T. Kitchin. London: printed for Robert Sayer, and John Smith, as the Acts directs, 4th January, 1772. [8],48p., plates; 8°

While few historians would dispute the importance of the printed book in the development of domestic design in 18th- and 19th-century Britain, this is the first major study to trace the evolution of architectural ideas during the period by examining the literary output of architects. It is a work of extraordinary scholarship, based on an extensive search of dozens of major library collections, that will serve as a standard resource for researchers and librarians, book dealers and collectors. Most of the book is devoted to descriptions of hundreds of books and periodicals containing original designs for domestic structures. The earliest title described is Colen Campbell's Vitruvius Britannicus (1715), an important Palladian manifesto and the first book to illustrate a series of the author's own executed designs for dwellings, intended to redirect and reform British architectural taste, and the latest title is Supplement (1842) to John Claudius Loudon's Encyclopedia. Related materials on agriculture, landscape design, drawing, and perspective also are covered. Each entry includes a bibliographic description of all known editions and a commentary that describes and analyzes the text and plates, focusing in particular on the author's ideas and approaches to design issues. Appendixes to the principal entries provide a checklist of additional handbooks and manuals by important authors such as Crunden, Halfpenny, Langley, Nicholson, Pain, Richardson, Salmon, and Swan, and books showing domestic interiors. There is also a valuable short-title chronological list, and a list of printers, publishers, and booksellers. In a lengthy introductory essay, Archer discusses architecture and the book trade, the format and content of the books, and aspects of architectural theory and design-including ideas of "character" and "retirement," dwelling types such as villas, cottages, and row houses, model housing for laborers, and town and village planning. John Archer is Associate Professor in the Humanities Program at the University of Minnesota.