Examines the first generation of artists in Britain to define themselves as history painters, attempting what then was considered to be art's most exalted category. This book features more than 120 black-and-white illustrations.

In this examination of self-taught artists who are often on the fringes of the social system, the inner workings of a traditional network of money, status, and values are revealed, describing how authenticity is central to this system.

Presents a biography of the artist's life and explores his career as a cartoonist and comic book illustrator with such publishing houses as Western, Dell, and National Periodicals, along with a compilation of some of his work.

Dean Mullaney and Bruce Canwell continue their comprehensive review of the life and art of Alex Toth in Genius, Illustrated. Covering the years from the 1960s to Toth's poignant death in 2006, this oversized 9.5" v 13" book features artwork and complete stories from Toth's latter-day work at Warren, DC Comics, Red Circle, Marvel, and his own creator-owned properties, plus samples of his animation work for Hanna-Barbera, Ruby-Spears, and others, as well as sketchbook pages, doodles, advertising art, and other rarities provided through the cooperation of Toth's family and his legion of fans. Two of Toth's best stories are reproduced complete from the original artwork: "Burma Skies" and "White Devil…Yellow Devil." A full-length text biography will chart the path from Toth's increasingly-reclusive lifestyle to his touching re-connection to the world in his final years. Fans of comics, cartoons, and all-around great artwork revere Alex Toth. See why Genius, Illustrated — along with its companion volume, 2011's Genius, Isolated — are being praised as the definitive examination of the life and art of The Master, Alex Toth. Winner of the 2014 Eisner Awards for Best Comics-Related Book and Best Publication Design.

This study begins with an introduction to Velazquez's life. The authors then examine how the artist devised his techniques and how they changed over time. The photographs aim to demonstrate how Velazquez realised his vision of man and nature through a highly allusive, economical manner of painting.

Examines "melancholia" as a philosophical, medical, and social phenomenon in early modern art. Argues that, despite advances in art and science, the topos of the dispirited intellectual continues to function metaphorically as a locus for society's fears and tensions.