THE ART OF HORROR: AN ILLUSTRATED HISTORY

The official art book for the new Netflix/Intrepid Pictures horror TV series Midnight Mass, from creator Mike Flanagan. A small town on an island experiences miraculous events – and frightening omens – after the arrival of a charismatic, mysterious young priest. The cast includes Kate Siegel, Henry Thomas, Zach Gilford, and Hamish Linklater. Midnight Mass: The Art of Horror is a large hardback illustrated book featuring visual and written materials covering all elements of Intrepid Pictures’ Midnight Mass limited series - debuting on Netflix in Fall 2021. This book is the perfect gift for any horror fan and will contain a slew of behind-the-scenes and background material, such as production art and set photos throughout. Readers will gain an insightful understanding of how the show was made with interviews of the cast, crew, executive producer Trevor Macy and Mike Flanagan himself. Mike Flanagan and Trevor Macy are the minds behind The Haunting of Hill House, a successful horror TV series on Netflix. Their most recent film, Doctor Sleep, was the critically-acclaimed sequel to Stephen King’s The Shining.

Explore the witch-cursed, legend-haunted world of Arkham Horror with an expansive tome that showcases material from the hit tabletop games and each of their expansions! Inspired by the works of H.P. Lovecraft, the bizarre and terrifying town of Arkham, Massachusetts, is peopled with courageous townsfolk, wise mystics, and curious academics who seek to understand the unknowable ancient entities that dwell at the edge of our reality. This full color hardcover collection showcases dynamic illustrations of the investigators and their allies, as well as the monsters directly inspired by the Cthulhu Mythos—even the Ancient Ones themselves! Alongside the eldritch creatures and intrepid investigators, each brooding location is beautifully rendered in a large, lush format so that readers can examine every amazing detail. Dark Horse Books and Asmodee join forces to present The Art of Arkham Horror! This volume is a must-have for any fan of table-top gaming or H.P. Lovecraft lore!

Through 40 chilling and beautiful color paintings, bestselling science fiction and fantasy artist Wayne Barlowe details an amazing visual journey into the strange, frightening, and bizarre world of hell.

Graham Humphreys' career as a poster artist looms large over horror cinema. From designing the iconic Evil Dead poster to Nightmare on Elm Street and House of a Thousand Corpses, his work is familiar to everyone. It's easy to see why his work grabs the attention of horror fans and filmmakers alike as he continually and systematically sets the bar ever higher in his quest for sheer terror and pure entertainment. With more than 40 years experience he is one of the few contemporary illustrators using the traditional medium of gouache to paint his images. Includes previously unseen work: paintings, drawings, and color studies.

Even before Jean-Luc Godard and other members of the French New Wave championed Hollywood B movies, aesthetes and cineasts relished the raw emotions of genre films. This contradiction has been particularly true of horror cinema, in which the same images and themes found in exploitation and splatter movies are also found in avant-garde and experimental films, blurring boundaries of taste and calling into question traditional distinctions between high and low culture. In Cutting Edge, Joan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal horror's subversiveness as a genre. In her treatment of what she terms "art-horror" films, Hawkins examines home viewing, video collection catalogs, and fanzines for insights into what draws audiences to transgressive films. Cutting Edged provides the first extended political critique of Yoko Ono's rarely seen Rape and shows how a film such as Franju's Eyes without a Face can work simultaneously as an art, political, and splatter film. The rediscovery of Tod Browning's Freaks as an art film, the "eurotrash" cinema of Jess Franco, camp cults like the one around Maria Montez, and the "cross-over" reception of Andy Warhol's Frankenstein are all studied for what they reveal about cultural hierarchies. Looking at the low aspects of high culture and the high aspects of low culture, Hawkins scrutinizes the privilege habitually accorded "high" art -- a tendency, she argues, that lets highbrow culture off the hook and removes it from the kinds of ethical and critical social discussions that have plagued horror and porn. Full of unexpected insights, Cutting Edge calls fora rethinking of high/low distinctions -- and a reassigning of labels at the video store.