Schafroth explores the historical development of the game of chess, and chess pieces as both art forms and reflections of the cultures which produced them. The author includes worldwide collections of chess pieces, with particular focus on the diverse collection of some 300 sets at the Maryhill Museum of Art in Goldendale, Washington. The text is academic, but accessible to the general reader interested in chess, history, and art and culture. Lavishly illustrated with color photographs. The author's credentials are not stated. Annotation copyrighted by Book News, Inc., Portland, OR

The Art of the Game of Chess is the first English translation of Fr. Ruy López’s 1561 book about chess, Libro de la invención liberal y arte del juego del ajedrez. López was a priest who served as King Philip II’s confessor and royal advisor. As a connoisseur of chess, King Philip II promoted the game in his court, and it did not take long for López to become known as Spain’s and one of Europe’s greatest chess players. López is widely acclaimed as one of the most influential chess thinkers of all time whose theories of chess are an integral part of how chess is played today. Academics, including historians, linguists, sociologists, and Hispanists, as well as non-academics, especially chess enthusiasts, will appreciate this translation, which opens with a Foreword by Andrew Soltis, who is a Grandmaster and a United States Chess Hall of Fame Inductee, and includes a critical introduction and more than 275 footnotes.

"The beauty of a game of chess is usually appraised, and with good reason, according to the sacrifices it contains. On principle we incline to rate a sacrificial game more highly than a positional game. Instinctively we place the moral value above the scientific. We honor Capablanca, but our hearts beat higher when Morphy’s name is mentioned." — Introduction. Perhaps the strongest Austrian-born grandmaster of the20th century, Rudolf Spielmann (1883–1942) defeated such world-class opponents as Nimzovich, Tartakower, Bogoljubov — and even the great Capablanca. Among the reasons for his success was his mastery of the art of sacrifice. In this ground-breaking classic, distilled from 40 years of tournament play, he outlines the hard-won lessons that enable a player to win games by giving up pieces! Drawing on dozens of his own games against such topflight players as Schlechter, Tartakower, Bogoljubov, Reti, Rubinstein and Tarrasch, Spielmann describes and analysis various type of sacrifices: (positional, for gain, mating) and real sacrifices: (for development, obstructive, preventive, line-clearance, vacating, deflecting and more). The result was the first systematic attempt to explain and exploit the theory of chess sacrifice; it remains an extremely helpful and useful weapon in the arsenal of chess players at every level.

The Art of Human Chess: A Study Guide to Winning is a masterpiece. Its intended purpose is to teach the science of winning, giving the ordinary person on the streets and the person fresh out of college a chance to compete with the ruthless sharks in today's marketplace. This book is for those who choose to win in all walks of life. To buy it is to invest in your future and guarantee yourself an edge on your competitors, making you the ultimate human chess player.

The Dinka have a connoisseur's appreciation of the patterns and colours of the markings on their cattle. The Japanese tea ceremony is regarded as a performance art. Some cultures produce carving but no drawing; others specialize in poetry. Yet despite the rich variety of artistic expression to be found across many cultures, we all share a deep sense of aesthetic pleasure. The need to create art of some form is found in every human society.In The Art Instinct, Denis Dutton explores the idea that this need has an evolutionary basis: how the feelings that we all share when we see a wonderful landscape or a beautiful sunset evolved as a useful adaptation in our hunter-gather ancestors, and have been passed on to us today, manifest in our artistic natures. Why do people indulge in displaying their artistic skills? How can we understand artistic genius? Why do we value art, and what is it for? These questions have long been asked by scholars in the humanities and in literature, but this is the first book to consider the biological basis of this deep human need.This sparking and intelligent book looks at these deep and fundamental questions, and combines the science of evolutionary psychology with aesthetics, to shed new light on longstanding questions about the nature of art.