"This book was published to coincide with the exhibition Diaghilev and the Golden Age of the Ballet Russes 1909-1929 at the Victoria and Albert Museum, London, 25 September 2010-9 January 2011"--Title page verso.

Præsentation af en række balletter illustreret med fotografier og tegninger af kostumer og kulisser, ordnet alfabetisk efter designeren

The era of the Ballets Russes is probably the most chronicled in dance history, yet this book is the first to explain the company as a totality--its art, enterprise, and tudience. Taking a fresh look at familiar sources and incorporating fascinating archival material previously unexamined by Diaghilev scholars, Lynn Garafola paints an extraordinary portrait of the Ballets Russes, one that is bound to upset received opinion about the wellsprings and impact of early modernism.

The success of the Ballets Russes was legendary, but there is more to the legend than its name: the actual story, the adventure, conceived by one man and lived by a few, that lasted only eight seasons and three summers. From 1911 to 1914, Serge Diaghilev, driven by conviction and stubbornness, turned his vision into reality. He collaborated with the likes of Leon Bakst, Igor Stravinsky, and Picasso to create an explosion of creativity in Western Europe which had never before been seen in the world of art. Thanks to Diaghilev's Ballets Russes, the most glorious page in the history of ballet, one of the most magnificent moments in the adventure of Art, was written. To turn the pages of this stunning book, which offers rare documents from the legendary Ballets Russes from 1911 to 1914 (Monte Carlo years), is to follow Diaghilev on his creative quest--a journey that continues to influence art, theater, ballet, and fashion to this day.

The Ballets Russes has engaged people for 100 years, ever since Russian-born Sergei Diaghilev created this dynamic avant-garde company. Diaghilev brought together some of the most important visual artists of the 20th century - Pablo Picasso, Henri Matisse, Andr Derain, Robert and Sonia Delaunay, Georges Braque, Giorgio de Chirico, Natalia Gonchorova and Mikhail Larionov and more - who worked as costume and stage designers with composers such as Igor Stravinky, choreographers such as Michel Fokine, and dancers such as Vaslav Nijinsky, infusing new life and creative energy into the performing arts of the time. Premiering in Paris, the Ballets Russes, for the brief period of its existence (1909 - 29), created exotic, extravagant, and charming theatrical spectacle but also critical discussion and technical innovation, as well as exuding glamour - and often creating scandal - wherever it appeared. The costumes featured in this book are drawn entirely from the National Gallery of Australia's world-renowned collection of Ballets Russes costumes and ephemera. Through the costumes, drawings, programs and posters, the visual spectacle of the Ballets Russes is brought back into view for a contemporary audience to appreciate the revolution it was and the ongoing influence it continues to have today. This book is a must for anyone interested in the performing arts, the intersection of art and design, and costume and fashion.

In the two decades between its debut performance and the death of impresario Sergei Diaghilev in 1929, the Ballets Russes was an unrivalled sensation in Paris and around the world. But while scholarly attention has often centered on the links between Diaghilev’s troupe and modernist art and music, there has been surprisingly little analysis of the Ballets’ role in the area of tastemaking and trendsetting. Ballets Russes Style addresses this gap, revealing the extent of the ensemble’s influence in arenas of high style—including fashion, interior design, advertising, and the decorative arts. In Ballets Russes Style, Mary E. Davis explores how the Ballets Russes performances were a laboratory for ambitious cultural experiments, often grounded in the aesthetic confrontation of Russian artists who traveled with the troupe from St. Petersburg—Bakst, Benois, and Stravinsky among them—and the Parisian avant-garde, including Picasso, Matisse, Derain, Satie, Debussy, and Ravel. She focuses on how the ensemble brought the stage and everyday life into direct contact, most noticeably in the world of fashion. The Ballets Russes and its audience played a key role in defining Paris style, which would echo in fashions throughout the century. Beautifully illustrated, and drawing on unpublished images and memorabilia, this book illuminates the ways in which the troupe’s innovations in dance, music, and design mirrored and invigorated contemporary culture.

The dance, art, music, and cultural worlds of the Ballets Russes--a dance company which helped define the avant-garde in the early part of this century--are surveyed in this book, which begins with Serge Diaghilev's influence. 200+ illustrations.