"V izdanii publikuetsia kollektsiia drevnostei Kipra iz sobraniia GMII im. A.S. Pushkina - skul'ptury, terrakotovye figury, keramicheskie vazy, izdeliia iz kosti i bronzy, monety. Publikatsiiu predvariaiut stat'i, posviashchennye kul'ture i iskusstvu Kipra i istorii izucheniia artefaktov drevnego Kipra. Izdanie na angliiskom iazyke"--Vendor's description.

The Cesnola Collection of antiquities from Cyprus preserves the island’s artistic traditions from prehistoric through Roman times and represents the first large group of ancient Mediterranean works to enter the museum’s collection. This publication which focuses on Ancient Glass and is the third volume in a series aimed at publishing the collection in its entirety. This catalogue contains descriptions and illustrations of 520 glass vessels and objects. Although the majority of the glass is Roman, the scope of the collection extends from the Late Bronze Age through the end of antiquity (ca. 1500 B.C.– A.D. 600). It is the first attempt in over a century to provide a detailed account of the ancient glass found on Cyprus by Cesnola.

The question of how to define the territories of the ancient polities (city-kingdoms) of Iron Age Cyprus is a fascinating, but also a very difficult one. While this topic has already been widely explored by previous scholarship, recent investigations that include both modern approaches, such as the application of landscape archaeological methodologies, as well as a re-evaluation of the available archaeological evidence from a new perspective, now offers a fresh take on such questions. A workshop organized in Berlin in 2018 aimed at discussing additional information on the topography of the ancient city of Idalion and its hinterland. This volume therefore includes unique contributions that deal with a wide array of relevant aspects. They provide new information on the location, chronology and character of settlements, necropoleis and sanctuaries from the wider area of Idalion, and discuss important issues such as the continuity or discontinuity of settlement activities from the (Late) Bronze Age to the Iron Age and how this is reflected by material culture. They address questions concerned with the physical control of territories and communication networks by considering Idalion’s resource availability and the overall development of its rural settlement pattern in contrast to that of its neighbouring polities.

This volume assembles more than 30 articles focusing on the visual, material, and environmental arts of the Ancient Near East. Specific case studies range temporally from the fourth millennium up to the Hellenistic period and geographically from Iran to the eastern Mediterranean. Contributions apply innovative theoretical and methodological approaches to archaeological evidence and critically examine the historiography of the discipline itself. Not intended to be comprehensive, the volume instead captures a cross-section of the field of Ancient Near Eastern art history as its stands in the second decade of the twenty-first century. The volume will be of value to scholars working in the Ancient Near East as well as others interested in newer art historical and anthropological approaches to visual culture.

In 2008, the Berlin Antikensammlung initiated a project with the J. Paul Getty Museum to conserve a group of ancient funerary vases from southern Italy. Monumental in scale and richly decorated, these magnificent vessels were discovered in hundreds of fragments in the early nineteenth century at Ceglie, near Bari. Acquired by a Bohemian diplomat, they were reconstructed in the Neapolitan workshop of Raffaele Gargiulo, who was considered one of the leading restorers of antiquities in Europe. His methods exemplify what was referred to as “une perfection dangereuse,” an approach to reassembly and repainting that made it difficult to distinguish what was ancient and what was modern. Bringing together archival documentation and technical analyses, this volume provides a comprehensive study of the vases and their treatment from the nineteenth century up to today. In addition to lavish illustrations, two in-depth essays on the history of the vases and on Gargiulo’s work, as well as detailed conservation notes for each object, this publication also features the first English translation of Gargiulo’s original text on his understanding as to how ancient Greek vases were manufactured. This is the companion volume to an exhibition on view at the Getty Villa, from November 19, 2014, to May 11, 2015, and then at the Antikensammlung, Staatliche Museen zu Berlin from June 17, 2016, to June 18, 2017.