Rothenberg's work offers the first analytical, full length study of the army of Francis Joseph throughout its history from 1815 to 1918.

The author’s masterpiece, an epic saga of a family and an empire in decline, is “full of psychological penetration and tragic force” (The New Yorker). The Radetzky March, Joseph Roth’s classic novel of the Austro-Hungarian Empire, follows three generations of the privileged von Trotta family as Europe advances inexorably toward World War I. With a breadth and richness that draws comparison to Tolstoy, it encompasses the entire social fabric of Austro-Hungarian society. Shot through with dark humor and tragic irony, The Radetzky March is an unparalleled portrait of a civilization in decline, and as such a universal story for our times. “A masterpiece . . . The totality of Joseph Roth’s work is no less than a tragédie humaine achieved in the techniques of modern fiction. No other contemporary writer, not excepting Thomas Mann, has come close to achieving the wholeness . . . that Lukács cites as our impossible aim.” —Nadine Gordimer

Did you ever wonder how and why Franz Conrad von Hötzendorf (1852-1925) earned his reputation for brilliance, while failing so miserably during the First World War? In examining Conrad’s life and career, including his years as a military writer, teacher of tactics, and a peacetime troop commander before 1906, this first modern biography offers a fascinating and impressive explanation of his thoughts and actions. Franz Conrad von Hötzendorf (1852-1925) served as Austro-Hungarian chief of the general staff between 1906 and 1917, and was a leading figure in the origins and conduct of the First World War. In no other country did a single general serve as the leading prewar tactician, prewar and wartime strategist, and wartime army commander. Because Conrad filled all of these roles in Austria-Hungary, he had no equal among the military men leading the old order of Europe to destruction in 1914-1918.

A masterful account of the Hapsburg Empire's bumbling entrance into World War I, and its rapid collapse on the Eastern Front The Austro-Hungarian army that attacked Russia and Serbia in August 1914 had a glorious past but a pitiful present. Speaking a mystifying array of languages and lugging obsolete weapons, the Habsburg troops were hopelessly unprepared for the industrialized warfare that would shortly consume Europe. As prizewinning historian Geoffrey Wawro explains in A Mad Catastrophe, the disorganization of these doomed conscripts perfectly mirrored Austria-Hungary itself. For years, the Empire had been rotting from within, hollowed out by complacency and corruption at the highest levels. When Germany goaded Austria into starting the world war, the Empire's profound political and military weaknesses were exposed. By the end of 1914, the Austro-Hungarian army lay in ruins and the course of the war seemed all but decided. Reconstructing the climax of the Austrian campaign in gripping detail, A Mad Catastrophe is a riveting account of how Austria-Hungary plunged the West into a tragic and unnecessary war.

The life of Emperor Francis Joseph can only be understood in close connection with the political transformation of Europe and the progressive shift in world power that went on during the century between the Congress of Vienna and the Treaty of Versailles. It is from that standpoint that it is here written. At the same time the specific content of this description is his human and political personality. On no other terms can any bounds be set or any form given to the vast mass of interconnected historical events covered by the period of Francis Joseph’s life and reign. Since, however, whether as man or ruler, he falls far short of being an embodiment of human greatness, it is in a somewhat limited sense only that he fills the conception of a historic personality. So comprehensive, on the other hand, is the range of countries and peoples over whom he reigned; so extensive is the period of his governance; so mighty and multifarious are the European issues influenced, and deeply influenced, by his action and his character, that, judged by the test of influence on great events, he must be said to have counted for more than any other European monarch of the nineteenth century. Compared with his, the singular and momentous career of Napoleon III is but an entr’acte in Europe. Guardian of an ancient line, inheritor and defender of rights that date far back into medieval times, natural foe of the modern struggle to transform Europe into a series of closed national states, Francis Joseph assumed and maintained for sixty years a position in the Europe that the war destroyed to which that of no other sovereign affords an analogue. What makes him all the more impressive is that there was in him, as in no other European monarch of the past century, a perfect correspondence between the man and his work. To Francis Joseph and to the Empire that came to an end in 1918 the saying certainly applies which is the veritable title deed of biographical history—History is made by men. Even in a period preoccupied as is our own with research into the development and function of ideas and of institutions, economic, social and political, history cannot omit personality, since it is the instrument through which the will of a nation or a state has to be exercised. Least of all can this be done where, as with Francis Joseph, the idea of the ruler overpowers that of the man and makes his personal individuality its servant.