Moore traces and re-interprets the significance of the architecture of the Christian Holy Land within changing religious and political contexts.

Since early Christianity, wood, earth, water and stone were taken from loca sancta to signify them elsewhere. Unlike textual or visual representations, natural materials not only represent the Holy Land; they are part of it. This book examines the processes of their sanctification and how, although inherently abstract, they become charged with meaning.

Biblical scholar and seasoned pilgrimage guide Stephen J. Binz offers an up-to-date handbook for experiencing the sites of the Holy Land as a disciple of Jesus. Whether contemplating future travel, on the road of pilgrimage, savoring memories of a past trip, or journeying in mind and heart from an armchair, readers will explore the nature of pilgrimage and encounter the places of the Holy Land from a biblical, historical, meditative, and prayerful perspective. This guide will enable Christians to walk in the footsteps of Jesus, confident that their pilgrimage will be both an educational journey and a transforming spiritual experience. Full-color illustrations throughout!

An analytical history of the Hellenistic, Roman, Byzantine, Umayyad, and Early Abbasidmosaics in the Holy Land from the second century B.C.E to eighth century C.E.

The Religious Architecture of Islam is a wide-ranging multi-author study of the architectural traditions associated with the religion of Islam across the globe. A total of 59 essays by 48 authors are presented across two volumes, Volume 1: Asia and Australia and Volume 2: Africa, Europe, and the Americas. Essays address major themes across historical and contemporary periods of Islam and provide more focused studies of developments unique to specific regions and historical periods. The essays cover Islamic religious architecture broadly defined, including mosques, madrasas, saints' shrines, and funerary architecture. The Religious Architecture of Islam both provides an introduction to the history of Islamic architecture and reflects the most recent scholarship within the field.

The title of the volume may be a little perplexing: Archaeology on Either Side. But on either side of what? The picture we chose for the front cover might give an indication of the answer. This image shows two sides of the River Jordan – the Israeli side and the Jordanian side – both part of the Holy Land! Or we might understand the “either side” of our topic in another way, that is, archaeology both as the study of artifacts and archaeology as the study of literary sources. In the contributions the reader will find all these topics and much more: essays on excavations or archaeological findings in the Holy Land as defined above, and essays on literary sources linked to the history of the ancient Near East, especially in the time of the Christian/Common Era (CE). The book is made up of three main sections: “Excavations and Topographical Surveys”; “Architecture, Decorations, and Art”; “Epigraphy and Sigillography”. Some articles touch on more than one specific section, so they may be found between sections.

Medieval Jerusalem was a vibrant international center, home to multiple cultures, faiths, and languages. Harmonious and dissonant voices from many lands, including Persians, Turks, Greeks, Syrians, Armenians, Georgians, Copts, Ethiopians, Indians, and Europeans, passed in the narrow streets of a city not much larger than midtown Manhattan. Patrons, artists, pilgrims, poets, and scholars from Christian, Jewish, and Islamic traditions focused their attention on the Holy City, endowing and enriching its sacred buildings, creating luxury goods for its residents, and praising its merits. This artistic fertility was particularly in evidence between the eleventh and fourteenth centuries, notwithstanding often devastating circumstances—from the earthquake of 1033 to the fierce battles of the Crusades. So strong a magnet was Jerusalem that it drew out the creative imagination of even those separated from it by great distance, from as far north as Scandinavia to as far east as present-day China. This publication is the first to define these four centuries as a singularly creative moment in a singularly complex city. Through absorbing essays and incisive discussions of nearly 200 works of art, Jerusalem, 1000–1400: Every People Under Heaven explores not only the meaning of the city to its many faiths and its importance as a destination for tourists and pilgrims but also the aesthetic strands that enhanced and enlivened the medieval city that served as the crossroads of the known world.