The Arch of Titus: From Jerusalem to Rome—and Back explores the shifting meanings and significance of the Arch of Titus from the Jewish War of 66–74 CE to the present—for Romans, Christians and especially for Jews.

Introduction: Standing before the Arch of Titus menorah -- From Titus to Moses-and back -- Flavian Rome to the nineteenth century -- Modernism, Zionism, and the menorah -- Creating a national symbol -- A Jewish holy grail -- The menorah at the Vatican -- Illuminating the path to Armageddon

Combines material and literary cultural approaches to the study of the reception of Augustus and his age during the reign of the emperor Domitian

Among the imperial states of the ancient world, the Roman empire stands out for its geographical extent, its longevity and its might. This collective volume investigates how the many peoples inhabiting Rome's vast empire perceived, experienced, and reacted to both the concrete and the ideological aspects of Roman power. More precisely, it explores how they dealt with Roman might through their religious and political rituals; what they regarded as the empire's distinctive features, as well as its particular limitations and weaknesses; what forms of criticism they developed towards the way Romans exercised power; and what kind of impact the encounter with Roman power had upon the ways they defined themselves and reflected about power in general. This volume is unusual in bringing Jewish, and especially rabbinic, sources and perspectives together with Roman, Greek or Christian ones. This is the result of its being part of the research program "Judaism and Rome" (ERC Grant Agreement no. 614 424), dedicated to the study of the impact of the Roman empire upon ancient Judaism.

It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he’d captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory. Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture—and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”

"The history of Israel's exodus from Egypt and crossing of the Jordan River suffered a diasporic reversal with the destruction of their holy city and sanctuary in 70 AD. Her people and treasures were carried first to Alexandria and thence to Rome. The triumphal arch of Titus depicts the treading down and wandering of the Jewish people until 'the times of the Gentiles be fulfilled.'"--