Here are amazing insights showing reincarnation to be deeply and powerfully revealed in the Bible's most fundamental aspects. How and why have these insights escaped attention for so long? At last, they are uncovered here by a confluence of conventional Bible study and the epochal spiritual discoveries of Rudolf Steiner. With particular emphasis on the organic provisions of the Old Testament, Smith shows both what the assumptions of the Master's hearers were and how the New Testament confirms the ancient heritage. Arising from the fullness of the canon is an exciting story of the long journey of humanity and every human soul, each a "beloved sheep" whom the Creator is unwilling to lose. Combining a lifetime of biblical study and teaching, fifteen years investigating and contemplating Rudolf Steiner's vast works, and almost three decades of applying the analytical skill required in an intense law practice, Smith has produced a potential classic the serious Bible student can ill afford to ignore.

These lectures delineate the difference between ordinary and initiate consciousness. Steiner further distinguishes between the initiation of the Christ, who gave the earth its meaning by working from within the physical body, and the initiations of the great initiates who guided humanity by imparting truths gained while outside the body. Steiner goes on to describe the means of initiation needed today and how Lucifer and Ahriman, the opposing forces in earthly existence, play into this process. These profound lectures can help us in understanding the place, purpose, and methods of true inner development.

If you have ever wondered what is happening to humanity on this planet Earth or how tomorrow may differ from today, this book is for you. In its pages you will find a description of the times you are living in--from the vantage point of 500 years in the future. The story of these Letters is startling, yet abundantly affirming and hopeful. Enter into the adventure yourself. Go into the Letters and appreciate what is being delivered. There is no need to wait for the future. It is here, now!

In the Revelation of St. John, spiritual worlds and spiritual entities appear both in images of the sensory world and in images of the mineral realm. This book disusses these two sides of world manifestation. It is often argued that the images of St. John's Revelations are intended in a purely symbolic way. If this is so, the mineral appears as a symbol for something of a soul-like and spiritual nature. The Revelator however, did not see symbols, but rather realities; even a symbol can be genuine only if something of the reality for which it stands shines through. It must, in a real way, be inwardly identical with what it intends, the essence from which it stems. Thus it must arise from the same reality; otherwise it contains no meaning. The images of the minerals in the Apocalypse are just as much reality as the minerals are on Earth. Neither is essential; both are simply manifestations of something essential. Hence, both are truly apocalyptic—the mineral we hold in our hand and the image we hold in our mind. They reveal themselves mutually. This book juxtaposes the objects of sensory appearance and natural-scientific research with sayings from the Revelation of St. John to express the joint background of the appearances. When we connect one with the other, it can lead to an encounter with the essence. This is an “esoteric mineralogy.” Friedrich Benesch enables a renewed encounter between the human being and mineral being, from which essence and future can then shine out. Anyone wanting to look more deeply into the Book of Revelations should read this beautifully illustrated, unique work on its meaning and its significance for both today and the future of humankind and the Earth.

An aesthetic, historical, and theoretical study of four scores, Russian Opera and the Symbolist Movement is a groundbreaking and imaginative treatment of the important yet neglected topic of Russian opera in the Silver Age. Spanning the gap between the supernatural Russian music of the nineteenth century and the compositions of Prokofiev and Stravinsky, this exceptionally insightful and well-researched book explores how Russian symbolist poets interpreted opera and prompted operatic innovation. Simon Morrison shows how these works, though stylistically and technically different, reveal the extent to which the operatic representation of the miraculous can be translated into its enactment. Morrison treats these largely unstudied pieces by canonical composers: Tchaikovsky's Queen of Spades, Rimsky-Korsakov's Legend of the Invisible City of Kitezh and the Maiden Fevroniya, Scriabin's unfinished Mysterium, and Prokofiev's Fiery Angel. The chapters, revisionist studies of these composers and scores, address separate aspects of Symbolist poetics, discussing such topics as literary and musical decadence, pagan-Christian syncretism, theurgy, and life creation, or the portrayal of art in life. The appendix offers the first complete English-language translation of Scriabin's libretto for the Preparatory Act. Providing valuable insight into both the Symbolist enterprise and Russian musicology, this book casts new light on opera's evolving, ambiguous place in fin de siècle culture.