Deadly radiation from a passing comet is about to destroy life on Earth. In desperation, the U.S. Government constructs a series of underground shelters to protect as many people as possible. They are expected to be underground for 20 years before returning back to the surface. But can they survive their time within the confines of the underground shelter... and what will they find when they finally emerge? A parallel story to 'The Ark', 'The Anvil' is a riveting story of survival and courage in a post-apocalyptic sci-fi setting.

The tenet of this book is provide a tool for artists/blacksmiths and metalworkers. It tells how to work metal: heating it, cutting it, upsetting it, drawing it out, twisting it, forge welding it and shaping and assembling it. It tells about metallurgy and tool making, metal finishes and corrosion, sources of information and supplies, charts and guidelines for many tasks. It explains the process of design, how to use the computer in metal design, how to set up a business and how to manage it. Providing an inspiration for all blacksmiths are portfolios of the wrought iron work of Martin Rose and Samuel Yellin, two of America's premier metalworkers of the past. To further inspire and to show the new focus of blacksmithing in the metal arts, six contemporary metalworkers show a series of demonstration pieces of their iron work. This 256 page book is bound with an improved binding system (Otabind) that allows the pages to lay flat.

In the early seventies, when Led Zeppelin and Black Sabbath ruled the world, Steve “Lips” Kudlow and Robb Reiner, two young Jewish boys from the northern suburbs of Toronto, vowed to rock together forever. A decade later, their band Anvil released one of the heaviest records in music history, Metal on Metal, which influenced a whole musical generation, including the world-dominating bands Metallica, Slayer, and Anthrax. Yet while these bands went on to sell millions of records, Anvil slipped straight into obscurity. Was it too much sex and drugs and not enough rock ‘n’ roll? Was it the menagerie of pets that accompanied them on tour? Their uncanny knack for setting themselves on fire whenever a record company executive was watching? Now, almost thirty years later, like a real-life Spinal Tap, these unlikely musical heroes are still rocking, and still chasing their dream. Written in their own words, Anvil: The Story of Anvil charts the rise, fall, and eventual triumph of two men whose indestructible friendship, talent, and determination took them on a unique journey in the world of rock. A bittersweet and frequently hilarious hymn to the human spirit, played loud in power chords, it is a story of true brotherly love, living the dream, and never giving up. Praise for the film documentary Anvil: The Story of Anvil:

Over The Anvil We Stretch contains swampy, powerful poems that are as exciting as the pocket knife you got for your birthday, the three legged frog on the lawn and the jar of marbles your mother kept in the kitchen. Mojgani's poems are the sound of the river and the stars burning above. He manages to capture the axe in the stump with blood still on the handle. Anis Mojgani has drawn a map of the country in the shape of his wild surreal poems. These are memories of a life, captured through the blue green filter of the bayou. Mojgani's latest poems are tinged with the sound of crickets spying on us in the darkness. They move forward honestly, brutally and sweetly. The reader will be led into briar patches as well as the moonlight just on the other side. Anvil is a book of poetic truth, packed with humor and insight. It is a juggling act of the epic and the intimate. I read it and it echoes. Shut up so I can hear more. -David Gordon Green, filmmaker, All the Real Girls and The Pineapple Express Anis Mojgani, Andrea Gibson, and other young poets of their talent are the future of American poetry and frankly, that fills me with joy! --Thomas Lux, Guggenheim Fellow & recipient of the Kingsley Tufts Poetry Award for his book Split Horizons He’s probably the best poetry slammer alive. The intellect, optimism and humility with which he speaks feel like proof of the relevance of “spoken word” as a genre. He processes the world in slices of beauty, frustration and sympathy... -Willamette Week Newspaper

The chronicles of The Winter of the World echo down the ages in half-remembered myth and song - tales of mysterious powers of the Mastersmiths, of the forging of great weapons, of the subterranean kingdoms of the duergar, of Gods who walked abroad, and of the Powers that struggled endlessly for dominion. In the Northlands, beleaguered by the ever-encroaching Ice and the marauding Ekwesh, a young cowherd, saved from the raiders by the mysterious Mastersmith, discovers in himself an uncanny power to shape metal - but it is a power that may easily be turned to evil ends, and on a dreadful night he flees his new home, and embarks on the quest to find both his own destiny, and a weapon that will let him stand against the Power of the Ice. His wanderings will bring him great friends but earn him greater enemies, and eventually they will transform him from lowly cowherd to a mastersmith fit to stand with the greatest of all men.

The period leading up to the Civil War was one of great change. Congress divided itself between Northerners and Southerners, citizens on the frontier took up arms against one another, and movements for secession and abolition were more urgent than ever. In The Hammer and the Anvil, the award-winning author Dwight Jon Zimmerman and the renowned artist Wayne Vansant vividly depict the tumultuous time through the lives of two men who defined it: Frederick Douglass and Abraham Lincoln. With a foreword by the Pulitzer Prize-winning historian James M. McPherson, The Hammer and the Anvil reveals that its protagonists each wrestled with the question of slavery from a young age. Douglass, a slave who was spared no brutality, once fought an especially cruel master and eventually escaped north to freedom. Lincoln, who was hired out by his father to do manual labor on neighbors' farms, found this harsh life intolerable. As a senator, Lincoln sought ways to end the westward spread of slavery, believing that adding free states to the Union would diminish the power of the Southern states and lead to the gradual disappearance of the "peculiar institution." Douglass was less patient. He had become a skilled orator and an influential editor of Northern abolitionist journals, and called on white Americans to honor their nation's founding commitment to liberty. When the Civil War erupted in April 1861, Douglass hoped that the conflict would mean the end of slavery. But Lincoln delayed emancipation, and Douglass despaired--until he met the president face-to-face and recognized that their causes were one and the same. Featuring evocative and dramatic scenes of this seminal time, The Hammer and the Anvil will engage both Civil War buffs and young people new to the study of American history.