Archaeology has long dealt with issues of identity, and especially with ethnicity, with modern approaches emphasising dynamic and fluid social construction. The archaeology of the Iron Age in particular has engendered much debate on the topic of ethnicity, fuelled by the first availability of written sources alongside the archaeological evidence which has led many researchers to associate the features they excavate with populations named by Greek or Latin writers. Some archaeological traditions have had their entire structure built around notions of ethnicity, around the relationships existing between large groups of people conceived together as forming unitary ethnic units. On the other hand, partly influenced by anthropological studies, other scholars have written forcefully against Iron Age ethnic constructions, such as the Celts. The 24 contributions to this volume focus on the south east Europe, where the Iron Age has, until recently, been populated with numerous ethnic groups with which specific material culture forms have been associated. The first section is devoted to the core geographical area of south east Europe: Bulgaria, Croatia, Romania, Serbia and Slovenia, as well as Albania and the Former Yugoslav Republic of Macedonia. The following three sections allow comparison with regions further to the west and the south west with contributions on central and western Europe, the British Isles and the Italian peninsula. The volume concludes with four papers which provide more synthetic statements that cut across geographical boundaries, the final contributions bringing together some of the key themes of the volume. The wide array of approaches to identity presented here reflects the continuing debate on how to integrate material culture, protohistoric evidence (largely classical authors looking in on first millennium BC societies) and the impact of recent nationalistic agendas.

The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul JacobsthalÕs Early Celtic Art in 1944. The papers chart the history of attempts to understand Celtic art and argue for novel approaches in discussions spanning the whole of Continental Europe and the British Isles. This new body of international scholarship will give the reader a sense of the richness of the material and current debates. Artefacts of rich form and decoration, which we might call art, provide a most sensitive set of indicators of key areas of past societies, their power, politics and transformations. With its broad geographical scope, this volume offers a timely opportunity to re-assess contacts, context, transmission and meaning in Celtic art for understanding the development of European cultures, identities and economies in pre- and proto-history.

Prehistoric Europe: Theory and Practice provides a comprehensive introduction to the range of critical contemporary thinking in the study of European prehistory. Presents essays by some of the most dynamic researchers and leading European scholars in the field today Ranges from the Neolithic period to the early stages of the Iron Age, and from Ireland and Scandinavia to the Urals and the Iberian Peninsula