Thornton takes a fresh look at important psychological and cultural issues in this novel, arguing that although it may be a classic text of literary modernism, it is a fundamentally antimodernist work. This comprehensive and thoughtful book provides readers with a new cultural critique and intellectual history of 'Portrait', which promises to become one of the major discussions of the novel.

A Study Guide for James Joyce's "A Portrait of the Artist as a Young Man," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure. In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis. Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.

While James Joyce was a central figure of high modernism, Malcom Lowry spoke for the next generation of modernist writers and, despite his denials, was almost certainly influenced by Joyce. Wherever the truth lies, there are correspondences and differences to be explored between Joyce and Lowry that are far more interesting than the question of direct influence. Despite numerous differences, their works have much in common: verbal richness, experimentation with narrative structure and perspective, a fascination with cultural and historical forces as well as with the process of artistic creation, and the inclusion of artist figures who are in varying degrees ironic self-portrayals. The contributors to Joyce/Lowry examine the relationship of these two expatriates writers, both to each other and to broader issues in the study of literary modernism and its aftermath. This collection embraces a variety of approaches. The volume begins with a consideration of Joyce and Lowry as practitioners of Expressionist art and concludes with an essay on John Huston's cinematic interpretation of works by both writers. In between are explorations of nationalism, anti-Semitism, syphilis, mental illness, and authorial design.

Preliminary material /Lucia Boldrini -- ACKNOWLEDGEMENTS /Lucia Boldrini -- BIBLIOGRAPHICAL NOTE /Lucia Boldrini -- INTRODUCTION: MIDDAYEVIL JOYCE /Lucia Boldrini -- THE RETURN OF MEDIEVALISM: JAMES JOYCE IN 1923 /Jed Deppman -- “QUELLA VISTA NOVA”: DANTE, MATHEMATICS AND THE ENDING OF ULYSSES /Reed Way Dasenbrock and Ray Mines -- AVERROES' SEARCH: DANTE'S MODERNISM AND JOYCE /Jeremy Tambling -- MILLY'S DREAM, BLOOM'S BODY AND THE MEDIEVAL TECHNIQUE OF INTERLACE /Guillemette Bolens -- JOYCE'S OTHER FATHER: THE CASE FOR CHAUCER /Helen Cooper -- CHARTING THE COURSE OF THE COMMEDIA'S EMBRYO IN A PORTRAIT OF THE ARTIST AS A YOUNG MAN /Jennifer Fraser -- THE MEDIEVAL IRONY OF JOYCE'S PORTRAIT /Sam Slote -- LET DANTE BE SILENT: FINNEGANS WAKE AND THE MEDIEVAL THEORY OF POLYSEMY /Lucia Boldrini -- NOTES ON CONTRIBUTORS /Lucia Boldrini -- INDEX /Lucia Boldrini.

The Incarnation of Language investigates how the notion of incarnation has been employed in phenomenology and how this has influenced literary criticism. It then examines the interest that Joyce and Proust share in the concept of incarnation. By examining the themes of synthesis and embodiment that incarnation connotes for these writers, it offers a new reading of their work departing from critical readings that have privileged notions of radical alterity and difference.

Modernism's Mythic Pose recovers the tradition of Delsartism, a popular international movement that promoted bodily and vocal solo performances, particularly for women. This strain of classical-antimodernism shaped dance, film, and poetics. Its central figure, the mythic pose, expressed both skepticism and nostalgia and functioned as an ambivalent break from modernity.