This is poetry about a parent losing a child -- and so much more. The author takes us on a journey through sorrow and love into healing and understanding.

What saves us, then, as reader? How can we bear it? Why should we try to cope with such loss, until we might have to? If Aristotle was right, a drama like this arouses our pity and fear: compassion, as we empathize; and fear, as we identify with and realize that the grief overwhelming the characters might happen also to us.

One after another ... Shelly Wagner's poems reach out and unstrap us; we're forced head-on into the pathos, the overwhelming beauty, the sense of unbearable loss. And as we read on, the only cushioning restraints are the beauty of language, the aesthetic and emotional impact of poetry (which intensify feelings even more, of course).

Andrew Jarvis' Landslide commits now and ever to a future where ruins--the human predicament--might squish in bogs until waterways bear melons and dead seabirds revive sacredness, the bottom and top of the same landscape and slide, without distraction of cliché. Landslide is a wonderful read--lyrical as the miracle of waking up alive every morning. Finalist in the 2017 Foreword Review Book of the Year Awards Winner of the 2017 Nautilus Silver Medal for Poetry

The Blue Poetry Book was the third of the series of Fairy Books by Andrew Lang. This book contains 153 poems by great British and American poets such as; William Blake; Elizabeth Browning; John Bunyan; Robert Burns; Lord Byron; Thomas Campbell; Samuel Coleridge Taylor; William Cowper; Charles Lamb, and many others.

In this moving anthology, the Poet Laureate Andrew Motion guides us through the horror and the pity of the Great War, from the trenches of the Western Front to reflections from our own age. With a generous selection of our best-loved war poets, First World War Poems also returns lesser known pieces to the light, and extends the selection right through to the present day - so that poems produced by the war give way historically to poems about the war. This mesmerizing book reminds us how the poetry of that time has, more than any art form, come to stand testament to the grief and outrage occasioned by World War I.

Andrew Motion's new book opens with a sequence of war poems (first published as the pamphlet Laurels and Donkeys, on Armistice Day 2010), drawing on soldiers' experiences of war from 1914 until today - beginning with a story about Siegfried Sassoon and moving via World War Two and Korea to the recent conflicts in Iraq and Afghanistan. Many of the poems are in the voices of combatants, others are based on memories of the poet's father, who landed at D-day and fought in France and Germany. The poems combine understatement with a clear-eyed and unswerving candour.The Customs House has other rooms: a group of topographies, mapping moments in a marriage against the contingencies of place and family history; and several 'found poems', in which the poet collaborates with his source, mixing what is there already with what is about to be there: whether a remarkable sonnet sequence on the last days of the Baroque genius Francesco Borromini, or in other poems a richly imagined extrapolation from the silent premises of a painting.