The longstanding debate over how God-talk is intelligible gravitates around how we should understand the putative answer, “by analogy.” For some contemporary Christian theologians, analogy involves an ontological claim about creaturely and divine being (i.e., an analogy of being). For others, it involves a semantic or syntactical structure that legitimates the linguistic performances associated with analogy (i.e., a grammatical analogy). Still others appeal to faith in God’s self-disclosure in Jesus Christ (i.e., an analogy of faith). Rory Misiewicz argues that all of these approaches fall flat in their explanatory efforts. He draws upon the work of American philosopher Charles Sanders Peirce to rethink the relation between God and human beings. He argues that Christian theologians may view that relation as being established by an “analogy of signs”: both God and human beings are univocally involved in semiosis, or sign-process, and the confirmation of God’s semiotic identity is found in the revelation of God in the person of Jesus, the incarnate Son of God. Therefore, ordinary analogical language is intelligible, for divine signs are commensurate with human signs.

Utilizing the philosophy of Charles Sanders Peirce, Rory Misiewicz argues for a new approach to the problem of theological language in Christian theology. This approach, the "analogy of signs," serves as a critical alternative to influential models of theological language based upon an analogy of being, grammatical analogy, or analogy of faith.

The book is the first comprehensive encyclopedia of Western ideograms ever published, unique in its search systems, that allows the reader to locate a symbol by defining just four of its visual characteristics. It is about our graphic cultural heritage as expressed in subway graffiti, fighter jets' signs and emergency exit symbols. It contains 2,300 symbols, 1,600 articles and streamlined reference functions. Ideogram scarved in mammoth teeth by Cro-Magnon men 25,000 years ago, put on modern household appliances by their manufacturers or sprayed on walls by political activists, are all presented in dictionary form for easy reference. Symbols cover current designs used in advertising, logotyping, architecture, design, decoration, religion, politics and astrology.

Drawing on the philosophy of C. S. Peirce, Robinson develops a ‘semiotic model’ of the Trinity and proposes a new theology of nature according to which the evolving cosmos may be understood as bearing ‘vestiges of the Trinity in creation’.