An enraging, necessary look at the private prison system, and a convincing clarion call for prison reform.” —NPR.org New York Times Book Review 10 Best Books of 2018 * One of President Barack Obama’s favorite books of 2018 * Winner of the 2019 J. Anthony Lukas Book Prize * Winner of the Helen Bernstein Book Award for Excellence in Journalism * Winner of the 2019 RFK Book and Journalism Award * A New York Times Notable Book A ground-breaking and brave inside reckoning with the nexus of prison and profit in America: in one Louisiana prison and over the course of our country's history. In 2014, Shane Bauer was hired for $9 an hour to work as an entry-level prison guard at a private prison in Winnfield, Louisiana. An award-winning investigative journalist, he used his real name; there was no meaningful background check. Four months later, his employment came to an abrupt end. But he had seen enough, and in short order he wrote an exposé about his experiences that won a National Magazine Award and became the most-read feature in the history of the magazine Mother Jones. Still, there was much more that he needed to say. In American Prison, Bauer weaves a much deeper reckoning with his experiences together with a thoroughly researched history of for-profit prisons in America from their origins in the decades before the Civil War. For, as he soon realized, we can't understand the cruelty of our current system and its place in the larger story of mass incarceration without understanding where it came from. Private prisons became entrenched in the South as part of a systemic effort to keep the African-American labor force in place in the aftermath of slavery, and the echoes of these shameful origins are with us still. The private prison system is deliberately unaccountable to public scrutiny. Private prisons are not incentivized to tend to the health of their inmates, or to feed them well, or to attract and retain a highly-trained prison staff. Though Bauer befriends some of his colleagues and sympathizes with their plight, the chronic dysfunction of their lives only adds to the prison's sense of chaos. To his horror, Bauer finds himself becoming crueler and more aggressive the longer he works in the prison, and he is far from alone. A blistering indictment of the private prison system, and the powerful forces that drive it, American Prison is a necessary human document about the true face of justice in America.

In the 1970s, while politicians and activists outside prisons debated the proper response to crime, incarcerated people helped shape those debates though a broad range of remarkable political and literary writings. Lee Bernstein explores the forces that sparked a dramatic "prison art renaissance," shedding light on how incarcerated people produced powerful works of writing, performance, and visual art. These included everything from George Jackson's revolutionary Soledad Brother to Miguel Pinero's acclaimed off-Broadway play and Hollywood film Short Eyes. An extraordinary range of prison programs--fine arts, theater, secondary education, and prisoner-run programs--allowed the voices of prisoners to influence the Black Arts Movement, the Nuyorican writers, "New Journalism," and political theater, among the most important aesthetic contributions of the decade. By the 1980s and '90s, prisoners' educational and artistic programs were scaled back or eliminated as the "war on crime" escalated. But by then these prisoners' words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them.

Manuel Noriega is the only American prisoner of war. He may be a demon in the eyes of most Americans, but he has a unique and alarming view of the secrets behind U.S. relations with Panama and the real reasons for the 1989 invasion that removed him from power. In this memoir, certain to be one of the most newsworthy and controversial of the year, Noriega describes for the first time his backstage dealings with George Bush, Oliver North, William Casey and the CIA, Jimmy Carter, Fidel Castro and Moammar Gahdafi. But this is more than a deposed strongman's tell-all that some might find hard to believe. Noriega's story was investigated independently by Peter Eisner, a top foreign correspondent who has written about Latin America for twenty years and covered Noriega's fall for Newsday. Eisner's reporting finds support for some of Noriega's assertions and provides additional perspective for others, in his conduct as head of Panama's military, his secret dealings with Cuba on behalf of the CIA, his relations with key U.S. officials, and the unconscionable damage inflicted upon the people of Panama by the U.S. invasion. Moreover, Eisner raises new questions about the allegations that Noriega was a drug dealer and a murderer. In fact, he concludes Noriega is not guilty of these charges. And then there is Noriega himself, a surprisingly savvy military man who saw himself as a nationalist, an honest broker between his allies in U.S. intelligence and his neighboring Latin American leaders. As Noriega tells it, his problems began when he began to resist the Reagan administration's efforts to fight communism in Central America. America's Prisoner is one of the most unusual and important accounts everwritten about U.S. aggression and duplicity. It is the story of how we have imprisoned a man - and a nation.

During his time as a POW, Frank "Foo" Fujita kept a diary of daily happenings, embellished with drawings of life in the camp. He secreted the diary in the walls of his barracks, as the practice was forbidden. That diary forms the basis of these memoirs. Fujita's memoirs are also unique in that he was one of the fewer than nine hundred Americans taken prisoner on the island of Java. The bulk of American POWs in Japanese hands surrendered in the Philippines, and most of the published POW memoirs reflect their experience. Fujita's account of the defense of Java and of the fate of the "Lost Battalion" of Texas artillerymen serves to distinguish this memoir from others. At one point while a POW in Japan, Fujita was forced to be part of the Japanese radio group broadcasting propaganda. After the war, he testified at some of the war crime trials in San Francisco, and the diary on which this book is based was used as evidence in those trials.

Between 1975 and 2007, the American incarceration rate increased nearly fivefold, a historic increase that puts the United States in a league of its own among advanced economies. We incarcerate more people today than we ever have, and we stand out as the nation that most frequently uses incarceration to punish those who break the law. What factors explain the dramatic rise in incarceration rates in such a short period of time? In Why Are So Many Americans in Prison? Steven Raphael and Michael A. Stoll analyze the shocking expansion of America’s prison system and illustrate the pressing need to rethink mass incarceration in this country. Raphael and Stoll carefully evaluate changes in crime patterns, enforcement practices and sentencing laws to reach a sobering conclusion: So many Americans are in prison today because we have chosen, through our public policies, to put them there. They dispel the notion that a rise in crime rates fueled the incarceration surge; in fact, crime rates have steadily declined to all-time lows. There is also little evidence for other factors commonly offered to explain the prison boom, such as the deinstitutionalization of the mentally ill since the 1950s, changing demographics, or the crack-cocaine epidemic. By contrast, Raphael and Stoll demonstrate that legislative changes to a relatively small set of sentencing policies explain nearly all prison growth since the 1980s. So-called tough on crime laws, including mandatory minimum penalties and repeat offender statutes, have increased the propensity to punish more offenders with lengthier prison sentences. Raphael and Stoll argue that the high-incarceration regime has inflicted broad social costs, particularly among minority communities, who form a disproportionate share of the incarcerated population. Why Are So Many Americans in Prison? ends with a powerful plea to consider alternative crime control strategies, such as expanded policing, drug court programs, and sentencing law reform, which together can end our addiction to incarceration and still preserve public safety. As states confront the budgetary and social costs of the incarceration boom, Why Are So Many Americans in Prison? provides a revealing and accessible guide to the policies that created the era of mass incarceration and what we can do now to end it.

A critically acclaimed author of adult nonfiction delivers a searing YA debut about American POWs during the Vietnam War--an extraordinary narrative of human resilience and endurance.

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.