Every time Matthew Altobelli tried to picture his life after high school, he couldn’t see anything. But a conversation with his guidance counselor in January 2006 gave him clarity: He would join the Air Force. But after returning home from Afghanistan, he found himself battling a host of physical issues as well as Post Traumatic Stress Disorder. He began to look forward to hospital stays when he’d be numbed by drugs. Under the influence, he could escape his mental demons or the physical world. While many veterans suffer from PTSD and its related symptoms, it can affect anyone who has suffered trauma. Drawing on his personal experiences, the author explains what it means and how he’s fought it. Take a journey down a winding path of heartache as a former staff sergeant seeks to find his place in the civilian world while battling demons from the past.

The American Nightmare: Don DeLillo's Falling Man and Cormac McCarthy's The Road presents an extensive analysis of two novels by the two most prominent contemporary American writers.The book searches into the stylistic and linguistic complexities of those two post-9/11 novels and explores the ways in which they respond to the public discourse produced in the aftermath of the event. Szalan's reading of the texts offer valuable insights into the inscription of ideology in literary works which simultaneously reinstate and resist its hegemony.

This collection of original essays takes a multi-disciplinary approach to explore the theme of failure through the broad spectrum of public art and social practice. The anthology brings together practicing artists, curators, activists, art writers, administrators, planners, and educators from around the world to offer differing perspectives on the many facets of failure in commissioning, planning, producing, evaluating, and engaging communities in the continually evolving field of art in the public realm. As such, this book offers a survey of currently unexplored and interconnected thinking, and provides a much-needed critical voice to the commissioning of public and participatory arts. The volume includes case studies from the UK, the US, China, Cuba, and Denmark, as well as discussions of digital public art collections. The Failures of Public Art and Participation will be of interest for students and scholars of visual arts, design and architecture interested in how art in the public realm fits within social and political contexts.

This book builds upon recent theoretical approaches that define queerness as more of a temporal orientation than a sexual one to explore how Edgar Allan Poe's literary works were frequently invested in imagining lives that contemporary readers can understand as queer, as they stray outside of or aggressively reject normative life paths, including heterosexual romance, marriage, and reproduction, and emphasize individuals' present desires over future plans. The book's analysis of many of Poe's best-known works, including "The Raven," "The Fall of the House of Usher," "The Black Cat," "The Masque of the Red Death," and "The Murders in the Rue Morgue," show that his attraction to the liberation of queerness is accompanied by demonstrations of extreme anxiety about the potentially terrifying consequences of non-normative choices. While Poe never resolved the conflicts in his thinking, this book argues that this compelling imaginative tension between queerness and temporal normativity is crucial to understanding his canon.

In this celebration of contemporary American fiction, Kathryn Hume explores how estrangement from America has shaped the fiction of a literary generation, which she calls the Generation of the Lost Dream. In breaking down the divisions among standard categories of race, religion, ethnicity, and gender, Hume identifies shared core concerns, values, and techniques among seemingly disparate and unconnected writers including T. Coraghessan Boyle, Ralph Ellison, Russell Banks, Gloria Naylor, Tim O'Brien, Maxine Hong Kingston, Walker Percy, N. Scott Momaday, John Updike, Toni Morrison, William Kennedy, Julia Alvarez, Thomas Pynchon, Leslie Marmon Silko, and Don DeLillo. Hume explores fictional treatments of the slippage in the immigrant experience between America's promise and its reality. She exposes the political link between contemporary stories of lost innocence and liberalism's inadequacies. She also invites us to look at the literary challenge to scientific materialism in various searches for a spiritual dimension in life. The expansive future promised by the American Dream has been replaced, Hume finds, by a sense of tarnished morality and a melancholy loss of faith in America's exceptionalism. American Dream, American Nightmare examines the differing critiques of America embedded in nearly a hundred novels and points to the source for recovery that appeals to many of the authors.

A fascinating history of the emergence of American ballet as world recognized force just after World War Two, telling the story of the choreographers and dancers who came of age just as America became the only western country free from conflict and thus t