More than a decade has passed since the last comprehensive survey of U.S. journalists was carried out in 2002 by scholars at Indiana University--and the news and the journalists who produce it have undergone dramatic changes and challenges. The American Journalist in the Digital Age is based on interviews with a national probability sample of nearly 1,100 U.S. journalists in the fall of 2013 to document the tremendous changes that have occurred in U.S. journalism in the past decade, many of them due to the rise of new communication technologies and social media. This survey of journalists updates the findings from previous studies and asks new questions about the impact of new technologies and social media in the newsroom, and it includes more nontraditional online journalists than the previous studies.

An authoritative and detailed illustration of the state of journalistic practice in the United States today, The American Journalist in the 21st Century sheds light on the demographic and educational backgrounds, working conditions, and professional and ethical values of print, broadcast, and Internet journalists at the beginning of the 21st century. Providing results from telephone surveys of nearly 1,500 U.S. journalists working in a variety of media outlets, this volume updates the findings published in the earlier report, The American Journalist in the 1990s, and reflects the continued evolution of journalistic practice and professionalism. The scope of material included here is extensive and inclusive, representing numerous facets of journalistic practice and professionalism, and featuring separate analyses for women, minority, and online journalists. Many findings are set in context and compared with previous major studies of U.S. journalists conducted in the 1970s, 80s, and 90s. Serving as a detailed snapshot of current journalistic practice, The American Journalist in the 21st Century offers an intriguing and enlightening profile of professional journalists today, and it will be of great interest and value to working journalists, journalism educators, media managers, journalism students, and others seeking insights into the current state of the journalism profession.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

The acclaimed Pulitzer Prize winning biographer of Mark Twain and Walt Whitman brings alive the life and world of Lincoln Steffens, the original Muckraker and father of American investigative journalism. Early 20th century America was a nation in the throes of becoming a great industrial power, a land dominated by big business and beset by social struggle and political corruption. It was the era of Sinclair Lewis, Emma Goldman, William Randolph Hearst, and John Reed. It was a time of union busting, anarchism, and Tammany Hall. Lincoln Steffens—eternally curious, a worldwide celebrity, and a man of magnetic charm—was a towering figure at the center of this world. He was friends with everyone from Teddy Roosevelt and Woodrow Wilson to Ernest Hemingway and James Joyce. As an editor at McClure’s magazine—along with Ida Tarbell he was one of the original muckrakers—he published articles that exposed the political and social corruption of the time. His book, Shame of the Cities, took on the corruption of local politics and his coverage of bad business practices on Wall Street helped lead to the creation of the Federal Reserve. Lincoln Steffens was truly a man of his season, and his life reflects his times: impetuous, vital, creative, striving. In telling the story of this outsized American figure, Justin Kaplan also tells the riveting tale of turn-of-the-century America.

As cash-strapped metropolitan newspapers struggle to maintain their traditional influence and quality reporting, large national and international outlets have pivoted to serving readers who can and will choose to pay for news, skewing coverage toward a wealthy, white, and liberal audience. Amid rampant inequality and distrust, media outlets have become more out of touch with the democracy they purport to serve. How did journalism end up in such a predicament, and what are the prospects for achieving a more equitable future? In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market. She details how Google, Facebook, and the digital-advertising ecosystem have wreaked havoc on the economic model for quality journalism, leaving local news to suffer. Usher also highlights how the handful of likely survivors—well-funded media outlets such as the New York Times—increasingly appeal to a global, “placeless” reader. News for the Rich, White, and Blue concludes with a series of provocative recommendations to reimagine journalism to ensure its resiliency and its ability to speak to a diverse set of issues and readers.

Kate Field was among the first celebrity journalists. A literary and cultural sensation, she reported the news while frequently becoming news herself because of her sharp wit and vibrant presence. She wrote for several prestigious newspapers, such as the Boston Post, Chicago Tribune, and New York Herald, as well her own Kate Field’s Washington. Field’s friends and professional acquaintances included Charles Dickens, Robert Browning, Elizabeth Barrett Browning, Anthony Trollope, and George Eliot. Legendary novelist Henry James patterned the character of Henrietta Stackpole after her in The Portrait of a Lady. In this eloquent and immensely readable biography, Gary Scharnhorst offers a fascinating, often poignant portrait of a fiercely intelligent and enormously independent woman who contributed significantly to America’s intellectual and social life in the late nineteenth century. Kate Field was an outspoken advocate for the rights of black Americans and founder of the first woman’s club in America. She campaigned to make Yosemite a national park and saved John Brown’s Adirondack farm for the nation. The range of Field’s activities should foster interest in her biography from students and scholars of nineteenth-century American literature, women’s studies, journalism, and biography, and from both public and academic libraries.