If America has a claim to exceptionalism, American Credo locates it in a little understood ability to engage in deep conflicts over political ideas, while at the same time reducing adversarial positions to legitimate derivatives of American history and development.

Offering inspiring words on issues ranging from charity and justice, politics, economic issues, the environment, nuclear disarmament, and mortality to the meaning of faith, the church, and a pastor's responsibility.

Confessions of an American None: A Credo of Sorts is part memoir, part credo, and part romp in pop culture, spotlighting the largest, fastest-growing spiritual demographic in our country- the religiously unaffiliated, aka Nones.A swashbuckling narrative upends conventional thinking about God and religion. Some doctrinal alligators are wrestled into compliance. Some walk the plank. What is the fate of Original Sin, virgin births, and sexuality? It's probably not what you expect.Rachel Roberts shares personal tales of growing up in a cult (Praise Jesus and pass the snakes!), battling an adult relationship with Christianity (Jesus would get drunk with her over this one), and finding relief in becoming a None (phew). She unearths a spirituality that balances the affirmation of reason and science with compassion and inclusivity while abandoning antiquated notions of superstition and tribalism.Seemingly quirky or random cultural references punctuate profundity with levity and reprieve. Think Spock meets the Dali Lama meets Bart Simpson. Each chapter contains a recipe and a well-known song that culminates in a meal and an accompanying playlist. This unique feature inspires the reader to experience everyday spirituality the way many Nones do, by meaningfully connecting with others.Amidst the fun, Confessions aims to instigate a voice for Nones, revolutionize spirituality based on 21st-century values, and reorient our collective consciousness toward that which unifies all people: Love.

After a fifteen-year hiatus from the world of guns, journalist, sports shooter, and former soldier A.J. Somerset no longer fit in with other firearm enthusiasts. Theirs was a culture much different than the one he remembered: a culture more radical, less tolerant, and more immovable in its beliefs, “as if [each] gun had come with a free, bonus ideological Family Pack [of political tenets], a ready-made identity.” To find the origins of this surprising shift, Somerset began mapping the cultural history of guns and gun ownership in North America. Arms: The Culture and Credo of Gun is the brilliant result. How were firearms transformed from tools used by pioneers into symbols of modern manhood? Why did the NRA’s focus shift from encouraging responsible gun use to lobbying against gun-safety laws? What is the relationship between gun ownership and racism in America? How have the film, television, and video game industries molded our perception of gun violence? When did the fear of gun seizures arise, and how has it been used to benefit arms manufacturers, lobbyists, and the far-right? Few ideas divide communities as much as those involving firearms, and fewer authors are able to tackle the subject with the same authority, humor, and intelligence. Written from the unique perspective of a gun lover who’s disgusted with what gun culture has become, Arms is destined to be one of the most talked-about books of the year.

Maryann Corbett’s second full-length collection, Credo for the Checkout Line in Winter, draws on profound experience of deep winter in the lived environment, while keeping alive faith that the thaw will come and bring with it the bloom of “uncountable rows of petals.” The themes of this finalist for the 2011 Able Muse Book Award range from the quotidian to the metaphysical. Corbett’s keen eye brings to focus uncommon detail. Her masterful technical repertoire spans received forms, metrical inventiveness, and free verse. This is poetry that amply rewards the reader with its boundless imagination, insight and visionary delight. PRAISE FOR CREDO FOR THE CHECKOUT LINE IN WINTER: The crafted poems in Maryann Corbett’s new book are vibrant. She is a newborn Robert Frost, with a wicked eye for contemporary life. Each poem surprises. Read her poems and feel the howling snow, the mud, and the jubilance of the first warm fertile spring days. —Willis Barnstone What makes Maryann Corbett such a rare, excellent writer must be her talent for weaving together various artistic impulses, so that her poems often sound both traditional and brand new, both humorous and serious, both worldly-wise and, as John Keats once put it, “capable of being in uncertainties.” [She] remains a poet of the first order, and her poems are cause for gratitude, and deep enjoyment. —Peter Campion (from the foreword) Corbett is as comfortable and affecting within the tight confines of the Old English alliterative meter (“Cold Case”) and the Sapphic stanza (“Paint Store”) as she is with her supple blank verse and terza rima. Yet never does her rigorous craft interfere with the thoughtful, insightful content of these poems. A stunning collection, from one of America’s most gifted contemporary poets. —Marilyn L. Taylor Do not dismiss this collection as “domestic poetry,” “women’s verse.” Though grounded in seasonal rhythms and familiar settings, it is as vigorous, as reflective, as important as any man’s. Sharply visual, skillfully and cleverly crafted, her poems draw out essences, “concentrated” and persisting. “Beauty changes us,/ calling up wonder from our deepest selves/ to its right place.” —Catharine Savage Brosman These masterful poems announce themselves as winter pieces, and indeed they are so full of sleet and snow that readers may wish to dress warmly. But Corbett’s winter, a season when “dull forms come in the mail” and we eat “tasteless, stone-hard, gassed tomatoes,” is always lushly haunted by the other seasons, the way a house in one of her poems is fronted by a “three-season porch.” Corbett is one of the best-kept secrets of American poetry, and this is one of the best new collections I’ve read in years. —Geoffrey Brock

Credo provides a unique basis for personal daily meditations, while opening the way for the church to explain the basic significance of the creed it so often recites. Williams takes the classic Nicene Creed of the church and examines the meaning and modern application of each of its words and phrases. He shows the historical setting of the creedal statement, historical disputes that gave rise to the precise wording of the creed, and current situations that call for affirmation of the creed amid a multitude of ecclesiastical differences. Williams even provides a way to sing the creed.