Retells a story from the Kabbalah, a Jewish mystical text, about how God created the world through the letters of the alphabet.

Rabbinic tradition asserts that every letter of every word of the Torah is a word in itself. Author Stan Tenen demonstrates that each letter is also a hand gesture, and it is at this level that Hebrew forms a natural universal language. All people, including children before they speak and people without sight, make natural use of these gestures. In The Alphabet That Changed the World, Tenen examines the Hebrew text of Genesis and its relationship to the alphabet. He shows how each letter is both concept and gesture, with the form of the gesture matching the function of the concept. There is thus an implicit relationship between the physical world of function and the conscious world of concept. Using over 200 color illustrations, Tenen demonstrates geometric metaphor as the best framework for understanding the deepest meaning of the text. Such geometry models embryonic growth and self-organization and the core of many healing and meditative practices. Many subjects in contemporary science were derived from the methods and means available to the ancients; The Alphabet That Changed the World makes this authoritative recovery of the “science of consciousness” in Genesis accessible for the first time to the contemporary reading public.

From a New York Times-bestselling historian comes the story of how the alphabet ordered our world. A Place for Everything is the first-ever history of alphabetization, from the Library of Alexandria to Wikipedia. The story of alphabetical order has been shaped by some of history's most compelling characters, such as industrious and enthusiastic early adopter Samuel Pepys and dedicated alphabet champion Denis Diderot. But though even George Washington was a proponent, many others stuck to older forms of classification -- Yale listed its students by their family's social status until 1886. And yet, while the order of the alphabet now rules -- libraries, phone books, reference books, even the order of entry for the teams at the Olympic Games -- it has remained curiously invisible. With abundant inquisitiveness and wry humor, historian Judith Flanders traces the triumph of alphabetical order and offers a compendium of Western knowledge, from A to Z. A Times (UK) Best Book of 2020

The relationship between the sequence of the creation cycle and the Egyptian 28 ABGD alphabet. This book focus on the relationship between the sequence of the creation cycle and the Egyptian ABGD alphabets; the principles and principals of Creation; the cosmic manifestation of The Egyptian Alphabets ; the three Primary Phases of the Creation Cycle and their numerical values; the creation theme of each of the three primary phases, as well as an individual analysis of each of the 28 ABGD alphabetical letters that covers each' s role in the Creation Cycle, its sequence significance ,its sound and writing form significance, its numerical significance, its names & meanings thereof, as well as its peculiar properties and nature/impact/influence. This book is divided into five parts containing a total of 35 chapters. Part I. Egyptian Alphabetical Letters of Creation Cycle has four chapters: Chapter 1: Historical Deception of the (Ancient) Egyptian Linguistics will clear the intended confusion to hide the alphabetical form of writing in Ancient Egypt—as being the archetype of all languages throughout the world. Chapter 2: The Principles and Principals of Creation covers the basic components of the creation cycle in the Ancient Egyptian accounts. Chapter 3: The Cosmic Manifestation of the Egyptian Alphabets covers the natural orderly progression of the emanated divine energy, and the its manifestation in the monthly lunar mansion changes; the correlations between the sequence of the ABGD letters and their numerical values. Chapter 4: The Three Primary Phases of the Creation Cycle covers the nature of the creation cycle consisting of three phases, as found in the Ancient Egyptian accounts and later on duplicated in Sufi (and other) writings. Part II. The Conceiving Phase/Ennead has ten chapters—5 through 14: Chapter 5: The Theme of the First Phase/Ennead covers the theme of the First Phase/Ennead (1-9 'A' -'T.' ) as the objectification of a circumscribed area of undifferentiated energy/matter, wherein the world will be manifested. It consists of the establishment of order and the co-factors of life-forms as the foundation for the world. Phase One consists basically of three consecutive groups. Each of which consists of 3 stages/letters/numbers. Chapters 6 through 14 cover the first nine letters—each covering its role in the Creation Cycle, its sequence significance, its sound and writing form significance, its numerical significance, its names and meanings thereof, as well as its peculiar properties and nature/impact/influence. Part III. The Orderly Manifestation Phase/Ennead has ten chapters—15 through 24: Chapter 15: The Theme of the Second Phase/Ennead covers the theme of the Second Phase/Ennead, the orderly manifestation of creation. This Second Phase deals with the creation of the noumenal and phenomenal planes—the two grand subdivisions of the manifested world. The letters of this Phase are therefore arranged in two groups of four letters and the middle letter 'N' overlaps the two planes: 'Y', 'K', 'L', 'M' 'N' 'S', 'A.' , 'F', 'S.' Chapters 16 through 24 cover the second nine letters—each covering same topics as in the prior group of nine letters. Part IV. The Reunification Phase/Ennead has ten chapters—25 through 34: Chapter 25 covers the theme of the Third Phase/Ennead which is the Ascending and Reunification Phase that leads to a NEW Alpha—Heru-Akhti of The Two Horizons. Chapters 26 through 34 cover the third nine letters—each covering same topics as in the other two groups of nine letters. Part V being chapter 35 covers the 28th Mansion/Letter 'Gh'—representing The New Alpha. To learn about the linguistic features [words and sentences formations, etc.] of the Egyptian Alphabetical language, refer to other books by same author, namely: 1. The Ancient Egyptian Universal Writing Modes 2. The Musical Aspects of The Ancient Egyptian Vocalic Language

The original design of the Hebrew alphabet was created by a very highly advanced previous civilization that once lived on the Earth a very long time ago. It also means that the late Bronze Age Hebrews could not possibly devise these twenty-two letters of the Hebrew alphabet as Moses already told us. The 22 letters are formed from 22 views around a waveform superimposed on a toroid shape. The waveform is a modified square wave modified by the natural log. There is a further conversion done after you obtained all the correct vectors. The end result is the ¿letters¿ represent a computer programming language used in a Quantum Computer (light based computer) That is why the Library of Congress correctly indexed the book under Quantum computing. Once you realize what the letters really are, the surface story completely disappears. The only part of the Torah that has significance is the Garden of Eden story because that is where Moses told us who the people who put this technology into the family cave that Abraham purchased for 400 shekels.

For more than a generation, Rabbi Michael L. Munk, as a sidelight to his busy schedule of educational and communal work, has fascinated audiences with his learned and provocative lectures on the Hebrew alphabet. In the process of opening eyes and raising eyebrows, he has convinced countless people that his contention is true: the Hebrew alphabet abounds in scholarly and mystical meaning. He has developed and proven a profound thesis. The alphabet -- if correctly understood -- is a primer for life. Ethical conduct, religious guidance, philosophical insights, all are nestled in the curls, crowns, and combinations of the Hebrew letters. This is one of those rare books that is both interesting and profound, learned and readable. The wisdom and compassion of the author is evident in those subtle ways that do not intrude on the reader, but give him the satisfaction of knowing that a rich, warm, productive lifetime of experience is flavoring the text.