Continuing the epic of Christendom told in earlier volumes, The Age of Paradise and The Age of Division, the author explains how, between the Italian Renaissance of the fourteenth century and the Russian Revolution of the twentieth, secular humanism displaced Christianity to become the source of modern culture. The result was some of the most illustrious music, science, philosophy, and literature ever produced. But the cultural reorientation from paradise to utopia-from an experience of the kingdom of heaven to one bound exclusively by this world-all but eradicated the traditional culture of the West, leaving it at the beginning of the twentieth century without roots in anything transcendent.

"Before there was a West, there was Christendom. This book tells the story of how both came to be." (from the Introduction) The Age of Paradise is the first of a projected four-volume history of Christendom, a civilization with a supporting culture that gave rise to what we now call the West. At a time of renewed interest in the future of Western culture, author John Strickland-an Orthodox scholar, professor, and priest-offers a vision rooted in the deep past of the first millennium. At the heart of his story is the early Church's "culture of paradise," an experience of the world in which the kingdom of heaven was tangible and familiar. Drawing not only on worship and theology but statecraft and the arts, the author reveals the remarkably affirmative character Western culture once had under the influence of Christianity-in particular, of Eastern Christendom, which served the West not only as a cradle but as a tutor and guardian as well.

Exploring the fury of the young in a world or crisis that seems to offer no alternatives "Only martyrs know neither pity nor fear. Believe me, the day when the martyrs are victorious will be the day of universal conflagration". Jacques Lacan made this gloomy prophesy back in 1959: but doesn't it also apply to our own time? Faced with a rise in attacks around the world, can we really just blame the 'radicalization of' Islam'? What hope is there for the alienated youth, as the wars that have ravaged the Middle East spill out across the globe? For Alain Bertho, the mounting chaos we see today is above all driven by the weakening of states' legitimacy under the pressure of globalization. Add to this the hypocrisy of the elites who beat the drum of 'security measures', even as they sow the seeds of violence around the world. This disorder is the swamp of despair which can only produce fresh atrocities. Today's youth are the lost children of neoliberal globalization, the inheritors of the political and human chaos it produces. When they find it easier to imagine the end of the world than the end of capitalism, their revolt tends to take the paths of martyrdom and despair. The closing of the revolutionary hypothesis allows only fury. The answer, Bertho argues, is a new radicalism, able to inspire a collective hope in the future.

If you have ever wondered exactly how we got from the Christian society of the early centuries, united in its faithfulness to apostolic tradition, to the fragmented and secular state of the West today, The Age of Division will answer all your questions and more. In this second of a four-volume cultural history of Christendom, author John Strickland applies insights from the Orthodox Church to trace the decline and disintegration of both East and West after the momentous but often neglected Great Schism. For five centuries, a divided Christendom was led further and further from the culture of paradise that defined its first millennium, resulting in the Protestant Reformation and the secularization that defines our society today.

I am. We are. That is enough. Now we have to start. These are the opening words of Ernst Bloch's first major work, The Spirit of Utopia, written mostly in 1915-16, published in its first version just after the First World War, republished five years later, 1923, in the version here presented for the first time in English translation. The Spirit of Utopia is one of the great historic books from the beginning of the century, but it is not an obsolete one. In its style of thinking, a peculiar amalgam of biblical, Marxist, and Expressionist turns, in its analytical skills deeply informed by Simmel, taking its information from both Hegel and Schopenhauer for the groundwork of its metaphysics of music but consistently interpreting the cultural legacy in the light of a certain Marxism, Bloch's Spirit of Utopia is a unique attempt to rethink the history of Western civilizations as a process of revolutionary disruptions and to reread the artworks, religions, and philosophies of this tradition as incentives to continue disrupting. The alliance between messianism and Marxism, which was proclaimed in this book for the first time with epic breadth, has met with more critique than acclaim. The expressive and baroque diction of the book was considered as offensive as its stubborn disregard for the limits of "disciplines." Yet there is hardly a "discipline" that didn't adopt, however unknowingly, some of Bloch's insights, and his provocative associations often proved more productive than the statistical account of social shifts. The first part of this philosophical meditation--which is also a narrative, an analysis, a rhapsody, and a manifesto--concerns a mode of "self-encounter" that presents itself in the history of music from Mozart through Mahler as an encounter with the problem of a community to come. This "we-problem" is worked out by Bloch in terms of a philosophy of the history of music. The "self-encounter," however, has to be conceived as "self-invention," as the active, affirmative fight for freedom and social justice, under the sign of Marx. The second part of the book is entitled "Karl Marx, Death and the Apocalypse." I am. We are. That's hardly anything. But enough to start.

In this exquisitely wrought memoir of a committed life, historian, and civil rights activist, Paul Gaston reveals his deep roots in Fairhope---the unique Utopian community founded in 1894 by his grandfather on the shores of Mobile Bay, Alabama. Fairhope grew into a unique political, economic, and educational experiment and a center of radical economic and educational ideals. As time passed, however, Fairhope's radical nature went into decline. By the early 1950s, the author began to look outward for ways to take part in the coming struggle---the civil rights movement. Gaston's career at the University of Virginia, where he taught from 1957-97, forms the core of Coming of Age in Utopia.

A pathbreaking exploration of the fate of utopia in our troubled times, this book shows how the historically intertwined endeavors of utopia and critique might be leveraged in response to humanity's looming existential challenges. Utopia in the Age of Survival makes the case that critical social theory needs to reinstate utopia as a speculative myth. At the same time the left must reassume utopia as an action-guiding hypothesis--that is, as something still possible. S. D. Chrostowska looks to the vibrant, visionary mid-century resurgence of embodied utopian longings and projections in Surrealism, the Situationist International, and critical theorists writing in their wake, reconstructing utopia's link to survival through to the earliest, most radical phase of the French environmental movement. Survival emerges as the organizing concept for a variety of democratic political forms that center the corporeality of desire in social movements contesting the expanding management of life by state institutions across the globe. Vigilant and timely, balancing fine-tuned analysis with broad historical overview to map the utopian impulse across contemporary cultural and political life, Chrostowska issues an urgent report on the vitality of utopia.