In colonial-era Egypt, a new social category of "modern men" emerged, the efendiyya. Working as bureaucrats, teachers, journalists, free professionals, and public intellectuals, the efendiyya represented the new middle class elite. They were the experts who drafted and carried out the state's modernisation policies, and the makers as well as majority consumers of modern forms of politics and national culture. As simultaneously "authentic" and "modern", they assumed a key political role in the anti-colonial movement and in the building of a modern state both before and after the revolution of 1952. Lucie Ryzova explores where these self-consciously modern men came from, and how they came to be such major figures, by examining multiple social, cultural, and institutional contexts. These contexts include the social strategies pursued by "traditional" households responding to new opportunities for social mobility; modern schools as vehicles for new forms of knowledge dissemination, which had the potential to redefine social authority; but also include new forms of youth culture, student rituals, peer networks, and urban popular culture. The most common modes of self-expression among the effendiyya were through politics and writing (either literature or autobiography). This articulated an efendi culture imbued with a sense of mission, duty, and entitlement, and defined the ways in which their social experiences played into the making of modern Egyptian culture and politics.

In colonial-era Egypt, a new social category of 'modern men' emerged, the efendiyya, who represented the new middle class elite. This volume explores how they assumed a key political role in the anti-colonial movement and in the building of a modern state both before and after the revolution of 1952.

Salafis explicitly base their legitimacy on continuity with the Quran and the Sunna, and their distinctive practices—praying in shoes, wearing long beards and short pants, and observing gender segregation—are understood to have a similarly ancient pedigree. In this book, however, Aaron Rock-Singer draws from a range of media forms as well as traditional religious texts to demonstrate that Salafism is a creation of the twentieth century and that its signature practices emerged primarily out of Salafis’ competition with other social movements amid the intellectual and social upheavals of modernity. In the Shade of the Sunna thus takes readers beyond the surface claims of Salafism’s own proponents—and the academics who often repeat them—into the larger sociocultural and intellectual forces that have shaped Islam’s fastest growing revivalist movement.

In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt’s foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years. She illustrates how these caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism.

This essay collection presents a global history of the middle class and its rise around the world during the age of empire. It compares middle-class formation in various regions, highlighting differences and similarities, and assesses the extent to which bourgeois growth was tied to the increasing exchange of ideas and goods and was a result of international connections and entanglements. Grouped by theme, the book shows how bourgeois values can shape the liberal world order.

This book studies the armed resistance of the Turkana people of north western Kenya to British colonial administration in the early twentieth century. From their first encounters with the colonial vanguard in the 1890s to the final surrender of the Great Diviner, Lloolel Kokoi, in 1926, the Turkana resisted imperial conquest. Even after the imposition of colonial rule, they continued to oppose the administration through a variety of strategies. The first full study of the pastoral Turkana people, this book explores their responses to European colonialism and examines the nature of their resistance, making extensive use of oral sources, as well as archival and published material. His analysis takes full account of the military history of the period, and addresses the fundamental question of why some African societies met the European advance with armed resistance while others did not.