The Afterlives of Specimens explores the space between science and sentiment, the historical moment when the human cadaver became both lost love object and subject of anatomical violence. Walt Whitman witnessed rapid changes in relations between the living and the dead. In the space of a few decades, dissection evolved from a posthumous punishment inflicted on criminals to an element of preservationist technology worthy of the presidential corpse of Abraham Lincoln. Whitman transitioned from a fervent opponent of medical bodysnatching to a literary celebrity who left behind instructions for his own autopsy, including the removal of his brain for scientific study. Grounded in archival discoveries, Afterlives traces the origins of nineteenth-century America’s preservation compulsion, illuminating the influences of botanical, medical, spiritualist, and sentimental discourses on Whitman’s work. Tuggle unveils previously unrecognized connections between Whitman and the leading “medical men” of his era, such as the surgeon John H. Brinton, founding curator of the Army Medical Museum, and Silas Weir Mitchell, the neurologist who discovered phantom limb syndrome. Remains from several amputee soldiers whom Whitman nursed in the Washington hospitals became specimens in the Army Medical Museum. Tuggle is the first scholar to analyze Whitman’s role in medically memorializing the human cadaver and its abandoned parts.

This collection of essays comprises short "biographies" of a number of famous taxidermied animals. Each essay traces the life, death and museum "afterlife" of a specific creature, illuminating the overlooked role of the dead beast in the modern human-animal encounter through practices as disparate as hunting and zookeeping.

In the quiet halls of the natural history museum, there are some creatures still alive with stories, whose personalities refuse to be relegated to the dusty corners of an exhibit. The fame of these beasts during their lifetimes has given them an iconic status in death. More than just museum specimens, these animals have attained a second life as historical and cultural records. This collection of essays—from a broad array of contributors, including anthropologists, curators, fine artists, geographers, historians, and journalists—comprises short "biographies" of a number of famous taxidermized animals. Each essay traces the life, death, and museum "afterlife" of a specific creature, illuminating the overlooked role of the dead beast in the modern human-animal encounter through practices as disparate as hunting and zookeeping. The contributors offer fresh examinations of the many levels at which humans engage with other animals, especially those that function as both natural and cultural phenomena, including Queen Charlotte’s pet zebra, Maharajah the elephant, and Balto the sled dog, among others. Readers curious about the enduring fascination with animals who have attained these strange afterlives will be drawn to the individual narratives within each essay, while learning more about the scientific, cultural, and museological contexts of each subject. Ranging from autobiographical to analytical, the contributors’ varying styles make this delightful book a true menagerie. Contributors: Samuel J. M. M. Alberti, Royal College of Surgeons * Sophie Everest, University of Manchester * Kate Foster * Michelle Henning, University of the West of England, Bristol * Hayden Lorimer, University of Glasgow * Garry Marvin, Roehampton University, London * Henry Nicholls * Hannah Paddon * Merle Patchett * Christopher Plumb, University of Manchester * Rachel Poliquin * Jeanne Robinson, Glasgow Museums * Mike Rutherford, University of the West Indies * Richard C. Sabin, Natural History Museum * Richard Sutcliffe, Glasgow Museums * Geoffrey N. Swinney, University of Edinburgh

More than a century after his death, Walt Whitman remains a fresh phenomenon. Startling discoveries and massive transcription efforts are enabling new insights into his life and achievements. In the past few years new breakthroughs have proliferated, including the publication of a long-lost Whitman novel, Jack Engle, along with a hitherto unknown health guide for urban men and previously undiscovered poems. Myriad other documents have become more readily available, including largely unmined troves of journalism, narrative and documentary prose, and experimental note-keeping. Leaves of Grass and Whitman's literary life as a whole are thus ripe for reconsideration. The Oxford Handbook of Walt Whitman embraces this expanded view of Whitman and charts new pathways in Whitman Studies by bringing in new perspectives, methods, and contexts.

'I obey my happy hour's command, which seems curiously imperative. May-be, if I don't do anything else, I shall send out the most wayward, spontaneous, fragmentary book ever printed.' One of the best kept secrets of modern autobiographical literature, Whitman's autobiography moves in brisk, episodic fashion to chronicle the life of one of the world's best loved and most influential poets. Experimental in form, lyrical in expression, and rich in experiential content, Specimen Days still awaits a much wider readership than it has hitherto commanded. Whitman gives us his life as lived in relation to the shifting urban and rural ecologies of a young nation -a nation that had freshly emerged from catastrophic civil war and that was assuming the vanguard of artistic, technological, economic, political, and philosophical modernity. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Archival Afterlives explores the posthumous fortunes of scientific and medical archives in early modern Britain. If early modern natural philosophers claimed all knowledge as their province, theirs was a paper empire. But how and why did naturalists engage with archives, and in particular, with the papers of their dead predecessors? This volume makes a firm case for expanding what counts as scientific labour, integrating scribes, archivist, library keepers, editors, and friends and family of deceased naturalists into the history of science. It shows how early modern natural philosophers pursued new natural knowledge in dialogue with their recent material past. Finally, it demonstrates the sustaining importance of archival institutions in the growth and development of the “New Sciences.” Contributors are: Arnold Hunt, Michael Hunter, Vera Keller, Carol Pal, Anna Marie Roos, Richard Serjeantson, Victoria Sloyan, Alison Walker, and Elizabeth Yale.

This book is the first to offer a comprehensive selection of Walt Whitman’s Civil War poetry and prose with a full commentary on each work. Ed Folsom and Christopher Merrill carry on a dialogue with Whitman (and with each other) as they invite readers to trace how Whitman’s writing about the Civil War develops, shifts, and manifests itself in different genres throughout the years of the war. The book offers forty selections of Whitman’s war writings, including not only the well-known war poems but also his prose and personal letters. Each are followed by Folsom’s critical examination and then by Merrill’s afterword, suggesting broader contexts for thinking about the selection. The real democratic reader, Whitman said, “must himself or herself construct indeed the poem, argument, history, metaphysical essay—the text furnishing the hints, the clue, the start or frame-work,” because what is needed for democracy to flourish is “a nation of supple and athletic minds.” Folsom and Merrill model this kind of active reading and encourage both seasoned and new readers of Whitman’s war writings to enter into the challenging and exhilarating mode of talking back to Whitman, arguing with him, and learning from him.