Once consigned almost exclusively to Saturday morning fare for young viewers, television animation has evolved over the last several decades as a programming form to be reckoned with. While many animated shows continue to entertain tots, the form also reaches a much wider audience, engaging viewers of all ages. Whether aimed at toddlers, teens, or adults, animated shows reflect an evolving expression of sophisticated wit, adult humor, and a variety of artistic techniques and styles. The Encyclopedia of American Animated Television Series encompasses animated programs broadcast in the United States and Canada since 1948. From early cartoon series like Crusader Rabbit, Rocky and His Friends, and The Flintstones to 21st century stalwarts like The Simpsons, South Park, and Spongebob Squarepants, the wide range of shows can be found in this volume. Series from many networks—such as Comedy Central, the Disney Channel, Nickleodeon, and Cartoon Network— are included, representing both the diversity of programming and the broad spectrum of viewership. Each entry includes a list of cast and characters, credit information, a brief synopsis of the series, and a critical analysis. Additional details include network information and broadcast history. The volume also features one hundred images and an introduction containing an historical overview of animated programming since the inception of television. Highlighting an extensive array of shows from Animaniacs and Archer to The X-Men and Yogi Bear, The Encyclopedia of American Animated Television Series is an essential resource for anyone interested in the history and evolution of this constantly expanding art form.

Life in Edge City has always been tough for Stanley Ipkiss. He's as good-natured and decent as they come, but nice don't pay the bulldog or make points with the ladies. Stanley knows he's destined for greater things, but how to get there? Enter the Mask, an ancient artifact that imbues its wearer with the power to do just about anything one desires — especially if one desires zoot suits, pies, mallets, cartoon bug-eyes, and a penchant for Latin song stylings! Stanley Ipkiss now has the world on a string, but there are many in that world of vastly lesser niceness than Stanley who desire the Mask's power for themselves. With great power comes big trouble... and even bigger laughs!

Liza Baker, a rising star in the burgeoning Abstract Expressionist era, finds herself sidelined when she gets pregnant, and decides to have the child. Yet, against conventional wisdom, she’s convinced she can have a successful career and be a good mother to her daughter, Rouge. She takes a job teaching at a college and comes up against the harsh realities of the male-dominated art world. Unable to build a successful career, she watches as her former lover, whose work resembles hers, skyrocket to fame. Liza develops a drinking problem and often brings home artist lovers she’s met in the city. When Rouge meets Ben Fuller, one of Liza’s discarded lovers who subsequently fosters Rouge talent in photography, the complexity of the mother-daughter relationship takes on the added charge of a competition between the two, one that Liza tries to sabotage. THE GLIMPSE is a moving, unsentimental tale of the charged New York art world of the 1950s and the relationship between a mother and daughter as they grapple with their relationship that becomes pivotal to their artwork.

THIS BOOK IS A CONGLOMERATION OF STORIES, AND ALTHOUGH THEY ARE BASED ON TRUTHS. THEY ARE FABRICATED TO SUIT THIS STORY LINE. THERE IS NO INTENT TO TRY TO EXPOSE ANYBODY FOR ANYTHING. IT IS MY INTENTION TO MAKE THIS BOOK AN ENJOYABLE READ, WITH ADVENTURE, TRAGETY, FUN, AND LOVE. I HAVE CHANGED ALL OF THE NAMES AND HAVE MENTIONED NO LAST NAMES IN THIS STORY. SIT BACK AND LET ME TAKE YOU TO THE PLACES THAT ONLY YOUR IMAGINATION COULD THINK UP. THIS STORY TAKES YOU FROM A POOR BROKEN HOME, THROUGH THE DRUG INDUCED ERA OF THE 60S, TO A FAILED MARRIGE, AND FINALLY TO THE OCEAN, AND THE REAL ADVENTURES. THIS BOOK IS A LIFE TIME OF STORIES TO BE REMEMBERED. IT IS HOW I CAME UP WITH THE TITLE OF THIS BOOK. NOMATTER WHERE YOU GO, THERE YOU ARE.

The author of SOMETHING MISSING returns with another hilarious and sneakily profound tale about a man whose behavior is truly odd, but also oddly relatable. Milo Slade, a thirty-three year old home healthcare aide, is witnessing the rapid dissolution of his three-year marriage to a polished, high-powered attorney named Christine. Though Milo doesn't quite know the root of his marital problems, he inevitably blames himself, or more specifically, he faults the demands his obsessive compulsive personality place upon him--the need to open a jar of Smuckers grape jelly or sing 99 Luftballons in front of an audience, to name just a couple. Yet Christine is still none the wiser about these inexplicable quirks as Milo has painstakingly hidden them from her and everyone else for years. No one knows the true--and in his mind more insidious--Milo, and such is the root of his profound loneliness, especially now that he and Christine are living apart during a trial separation. Then one day Milo stumbles across a video camera and tapes, left behind in a park. He watches the first tape, which is a heartfelt confessional by a young woman who begins to reveal her secrets, starting small at first, and finally revealing that she blames herself for a tragic death of a friend. But not all the details add up and Milo is struck with the urge to free the sweet confessor from her guilt. He is, after all, an expert in keeping secrets… In typical screwball fashion, Milo sets out on a cross-country journey to crack the case, but quickly gets sidetracked as his un-ignorable demands call. But it is during these sidetracks that the true meaning of his adventure takes shape. Milo is weird, but as he discovers, so is everyone else. UNEXPECTEDLY, MILO is a humorous and touching novel about finding oneself, embracing the journey, and, unexpectedly, love.

The 'Sci-Fi Ultimate Collection: 170+ Space Adventures, Dystopian Novels & Lost World Classics' stands as a testament to the vast and varied universe of science fiction, encapsulating the ingenuity and diversity of thought from the 19th to the early 20th centuries. This anthology spans a range of literary styles from the exploratory whims of Jules Verne to the dark, introspective narratives of H.P. Lovecraft, and the socio-political commentaries of H.G. Wells and George Orwell offering a broad view of the thematic concerns and stylistic evolutions within the genre. Notably, it includes landmark pieces that have defined and expanded the boundaries of speculative fiction, exploring themes of dystopia, utopia, cosmic horror, and science as both salvation and doom, thereby providing a comprehensive overview of the genre's development and its reflection of societal anxieties and aspirations. The contributing authors and editors, each distinguished by their own unique contributions to literature and thought, bring a rich tapestry of background, perspective, and cultural context to the anthology. From the pioneering speculative visions of Mary Shelley, whose 'Frankenstein' laid the groundwork for scientific fiction as a critical mirror to society, to the sophisticated social critiques embedded in the works of Aldous Huxley and Sinclair Lewis, the collection is a convergence of voices that have not only defined but also challenged their contemporary sociopolitical paradigms. By aligning with various historical, cultural, and literary movements, these authors collectively amplify the anthology's exploration of human nature, progress, and the infinitely expanding boundaries of the unknown. 'Readers seeking not just entertainment but also a deep cultural and philosophical engagement with science fiction as a genre will find the 'Sci-Fi Ultimate Collection' an invaluable resource. This anthology affords a unique opportunity to experience the breadth and depth of speculative fiction through the eyes of its most iconic figures. It invites readers to traverse time and space, to challenge their preconceptions, and to engage in a dialogue with the past, understanding how past generations envisioned the future. For anyone interested in the evolution of science fiction and its role in critiquing, reflecting, and shaping societal views, this collection is an indispensable compendium, illuminating the myriad ways in which the genre has captivated the human imagination.