The Adventures of Don Roberto is a book of action, mystery, friendship and fun. Roberto is a gringo who meets Chapo, the son of a Mexican migrant worker, when his uncle brings Chapo's family from Mexico to work his cotton fields in West Texas. At the tender age of seven, Robert takes the Spanish version of his name. In his mind, the only thing he lacks to be a real Mexican is a Green Card. The boys are friends for life, and the story revolves around their antics when they are young and their adventures, together and separately on both sides of the border, as they become men. Roberto accidentally discovers an international drug smuggling operation and drags a reluctant Chapo into the middle of it. Things get serious when Chapo has to choose between the lives of his wife and children or the life of his friend.

Sometimes you can change history . . . and sometimes history can change you. When Stosh travels into the past to meet Roberto Clemente, a legendary ballplayer and a beloved humanitarian, he's got only one goal: warning Roberto not to get on the doomed plane that will end his life in a terrible crash. In the sixties, Stosh meets free-spirited Sunrise, and together they travel across the country to a ball game that leaves them breathless—and face-to-face with Roberto. But when the time comes for Stosh to return to the future, he finds that the adventure has only just begun. . . . Join Stosh and Sunrise on a journey that will take you into the past, from the excitement of Woodstock to a life-changing encounter with Roberto Clemente—and into a surprising future!

A Boy in the Peninsular War is an autobiographic memoir by Robert Blakeney who served in the Peninsular War at the tender age of fifteen, this was the armed skirmish fought in the Iberian Peninsula by Spain, Portugal, and the United Kingdom against the invasive and conquering forces of the First French Empire throughout the Napoleonic Wars.

Roberto Rossellini's Rome Open City instantly, markedly, and permanently changed the landscape of film history. Made at the end of World War II, it has been credited with initiating a revolution in and reinvention of modern cinema, bold claims that are substantiated when its impact on how films are conceptualized, made, structured, theorized, circulated, and viewed is examined. This volume offers a fresh look at the production history of Rome Open City; some of its key images, and particularly its representation of the city and various types of women; its cinematic influences and affinities; the complexity of its political dimensions, including the film's vision of political struggle and the political uses to which the film was put; and the legacy of the film in public consciousness. It serves as a well illustrated, up to date, and accessible introduction to one of the major achievements of filmmaking.

More than forty years after the composer's death, the music of Roberto Gerhard (1896-1970) continues to be recorded and performed and to attract international scholarly interest. The Roberto Gerhard Companion is the first full length scholarly work on this composer noted for his sharp intellect and original, exploring mind. This book builds on the outcomes of two recent international conferences and includes contributions by scholars from Spain, the USA and UK. The essays collected here explore themes and trends within Gerhard’s work, using individual or groups of works as case studies. Among the themes presented are the way Gerhard’s work was shaped by his Catalan heritage, his education under Pedrell and Schoenberg, and his very individual reaction to the latter’s teaching and methods, notably Gerhard’s very distinctive approach to serialism. The influence of these and other cultural and literary figures is an important underlying theme that ties essays together. Exiled from Catalonia from 1939, Gerhard spent the remainder of his life in Cambridge, England, composing a string of often ground-breaking compositions, notably the symphonies and concertos composed in the 1950s and 1960s. A particular focus in this book is Gerhard's electronic music. He was a pioneer in this genre and the book will contain the first rigorous studies of this music as well as the first accurate catalogue of this electronic output. His ground-breaking output of incidental music for radio and the stage is also given detailed consideration.