Best friends Kari and Lucas are thrilled to go on safari in Africa. They're fascinated by the lions, giraffes, and zebras. Even more intriguing to Kari is the cave where her uncle and other archaeologists have discovered artwork from thousands of years ago. But when some of the ancient artifacts are stolen, Kari and Lucas are thrust into an art mystery as compelling as any they've faced before-only, surrounded by wild animals, far more dangerous. Fast-paced writing, suspenseful action, spunky protagonists, and a fascinating African setting combine for another winning Kari and Lucas mystery.

If it hadn't been for Lucas's photographic memory, they might not have remembered the man. It had been almost a year since she and Kari noticed him copying a famous Rembrandt painting in the Minneapolis Institute of Arts. But now in the National Gallery in London, they spot the same guy, copying another Rembrandt. Then, when a never-before-seen Rembrandt painting is discovered in Amsterdam, the girls begin to suspect the truth. Convinced that no one will believe them without hard and fast evidence, the teenage sleuths embark on a madcap adventure to find the forger and bring him to justice.

When fourteen-year-old best friends Kari and Lucas travel to an archaeological dig in Kenya with Kari's uncle Geoff, they help expose a smuggling ring.

There are some things which cannot be learned quickly, and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things, and because it takes a man's life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. In the winter of 1933, Ernest Hemingway and his wife Pauline set out on a two-month safari in the big-game country of East Africa, camping out on the great Serengeti Plain at the foot of magnificent Mount Kilimanjaro. “I had quite a trip,” the author told his friend Philip Percival, with characteristic understatement. Green Hills of Africa is Hemingway's account of that expedition, of what it taught him about Africa and himself. Richly evocative of the region's natural beauty, tremendously alive to its character, culture, and customs, and pregnant with a hard-won wisdom gained from the extraordinary situations it describes, it is widely held to be one of the twentieth century's classic travelogues.

Some travel books authors try to impress the reader with a full sense of the danger and hardship they have undergone. Others are deadly afraid of bragging about their adventures, knowing, for instance, that hundreds of others have been charged by a lion and may be reading their book. In The Land of Footprints, Stewart Edward White attempts to be the ideal travel book author, one who tells the reader what the country, its people, and its animals are really like, "not in vague and grandiose 'word paintings,' not in strange and foreign sounding words and phrases, but in comparison with something they know." The Land of Footprints is the enormous enjoyable, immensely readable memoir of Stewart Edward White's year spent in East Equatorial Africa at the beginning of the 20th century. STEWART EDWARD WHITE (1873-1946) was born in Michigan and lived in California where he became known as the author of many articles, short stories, and books about the state's mining and lumber camps and his explorations around the world. He devoted the last thirty years of his life to writing accounts of his wife's mediumistic explorations of the inner dimensions of life.