Acoustics of Wood offers a detailed treatment of numerous topics that are valuable to those working with wood in architecture, engineering, acoustics, and the crafting of musical instruments. It presents a comprehensive account of the progress and current knowledge concerning wood acoustics, outlining the anatomy and physiology of wood and the specific applications in which its acoustic properties are relevant. Acoustics of Wood reviews state-of-the-art measurement systems and includes material that has not been widely published. Divided into three main parts, the book describes environmental acoustics, presents acoustics methods for the characterization of the elastic behavior of wood, and discusses acoustic methods for the assessment of wood quality.

Considerable activity in the acoustics of wood has occurred since the first edition of this book in 1995. An informal survey of a number of the published articles and papers presented at international conferences revealed that the interest of the wood science community is continually increasing. In this context, I felt c- pelled to revise the text in accordance with newer findings and this prompted the addition in the present book of 159 new references added to the existing 850 in the first edition. As a result of the favorable comments upon the first edition, from students and colleagues, I have included a part on mathematical theory related to wave pro- gation in orthotropic solids in the general text, in order to enable the interested reader to follow the essentially physical aspects of the subject. A new chapter related to “acousto-ultrasonics” is introduced; Chapters 4, 5, 6, 8, 9, 10, 11, and 12 have been considerably expanded and a significant redistribution of the subject matter from the earlier edition has been made.

"Acoustics of Wood offers a detailed treatment of numerous topics that are valuable to those working with wood in architecture, engineering, acoustics, and the crafting of musical instruments. It presents a comprehensive account of the progress and current knowledge concerning wood acoustics, outlining the anatomy and physiology of wood and the specific applications in which its acoustic properties are relevant. Acoustics of Wood reviews state-of-the-art measurement systems and includes material that has not been widely published. Divided into three main parts, the book describes environmental acoustics, presents acoustics methods for the characterization of the elastic behavior of wood, and discusses acoustic methods for the assessment of wood quality."--Provided by publisher.

This volume constitutes the refereed proceedings of the Third International Conference on Applied Technologies, ICAT 2021, held in Quito, Ecuador, in October 2021. The 40 papers were carefully reviewed and selected from 201 submissions. The papers are organized according to the following topics: communication; computing; e-government and e-participation; e-learning; electronics; general track; intelligent systems; machine vision; security; technology trends.

Trees can reduce noise by sound reflection and absorption and this is the first book bringing together the widely scattered literature on noise abatement by urban trees. The book will interest those concerned with environmental management, noise control, and urban forestry. It is an invaluable source of information for environmental managers, foresters, acousticians, engineers, architects, scientists, and students.

This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra