Leading art critic and philosopher Arthur Danto here explains how the anti-beauty revolution was hatched, and how the modernist avant-garde dislodged beauty from its throne. Danto argues not only that the modernists were right to deny that beauty is vital to art, but also that beauty is essential to human life and need not always be excluded from art.

The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.

Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday aesthetic tastes and judgments can exert a powerful influence on the state of the world and our quality of life. By analysing a wide range of examples from our aesthetic interactions with nature, the environment, everyday objects, and Japanese culture, Saito illustrates the complex nature of seemingly simple and innocuous aesthetic responses. She discusses the inadequacy of art-centered aesthetics, the aesthetic appreciation of the distinctive characters of objects or phenomena, responses to various manifestations of transience, and the aesthetic expression of moral values; and she examines the moral, political, existential, and environmental implications of these and other issues.

At a young age, author A. L. Madden was exposed to the kind of inconceivable treatment no one, let alone a defenseless child, should endure. A brutal stepfather with a murky and painful history of his own found himself in an environment in which he continued the cycle of trauma, committing unspeakable acts of sexual and emotional abuse against Madden and her siblings. Meanwhile, her struggling, overworked mother didn't see the pain and damage being inflicted on her children. Madden felt ashamed, hurt, angry, and, most of all, unable to talk--to anyone--about what was happening. She felt as though it was her fault. The only route to dealing with the anguish was to submerge herself in a distrustful, insecure, depressed state. As have many survivors of abuse, Madden felt abandoned, unable to see who she really was, unable to hold on to any glimmer of hope. Only through a long soul-searching process that involved a combination of therapy, study, prayer, and the eventual strong faith in the power of her own inner strength and spirit--the innocence and beauty she had once possessed as a child--was Madden fi nally able to reach a place of understanding and peace. Stolen Beauty tells a poignant story for anyone who seeks guidance through his or her own recovery from abuse or for anyone who works to help survivors and abusers alike.

Offers advice for dealing with teen dating abuse, from stalking to physical assault, discussing the warning signs of an unhealthy relationship, steps that friends and parents can take, and ways to intervene effectively.

I am looking at my destroyed reflection. My right hand is holding a 22LRGBG that is pointing at my head... it is a perfect gun for Russian Roulette. But I am not playing. I don't recognize this person anymore. I destroyed my life and I don't want to stay on this Earth. I cannot believe that LOVE with a man did this to me! Erika Santos has everything: a supportive husband, six beautiful children, and an optimistic outlook on life. She's living in Europe, managing her own financial companies and a non-profit organization, and appearing in many television shows and magazines. But when a business venture brings her to Tampa, Florida, she falls in love with the wrong man. Blinded by infatuation, she divorces her husband and moves with her children to be with HIM, leaving her businesses and celebrity life behind. Quickly, she realizes HE is not the man she thought HE was. Once HE gains control over her, HE becomes cruel and abusive, subjecting her to physical, psychological, and sexual torture. Scared for her life and her children's safety, she decides to escape. Out on the street with six young children, no money, and nowhere to go, Erika struggles to keep herself and her children safe. It isn't easy... HE is powerful, threatening, and vindictive. And the biggest problem of all: she still loves HIM.