'Lyndall Ryan's new account of the extraordinary and dramatic story of the Tasmanian Aborigines is told with passion and eloquence.

Introductory notes on origin, material culture, social organisation, religion, trade, art; early contacts and resistance to Europeans; contemporary Aboriginal community; extensively illustrated.

The extinction of the Tasmanian Aborigines has long been viewed as one of the great tragedies resulting from the British occupation of Tasmania. This book demonstrates that the Aborigines in Tasmania, although dispossessed, did not die out then or at any other period in Tasmania's history. Some eight thousand descendants remain today. In examining the myth created by nineteenth-century historians and scientists that Aborigines could not survive invasion, Lyndall Ryan investigates the nature of that invasion, Aboriginal resistance, and white Tasmanian policies towards the Aborigines after dispossession. The Aboriginal Tasmanians then follows the emergence of a new Aboriginal community outside the boundaries of white society yet denied Aboriginal identity. In this new edition, Lyndall Ryan explores the fortunes of the present day community in their quest for landrights and social justice. Tasmania was the cradle of race relations in Australia in the nineteenth century. It retains this position on the 1990s. In telling the story of the Aboriginal Tasmanians' struggles for a place in their own country, Lyndall Ryan provides special insights into the past and present of Aboriginal people nationwide.

In 1908 English gentleman, Ernest Westlake, packed a tent, a bicycle and forty tins of food and sailed to Tasmania. On mountains, beaches and in sheep paddocks he collected over 13,000 Aboriginal stone tools. Westlake believed he had found the remnants of an extinct race whose culture was akin to the most ancient Stone Age Europeans. But in the remotest corners of the island Westlake encountered living Indigenous communities. Into the Heart of Tasmania tells a story of discovery and realisation. One man’s ambition to rewrite the history of human culture inspires an exploration of the controversy stirred by Tasmanian Aboriginal history. It brings to life how Australian and British national identities have been fashioned by shame and triumph over the supposed destruction of an entire race. To reveal the beating heart of Aboriginal Tasmania is to be confronted with a history that has never ended.

Little more than seventy years after the British settled Van Diemen's Land (later Tasmania) in 1803, the indigenous community had been virtually wiped out. Yet this genocide at the hands of the British is virtually forgotten today. The Last Man is the first book specifically to explore the role of the British government and wider British society in this genocide. It positions the destruction as a consequence of British policy, and ideology in the region. Tom Lawson shows how Britain practised cultural destruction and then came to terms with and evaded its genocidal imperial past. Although the introduction of European diseases undoubtedly contributed to the decline in the indigenous population, Lawson shows that the British government supported what was effectively the ethnic cleansing of Tasmania - particularly in the period of martial law in 1828-1832. By 1835 the vast majority of the surviving indigenous community had been deported to Flinders Island, where the British government took a keen interest in the attempt to transform them into Christians and Englishmen in a campaign of cultural genocide. Lawson also illustrates the ways in which the destruction of indigenous Tasmanians was reflected in British culture - both at the time and since - and how it came to play a key part in forging particular versions of British imperial identity. Laments for the lost Tasmanians were a common theme in literary and museum culture, and the mistaken assumption that Tasmanians were doomed to complete extinction was an important part of the emerging science of human origins. By exploring the memory of destruction, The Last Man provides the first comprehensive picture of the British role in the destruction of the Tasmanian Aboriginal population.

Onsman provides a new look at how one of the most influential portrayals of Tasmanian Aboriginal people, the one put forward in the Tasmanian Museum and Art Gallery, has changed from simply reflecting an academic idea to becoming pro-active in presenting contemporary images: a change that began when the museum employed an Aboriginal curator to manage its collection.