In The ABC-CLIO Companion to the 1960s Counterculture in America, author Neil A. Hamilton systematically illuminates the social, cultural, and political revolution with entries covering groups such as the hippies, Diggers, Yippies, and Weathermen; individuals including Abbie Hoffman, Andy Warhol, Russell Means, and Stokely Carmichael; and events such as Watts, the Tripps festival, Woodstock, and various "be-ins". Broadly defining the counterculture as any cultural or political challenge to mainstream values and practices of the day, Hamilton traces the counterculture's spread across America, far beyond its San Francisco Bay Area origins. He also examines the sweeping changes in the period's music, art, clothing, language, and personal practices. Perfect for high school, college, and public libraries, this unique encyclopedia's complete compilation of the 1960s upheaval will also be of special use to students of sociology, recent U.S. history, and popular culture.

Profiles more than 285 men and women who fought for social reform and influenced American history.

From the reviews of Nazi Germany "The best one-volume history of the Third Reich available.It fills a void which has existed for a long time and it will probably become the basic text for generations of students."-Walter Laqueur "An indispensable, compellingly readable political, military and social history of the Third Reich."-Publishers Weekly From the reviews of History of an Obsession "This is truly a significant work, for Fischer gives a balanced account of a complex subject, making it painfully clear just how Germany became capable of genocide." - Booklist "Fischer writes with a clear mastery of both primary and secondary sources. Synthesizing a wide spectrum of literature into a fine, scholarly work." - Library Journal No decade since the end of World War II has been as seminal in its historical significance as the 1960s. That stormy period unleashed a host of pent-up social and generational conflicts that had not been experienced since the Civil War: intense racial and ethnic strife, cold war terror, the Vietnam War, counter-cultural protests, controversial social engineering, and political rancor. Numerous studies on various aspects of these issues have been written over the past 35 years, but few have so successfully integrated the many-sided components into a coherent, synthetic, and reliable book that combines good storytelling with sound scholarly analysis. The main materials covered will be the Kennedy and Johnson presidencies; the Civil Rights movement; the Vietnam War and the protest it generated; the New Left, student radicals, and Black student militancy; and, finally, the counter-cultural side of the 60s: hippies, sex and Rock 'n' Roll.

Contains over four hundred alphabetically arranged articles that provide biographical and career information about prominent American business leaders from throughout history, covering a variety of fields, including finance, banking, heavy industry, food processing, communications, computers, and entertainment.

The 1960s on Film tells the narrative of the 1960s through the lens of the movie camera, analyzing 10 films that focus on the people, events, and issues of the decade. Films create both an impression of and — at times for younger audiences — a primary definition of events, people, and issues of an era. The 1960s on Film examines the 1960s as the decade was presented in ten films that focused on that decade. Discussion will focus on both what the films have to say about the era and how close they come to accurately depicting it. For example, films such as Mississippi Burning and Selma tell the story of racial conflict and hope for reconciliation in the 1960s. Other films such as The Right Stuff and Hidden Figures show the deep fascination America had at that time with the burgeoning space program and NASA, while Easy Rider analyzes the role of rock music and drugs among young people of the decade. The Deer Hunter studies the controversies surrounding the war in Vietnam. The Graduate, Mad Men, JFK, and Thirteen Days also receive significant treatment in this exciting volume.

This book uses evidence-based primary source analysis to provide students with the historical perspective necessary to think critically about the romantic memories, stubborn stereotypes, misperceptions, deliberate falsehoods, distorted myths, and old grudges that distort our popular perceptions of the 1960s. Twenty-first century Americans routinely use the 1960s as a metaphor, a sort of convenient shorthand, for the cultural wars—that continuous clash over differing values, beliefs, attitudes, and lifestyles—still bitterly polarizing the nation. Therefore, understanding the 1960s cultural revolution is critical to understanding ourselves. What this book contributes to that conversation is needed historical perspective with evidence-based primary source analysis. Ten chapters shed light on ordinarily overlooked aspects of the period, challenge stubborn misconceptions, and explore the enduring legacy of the 1960s. Primary source material—both written and visual—is drawn from archival holdings, newspapers, published proceedings, oral histories, and memoirs in order to present a balanced, accessible examination of mistaken beliefs and the historical truths.