DAILY TELEGRAPH, ECONOMIST AND INDEPENDENT BOOKS OF THE YEAR Throughout the 1990s a vast conflict was brewing. The storm broke on September 11th 2001. Since then much of the world has seen invasions, bombings, battles and riots. Hundreds of thousands of people have died. Jason Burke, a first-hand witness of many of the conflict's key moments, has written the definitive account of its course in his acclaimed book The 9/11 Wars. At once investigation, reportage and contemporary history, The 9/11 Wars is an essential book for understanding the dangerous and unstable twenty-first century. Whether reporting on the riots in France or the attack on Mumbai, suicide bombers in Iraq or British troops fighting in Helmand, Jason Burke tells the story of a world that changed forever when the hijacked planes flew out of the brilliant blue sky above Manhattan on September 11th. Reviews: 'The best overview of the 9/11 decade so far in print' Economist 'A magisterial history of the last decade ... The long patient sentences of The 9/11 Wars are suffused with the melancholy of a man who has learned a great deal from long exposure to atrocity and folly' Pankaj Mishra, Guardian 'The 9/11 Wars warrants great respect' Metro 'Pacy, well-researched, and packed with telling anecdotes, this book's strength is in its detailed, balanced overview ... At a time when there are more books out on terrorism than ever before ... this is likely to be among the best' Sunday Telegraph '[Burke] is one of the most respected and experienced foreign correspondents in the business ... A major authority on the politics and organisation of Islamic extremism and ... a talented writer with the rare gift of joining effortless prose to challenging scholarship ... [The 9/11 Wars] is a magnificent achievement' Irish Times 'A reader wanting a more dispassionate survey of how 9/11, and the response to it, may have shaped parts of the world will do no better than invest in [this] brilliant book' David Aaronovitch, The Times 'This remarkably balanced, well-sourced and very well-written book ... will be turned to in the future ... [Burke] has demonstrated impressive expertise as a historian who has had the advantage of having been present on many of the battlefields he describes' Andrew Roberts, Evening Standard '[A] lucid, sane account ... taut, careful reporting ... Remarkable' Scotsman 'Potent ... journalism of a high order. Like all good reporters, Burke is something of a scholar, drawing meticulously on interview notes years old, and on extensive background reading. He excels, too, in describing the experiences of ordinary Muslims; such insights make this book essential for understanding the past decade' Sunday Times About the author: Jason Burke is the South Asia correspondent for the Guardian. He has reported around the world for both the Guardian and the Observer. He is the author of two other widely praised books, both published by Penguin: Al-Qaeda and On the Road to Kandahar. He lives in New Delhi.

Imagining Afghanistan examines how Afghanistan has been imagined in literary and visual texts that were published after the 9/11 attacks and the subsequent U.S.-led invasion—the era that propelled Afghanistan into the center of global media visibility. Through an analysis of fiction, graphic novels, memoirs, drama, and film, the book demonstrates that writing and screening “Afghanistan” has become a conduit for understanding our shared post-9/11 condition. “Afghanistan” serves as a lens through which contemporary cultural producers contend with the moral ambiguities of twenty-first-century humanitarianism, interpret the legacy of the Cold War, debate the role of the U.S. in the rise of transnational terror, and grapple with the long-term impact of war on both human and nonhuman ecologies. Post-9/11 global Afghanistan literary production remains largely NATO-centric insofar as it is marked by an uncritical investment in humanitarianism as an approach to Third World suffering and in anti-communism as an unquestioned premise. The book’s first half exposes how persisting anti-socialist biases—including anti-statist bias—not only shaped recent literary and visual texts on Afghanistan, resulting in a distorted portrayal of its tragic history, but also informed these texts’ reception by critics. In the book’s second half, the author examines cultural texts that challenge this limited horizon and forge alternative ways of representing traumatic histories. Captured by the author through the concepts of deep time, nonhuman witness, and war as a multispecies ecology, these new aesthetics bring readers a sophisticated portrait of Afghanistan as a rich multispecies habitat affected in dramatic ways by decades of war but not annihilated.

Chollet and Goldgeier examine how the decisions and debates of the years between the fall of the Berlin Wall on November 9, 1989, and the collapse of the Twin Towers on September 11, 2001, shaped the events, arguments, and politics of the modern world.

To understand why, you'll need to know how ... - an Australian metals trader named Garry-with help from the CIA-inadvertently triggered the invasion of Iraq - coalition troops were killed by bombs made with explosives that, according to the White House, never existed - the United States Air Force bombed a wedding in Afghanistan by mistake - the U.S. gave material support to the president of Uzbekistan, who, as it happens, boils people aliveThese are not merely random disasters from an otherwise effective war. A History of the World Since 9/11shows us just why, a decade after the horrifying attacks on New York and Washington, we are no closer towinning the war on terror than we were on September 10, 2001. We failed to find Osama bin Laden or quellextremism. We sparked civil wars in Afghanistan and Iraq. Around the world, innocents were incarcerated,tortured, and murdered-all in the name of justice. Acclaimed author and journalist Dominic Streatfeild traveled across the world for years in pursuit ofanswers for this stunning collapse of international law. The results of his search form the most fully realized study of the war on terror yet written. Piercing reportage blends with sobering human drama, woven into eight narratives of how our world went wrong after 9/11.

The phrase 'War on Terror' has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Exploring the role of verbal and visual images in the War on Terror, the author finds a conflict whose shaky metaphoric and imaginary conception has created its own reality.

At a critical moment in world history The Longest War provides the definitive account of the ongoing battle against terror. --Book Jacket.

A New York Times Critics’ Top Book of 2021 "An impressive combination of diligence and verve, deploying Ackerman’s deep stores of knowledge as a national security journalist to full effect. The result is a narrative of the last 20 years that is upsetting, discerning and brilliantly argued." —The New York Times "One of the most illuminating books to come out of the Trump era." —New York Magazine An examination of the profound impact that the War on Terror had in pushing American politics and society in an authoritarian direction For an entire generation, at home and abroad, the United States has waged an endless conflict known as the War on Terror. In addition to multiple ground wars, the era pioneered drone strikes and industrial-scale digital surveillance; weakened the rule of law through indefinite detentions; sanctioned torture; and manipulated the truth about it all. These conflicts have yielded neither peace nor victory, but they have transformed America. What began as the persecution of Muslims and immigrants has become a normalized feature of American politics and national security, expanding the possibilities for applying similar or worse measures against other targets at home, as the summer of 2020 showed. A politically divided and economically destabilized country turned the War on Terror into a cultural—and then a tribal—struggle. It began on the ideological frontiers of the Republican Party before expanding to conquer the GOP, often with the acquiescence of the Democratic Party. Today’s nativist resurgence walked through a door opened by the 9/11 era. And that door remains open. Reign of Terror shows how these developments created an opportunity for American authoritarianism and gave rise to Donald Trump. It shows that Barack Obama squandered an opportunity to dismantle the War on Terror after killing Osama bin Laden. By the end of his tenure, the war had metastasized into a bitter, broader cultural struggle in search of a demagogue like Trump to lead it. Reign of Terror is a pathbreaking and definitive union of journalism and intellectual history with the power to transform how America understands its national security policies and their catastrophic impact on civic life.