These Treatises of the Odu of Ifá in volumes, are very complete, since In addition to treating the Afro-Cuban Odu de Ifá, they also contain Traditional African Ifá treatises. Both gather thousands of Pataki or Histories, thousands of Eboses and works, which will make it easier for you to deepen your study and solve any situation that arises in the religious field of consulting the Ifa oracle. The Synthesis of the Treaties of the Odu of Ifá already published by me previously, is nothing more than as its name indicates, a synthesis of these treaties, whose objective was always to support to the Babalawo as a handy pocket reminder, based on the fact that it has been studied and deepened before in the study of these volumes which will lead you to have the most complete knowledge about Ifá. For these reasons, it is highly recommended to have this valuable information in your library. We have grouped only two Odu per book, to make it as cheap as possible and facilitate its acquisition.

These Treatises of the Odu of Ifá in volumes, are very complete, since In addition to treating the Afro-Cuban Odu de Ifá, they also contain Traditional African Ifá treatises. Both gather thousands of Pataki or Histories, thousands of Eboses and works, which will make it easier for you to deepen your study and solve any situation that arises in the religious field of consulting the Ifa oracle. The Synthesis of the Treaties of the Odu of Ifá already published by me previously, is nothing more than as its name indicates, a synthesis of these treaties, whose objective was always to support to the Babalawo as a handy pocket reminder, based on the fact that it has been studied and deepened before in the study of these volumes which will lead you to have the most complete knowledge about Ifá. For these reasons, it is highly recommended to have this valuable information in your library. We have grouped only two Odu per book, to make it as cheap as possible and facilitate its acquisition.

Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.

Ã’sun is a brilliant deity whose imagery and worldwide devotion demand broad and deep scholarly reflection. Contributors to the ground-breaking Africa's Ogun, edited by Sandra Barnes (Indiana University Press, 1997), explored the complex nature of Ogun, the orisa who transforms life through iron and technology. Ã’sun across the Waters continues this exploration of Yoruba religion by documenting Ã’sun religion. Ã’sun presents a dynamic example of the resilience and renewed importance of traditional Yoruba images in negotiating spiritual experience, social identity, and political power in contemporary Africa and the African diaspora. The 17 contributors to Ã’sun across the Waters delineate the special dimensions of Ã’sun religion as it appears through multiple disciplines in multiple cultural contexts. Tracing the extent of Ã’sun traditions takes us across the waters and back again. Ã’sun traditions continue to grow and change as they flow and return from their sources in Africa and the Americas.

Written after his expulsion by Mussolini from the abbey of Thelema in Cefalu, Sicily, these records consolidate the work that Crowley began in Cefalu and explore more deeply the various techniques of cabalistic and sexual magic, as well as his contact with the Arab magic of North Africa.

"The sacred texts of Ifa, repository of the accumulated wisdom of countless generations of Yoruba people, are an invaluable source not only for all students of African oral literature and Yoruba civilization, but also for future generations interested in the continuing vitality of Ifa divination and a Yoruba way of life and thought." —Henry Drewal This landmark study of Ifa, the most important and elaborate system of divination of the Yoruba people of Nigeria, remains a monumental contribution to scholarship in anthropology, folklore, religion, philosophy, linguistics, and African and African-American studies.

This is a re-release of Stephen Skinner's first book on magic (written jointly with Nevill Drury) which is organised as a collection of essays. At the time it broke a lot of new ground, and was enthusiastically reviewed by Colin Wilson who wrote, The authors of this book represent a new phenomenon: the serious study of the practice of magic. ... What is so interesting about this latest wave of occultism is it is more sober and rational than any of its predecessors. These practicing magicians have decided that there is something in magic, something as objective as radio waves. They have set out to investigate it in a spirit in which Yeats romanticism combines with scientific empiricism. They seem determined to get to the bottom of it, or at least, to go further in understanding it than any of their predecessors have attempted. After setting the scene with essays on the Gnostics, the Rosicrucians and the Hermetic Order of the Golden Dawn, the book moves on to modern magicians such as Austin Osman Spare. In fact, apart from one privately printed monograph, this was the first book to explain Spare's genius and his system of sigil magic, long before his Zos-Kia cultus became popular in the occult world. The connection between magic and the hippie culture is examined in the context of Carlos Casteneda, and original material on Surrealist art and astral projection rounds off the book.