This collection puts together 20 of the best science fiction stories about Mars published over the past two decades by top-notch authors of the genre. An improbable group of astronauts are slingshot to Mars in cheap one-person, one-way jalopies in "Terminal," by Lavie Tidhar. In "The Cascade," by Sean McMullen, an affair between a shy robotics postdoc and an adventurous young woman change the destiny of the first landing on Mars. A penal colony on Mars violently clashes with a science base in "Falling onto Mars," a Hugo Award winning story by Geoffrey A. Landis. In "The Old Cosmonaut and the Construction Worker Dream of Mars," by Ian McDonald, the lives of a young Indian construction worker and an old Estonian cosmonaut collide during the terraforming of Mars by quantum machines. Two young girls are desperate to survive on the surface of Mars after their commune's underground compound is destroyed by comet strikes in "Hanging Gardens," by Gregory Feeley. In "Digging," by Ian McDonald, a project has been undertaken to create a breathable atmosphere on Mars constructing a valley so deep that the planet's thin atmosphere will be forced into it. An amusing step-by-step program enables potential potentates to find the right Mars to rule over in "How to Become a Mars Overlord," by Catherynne M. Valente. In the Hugo Award winning story "The Emperor of Mars," by Allen M. Steele, a laborer on a corporate-owned Martian colony transforms himself into royalty while coping with a tragedy on Earth. A young girl defies the conventional role she's fated for on Mars in "La Malcontenta," by Liz Williams. In "The Burial of Sir John Mawe at Cassini," by Chez Brenchley, a gravedigger uncovers many secrets at the burial of a hanged British nobleman on a Victorian Mars. A colonist provides a moving account of his life on Mars to inspire a new generation of Martians in "Martian Heart," by John Barnes. In "The Vicar of Mars," by Gwyneth Jones, a High Priest suffers hauntings after visiting an old, reclusive, wealthy woman on Mars. A rough and tumble Martian mining town reconstructs a lawman from the Old American West to restore order in "Wyatt Earp 2.0," by Wil McCarthy. In "An Ocean is a Snowflake, Four Billion Miles Away," by John Barnes, the rivalry between two documentarians, filming on Mars, puts them in peril as the planet is being terraformed. A corporation building New Las Vegas on Mars grooms a janitor for rock stardom to improve worker morale in "The Rise and Fall of Paco Cohen and the Mariachis of Mars," by Ernest Hogan. In "Martian Blood," by Allen M. Steele, an Egyptian-American astrobiologist travels to a Martian aboriginal settlement to prove his theory that life on Earth originated on Mars. Pilgrims, tourists, and locals visit the many monoliths of Mars to commune with their unknown builders through radio bursts in "The Monoliths of Mars," by Paul McAuley. In "The Martian Job," by Jaine Fenn, the greatest heist known to humankind, with many a double-cross, is pulled on the largest corporation on Mars. The first man to step foot on Mars recounts his life's story as mankind ends its colonization of the planet in "Mars Abides," by Stephen Baxter. And finally, in the Locus Award winning story "The Martian Obelisk," by Linda Nagata, a robotic crawler threatens the remote construction of a monument on Mars, by an architect on Earth, as it approaches the obelisk.

“Last Day on Mars is thrillingly ambitious and imaginative. Like a lovechild of Gravity and The Martian, it's a rousing space opera for any age, meticulously researched and relentlessly paced, that balances action, science, humor, and most importantly, two compelling main characters in Liam and Phoebe. A fantastic start to an epic new series.” —Soman Chainani, New York Times bestselling author of the School for Good and Evil series “Emerson's writing explodes off the page in this irresistible space adventure, filled with startling plot twists, diabolical aliens, and (my favorite!) courageous young heroes faced with an impossible task.” —Lisa McMann, New York Times bestselling author of the Unwanteds series It is Earth year 2213—but, of course, there is no Earth anymore. Not since it was burned to a cinder by the sun, which has mysteriously begun the process of going supernova. The human race has fled to Mars, but this was only a temporary solution while we have prepared for a second trip: a one-hundred-fifty-year journey to a distant star, our best guess at where we might find a new home. Liam Saunders-Chang is one of the last humans left on Mars. The son of two scientists who have been racing against time to create technology vital to humanity’s survival, Liam, along with his friend Phoebe, will be on the last starliner to depart before Mars, like Earth before it, is destroyed. Or so he thinks. Because before this day is over, Liam and Phoebe will make a series of profound discoveries about the nature of time and space and find out that the human race is just one of many in our universe locked in a dangerous struggle for survival.

The most comprehensive look at our relationship with Mars—yesterday, today, and tomorrow—through history, archival images, pop culture ephemera, and interviews with NASA scientists Mars has been a source of fascination and speculation ever since the ancient Egyptians observed its blood-red hue and named it for their god of war and plague. But it wasn't until the 19th century when “canals” were observed on the surface of the Red Planet, suggesting the presence of water, that scientists, novelists, filmmakers, and entrepreneurs became obsessed with the question of whether there’s life on Mars. Since then, Mars has fully invaded pop culture, inspiring its own day of the week (Tuesday), an iconic Looney Tunes character, and many novels and movies, from Ray Bradbury’s Martian Chronicles to The Martian. It’s this cultural familiarity with the fourth planet that continues to inspire advancements in Mars exploration, from NASA’s launch of the Mars rover Perseverance to Elon Musk’s quest to launch a manned mission to Mars through SpaceX by 2024. Perhaps, one day, we’ll be able to answer the questions our ancestors asked when they looked up at the night sky millennia ago.

Considered one of Ben Bova’s most famous Grand Tour novels: “A gripping, realistic tale of man’s first expedition to the red planet. Don’t miss it” (Terry Brooks, New York Times–bestselling author of The Shannara Chronicles). Jamie Waterman is a young Navaho geologist who is picked for the ground team of the first manned expedition to Mars. He will be joining an international team of astronauts and scientists. But once the crew land on the red planet, they soon discover they must battle not only the alien land on which they have invaded but earthbound bureaucrats as well. When they come face to face with a chasm ten times as deep and large as the Grand Canyon, all twenty-five astronauts must face the most shocking discovery of all . . . “The science fiction author who will have the greatest effect on the world.” —Ray Bradbury, author of Farenheit 451 “A splendid book . . . Of his many books, Mars must be the most important.” —Arthur C. Clarke, author of Islands in the Sky

This collection highlights 20 stellar space operas published over the past 20 years by top-notch authors of the science fiction genre. A soldier fights for survival behind enemy lines, on an alien vessel, thousands of light-years from Earth in "On the Orion Line," by Stephen Baxter. A man aboard a ship in deep space wakes up from biostasis at the wrong time in "The Days Between," by Allen M. Steele. An astronaut in a damaged balloon struggles to survive 800 meters above the surface of a sea on Titan in "Slow Life" by Michael Swanwick. Two rival space-faring cultures vie for influence over the people of a forgotten human world in "The Third Party," by David Moles. One thousand people, aboard five generation starships, leave the Sol system to flee an enemy that threatens to destroy their way of life in "Mayflower II," by Stephen Baxter. Modified combat troops must deal with recalcitrant settlers on a planet being attacked by hostile aliens in "Bright Red Star," by Bud Sparhawk. Programmed military doppelgängers continue to carry out their missions long after the Quiet War's end in "Dead Men Walking," by Paul McAuley. Mathematicians seek to learn more from a civilization, on another planet, that spent three million years doing math in "Glory," by Greg Egan. Human diplomats must deal their own cultural biases while dealing with two representatives from warring factions on a newly discovered planet in "Saving Tiamaat," by Gwyneth Jones. Space pirates haul in booty aboard a living spaceship that doesn't quite smell right in "Boojum," by Elizabeth Bear & Sarah Monette. The constable in a settlement on a planet full of the tombs of a long-vanished alien race befriends a woman who researches dangerous hive rats in "City of the Dead," by Paul McAuley. A dying young man on a treasure hunt tries to save a world that's devoid of gravity and lit by artificial suns in "The Hero," by Karl Schroeder. An eternal, aboard a slower than light ship, is woken to investigate an unexplained signal emanating from the area of the ship's next stargate construction site in "The Island," by Peter Watts. An alienated teenager, in a domed iron city on a planet where a fundamentalist revolt is brewing, seeks to uncover her enigmatic tutor's long-held secret in "The Ice Owl," by Carolyn Ives Gilman. A woman recalls a childhood train journey, on a planet with a permanent dayside and a nightside of eternal darkness, to see a captured specimen of the Nightmare race in "Weep for Day," by Indrapramit Das. Peculiar mating rituals and divergent evolution have developed on a lost colony that has been out of contact with the rest of humanity in "Someday," by James Patrick Kelly. An aristocrat's trip to Venus, in search of her disgraced brother, is memorialized by papercuts of flora native to the planet in "Botanica Veneris: Thirteen Papercuts by Ida Countess Rathagan," by Ian McDonald. An enemy of the revolution, on a colonized planet, uploads a digital copy of himself into the body of a braindead boy in an attempt to escape off-world in "Jonas and the Fox" by Rich Larson. Set in the author's Machineries of Empire universe, an undercover agent infiltrates a space station to recover the crew of a lost ship in "Extracurricular Activities," by Yoon Ha Lee. And finally, the captain of a dustship musters her crew to escape from a trap set by Hunter-Killers in a game of cat and mouse amid the rings of a giant planet in "By the Warmth of Their Calculus," by Tobias S. Buckell.

Mars in the human imagination from the invention of the telescope to the present For centuries, the planet Mars has captivated astronomers and inspired writers of all genres. Whether imagined as the symbol of the bloody god of war, the cradle of an alien species, or a possible new home for human civilization, our closest planetary neighbor has played a central role in how we think about ourselves in the universe. From Galileo to Kim Stanley Robinson, Robert Crossley traces the history of our fascination with the red planet as it has evolved in literature both fictional and scientific. Crossley focuses specifically on the interplay between scientific discovery and literary invention, exploring how writers throughout the ages have tried to assimilate or resist new planetary knowledge. Covering texts from the 1600s to the present, from the obscure to the classic, Crossley shows how writing about Mars has reflected the desires and social controversies of each era. This astute and elegant study is perfect for science fiction fans and readers of popular science.

When it comes to Mars, the focus is often on how to get there: the rockets, the engines, the fuel. But upon arrival, what will it actually be like? In 2013, Kate Greene moved to Mars. That is, along with five fellow crew members, she embarked on NASA’s first HI-SEAS mission, a simulated Martian environment located on the slopes of Mauna Loa in Hawai'i. For four months she lived, worked, and slept in an isolated geodesic dome, conducting a sleep study on her crew mates and gaining incredible insight into human behavior in tight quarters, as well as the nature of boredom, dreams, and isolation that arise amidst the promise of scientific progress and glory. In Once Upon a Time I Lived on Mars, Greene draws on her experience to contemplate humanity’s broader impulse to explore. The result is a twined story of space and life, of the standard, able-bodied astronaut and Greene’s brother’s disability, of the lag time of interplanetary correspondences and the challenges of a long-distance marriage, of freeze-dried egg powder and fresh pineapple, of departure and return. By asking what kind of wisdom humanity might take to Mars and elsewhere in the Universe, Greene has written a remarkable, wide-ranging examination of our time in space right now, as a pre-Mars species, poised on the edge, readying for launch.