“Inspiring, cozy, and full of heart!” —Lisa Greenwald, author of 11 Before 12 and the Pink & Green series A thirteen-year-old girl spends her first holiday away from home completing a scavenger hunt that takes her across Europe in 12 Dares of Christa, the first contemporary novel from Marissa Burt, author of Storybound. Christa is a holiday junkie. What’s not to love? There’s decorations! Gifts! Caroling with friends! But thanks to her parents’ recent separation, Christa’s favorite time of year is now filled with heartache. And when her mom announces that she’s taking her on a mother-daughter trip to Europe over winter vacation, Christa knows she should be excited. She just can’t imagine spending the yuletide season without her dad. However, waiting at her hotel in Italy is a special package from her father: the first of twelve dares that take Christa to landmarks in three beautiful countries and introduce her to people who will show her that hope is alive in the strangest of places. Funny, genuine, and feel-good to the core, The 12 Dares of Christa is one fa-la-la-filled adventure that fans of Wendy Mass and Lisa Greenwald will love.

The figure of the feminine side of Christ is widely present in art and in feminist theology, but the risen Christa has not so far been explored. In this ground-breaking book, Nicola Slee, writing in a mixture of reflection, poetry and images, revisits many of the central narratives of the gospels and key Christological themes, re-imagining them through the eyes and voice of the Christa, offering original and creative perspectives as a resource for theology and spirituality. This book is in quest of a risen Christa who invites women and men to leave behind a clinging, dependent relationship with God and to discover a wider, freer Christ.

A groundbreaking collection of writings that place queer ritual at the center of the theological conversation. In this collection of essays, leading scholars in queer theology and liturgical studies explore the ways in which the distinctive theological voices of LGBTQIA+ Christians challenge and expand thinking and practice around worship in new directions. This challenge has expanded in the past decades, as obstacles to the full participation of queer Christians—particularly in marriage and ordination—have fallen. Organized into three main parts, the volume begins with an introduction to queer engagement with ritual practices, continues with a series of case studies that examine queer texts and contexts, and concludes with an examination of the horizons of queer liturgical theology and practice. Throughout the volume, Queering Christian Worship provides new imagination and tools to those who study and curate Christian worship across traditions.

Was the stripping and exposure of Jesus a form of sexual abuse? If so, why does such a reading of Jesus’ suffering matter? The combined impact of the #MeToo movement and a further wave of global revelations on church sexual abuse have given renewed significance to recent work naming Jesus as a victim of sexual abuse. Timely and provocative "When did we see you naked?" presents the arguments for reading Christ as an abuse victim, as well as exploring how the position might be critiqued, and what implications and applications it might offer to the Church.

Beginning with the question of the role of the past in the shaping of a contemporary identity, this volumes spans three generations of German and Austrian writers and explores changes and shifts in the aesthetics of Vergangenheitsbewältigung (coming to terms with the past). The purpose of the book is to assess contemporary German literary representations of National Socialism in a wider context of these current debates. The contributors address questions arising from a shift over the last decade, triggered by a generation change-questions of personal and national identity in Germany and Austria, and the aesthetics of memory. One of the central questions that emerges in relation to the Hitler youth generation is that of biography, as examined through Günter Grass' and Martin Walser's conflicting views on the subject of National Socialism. Other themes explored here are the conflict between the post-war generations and the contributions of that conflict to (West)-German mentality, and the growing historical distance and its influence on the aesthetics of representation.

A playful reflection on animals and video games, and what each can teach us about the other Video games conjure new worlds for those who play them, human or otherwise: they’ve been played by cats, orangutans, pigs, and penguins, and they let gamers experience life from the perspective of a pet dog, a predator or a prey animal, or even a pathogen. In Game, author Tom Tyler provides the first sustained consideration of video games and animals and demonstrates how thinking about animals and games together can prompt fresh thinking about both. Game comprises thirteen short essays, each of which examines a particular video game, franchise, aspect of gameplay, or production in which animals are featured, allowing us to reflect on conventional understandings of humans, animals, and the relationships between them. Tyler contemplates the significance of animals who insert themselves into video games, as protagonists, opponents, and brute resources, but also as ciphers, subjects, and subversive guides to new ways of thinking. These animals encourage us to reconsider how we understand games, contesting established ideas about winning and losing, difficulty settings, accessibility, playing badly, virtuality, vitality and vulnerability, and much more. Written in a playful style, Game draws from a dizzying array of sources, from children’s television, sitcoms, and regional newspapers to medieval fables, Shakespearean tragedy, and Edwardian comedy; from primatology, entomology, and hunting and fishing manuals to theological tracts and philosophical treatises. By examining video games through the lens of animals and animality, Tyler leads us to a greater humility regarding the nature and status of the human creature, and a greater sensitivity in dealings with other animals.

Women in Christianity in the Modern Age examines the role of women in Christianity in the 20th and early 21st Centuries. This edited volume includes eight important contributions from academics in the field. The modern era has been an age of social and religious upheaval, and the ravages of global warfare and changes to women’s role in society have made the examination of the place of women in religion a key question in theology. From theological concerns - engagements with the biblical texts by feminist and anti-feminist theologians, the modern role of Mary and women saints – to political and social debates on women’s ministry and place in society, and cultural shifts as expressed through theologically inspired artwork by women, Women in Christianity in the Modern Age provides an overview and in-depth studies of a tumultuous and changing era. This insightful text will be of key interest to students and scholars in Religion and Cultural Studies.