First Published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.

The split between national and popular interests is examined through an analysis of Branagh's 'multicultural' Much Ado - 'a Shakespeare film for the world' and analysis of other popular works including Cocteau, Woolf and Neil Jordan's.

In this issue some of the most influential critics in the field encounter their colleagues in debate: A sad tale's best for South AfricaMartin Orkin;Shakespeare and Hanekom, King Lear and landNicholas Visser;Questioning Robert Young's post-colonial criticismLaura Chrisman;Response to Laura ChrismanRobert Young;Making love to our employment, or the immateriality of arguments about the materiality of the Shakespearean textEdward Pechter;Lover among the ruins: response to PechterMargreta de Grazia and Peter Stallybrass;Busy doing nothing: a response to Edward PechterGraham Holderness, Bryan Loughrey and Andrew Murphey;'Is she fact or is she fiction?': Angela Carter and the enigma of womanAnne Fernihough;The new romanticism: philosophical stand-ins in English Romantic discoursePaul Hamilton

Since its launch in 1987 TP has been Britain's principal international journal of radical literary studies, continually pressing theory into new engagments.

In this volume Textual Practice brings together some of its most pressing concerns by exploring the interaction of texts with language, politics, gender and history. Textual Practice has a theoretical approach that crosses over into a range of other, apparently disparate, disciplines: philosophy, history, law, medicine, science, architechtrure, gender, and media studies. Key Features: * Features the most exciting new voices and the most influential new scholars in the field * Multidisciplinary * Includes two articles on Ireland _ _ _

A general issue of Textual Practice with the usual combination of scholarly discourse and reviews. This book should be of interest to academics and students of literature, literary criticism, media studies and philosophy.

Volume 10, Issue 3- Papers include: Tragedy and the nationalist condition of criticism "Thomas Doucherty"--Descartes, Baudrillard, Dryden and a consideration of cultural relations between England and France in the late seventeenth century.ILaodamia and the moaning of Mary "John" "Barrell"--changing critical responses to Wordsworth's "heroic version of masculinity." Melodrama as Avant-garde: enacting a new subjectivity "Simon Shepherd"--nineteenth-century English radicals and translations of French melodrama. The diasporic imaginary: theorizing the Indian diaspora "Vijay Mishra;" Bisexuality, heterosexuality and wishful theory "Jonathan Dollimore. Reviews, index. Holcroft ""IA Tale of Mystery, --a melo-drame" and ICaleb Williams.