The changing seasons make grandly visible not only nature's recurring miracle of life, death, and rebirth which enfolds and nurtures us all but also the special character of a particular region observed over time, its secret beauties and sudden terrors, the coursing life of the place itself. Jim Bones' magnificent photographic record of a year in the Texas Hill Country chronicles that sequence of natural details which mark the year's passing in a part of Texas many Texans have come to revere as a kind of heartland. Complementing the photographs, John Graves's essay on the region tells the history of the land and those who have lived on it, evoking both the special qualities of the Hill Country and the nature of man's kinship with his soil. Stretching to the north within the curve of the Balcones Escarpment, the Hill Country lies close to the center of the state, but something other than geography engenders the heartland aura. Its carved limestone cliffs, its scrubby eroded hills, its gushing springs and clear-flowing streams and its abundant wildlife hold strong appeal for Texans from more fertile but flatter land east and more spectacular but barren land west. Man's hand upon this earth has not always been gentle, but change has come slowly to the Hill Country. It is rough terrain, not rich enough in soil or minerals to have tempted much exploitation, and this, together with its remarkable varied natural beauty, explains its special power over the heart and mind. Finding unique patterns of the place in the seasonal changes of weather, water, and light, of the land, its plants and its animals, Bones' photographs capture those fleeting phenomena which define the permanent meaning and value of the natural world and reveal the singular charm of this small and relatively undisturbed part of it. His work eloquently affirms a truth too often forgotten in an increasingly mechanized and urban world--that in making peace with nature we make peace with ourselves. Most of the photographs were taken while Bones was resident fellow at Paisano, a 254-acre ranch along Barton Creek that belonged to J. Frank Dobie and now serves as a place where Southwestern artists and writers can live and work. The Dobie-Paisano Fellowship is offered annually by the Texas Institute of Letters and the University of Texas at Austin. A refugee from technical fields more concerned with exploiting than preserving nature.

*Finalist for the National Book Award* *Finalist for the Kirkus Prize* *Instant New York Times Bestseller* *Named a Best Book of the Year by NPR, New York Post, BuzzFeed, Shelf Awareness, Bustle, and Publishers Weekly* An essential read for our times: an eye-opening memoir of working-class poverty in America that will deepen our understanding of the ways in which class shapes our country and “a deeply humane memoir that crackles with clarifying insight”.* Sarah Smarsh was born a fifth generation Kansas wheat farmer on her paternal side, and the product of generations of teen mothers on her maternal side. Through her experiences growing up on a farm thirty miles west of Wichita, we are given a unique and essential look into the lives of poor and working class Americans living in the heartland. During Sarah’s turbulent childhood in Kansas in the 1980s and 1990s, she enjoyed the freedom of a country childhood, but observed the painful challenges of the poverty around her; untreated medical conditions for lack of insurance or consistent care, unsafe job conditions, abusive relationships, and limited resources and information that would provide for the upward mobility that is the American Dream. By telling the story of her life and the lives of the people she loves with clarity and precision but without judgement, Smarsh challenges us to look more closely at the class divide in our country. Beautifully written, in a distinctive voice, Heartland combines personal narrative with powerful analysis and cultural commentary, challenging the myths about people thought to be less because they earn less. “Heartland is one of a growing number of important works—including Matthew Desmond’s Evicted and Amy Goldstein’s Janesville—that together merit their own section in nonfiction aisles across the country: America’s postindustrial decline...Smarsh shows how the false promise of the ‘American dream’ was used to subjugate the poor. It’s a powerful mantra” *(The New York Times Book Review).

Winner, 2018 Presidio La Bahia Award, sponsored by the Sons of the Republic of Texas In 1851, an article appeared in a German journal, Geographisches Jahrbuch (Geographic Yearbook), that sought to establish definitive connections, using language observations, among the Comanches, Shoshones, and Apaches. Heinrich Berghaus’s study was based on lexical data gathered by a young German settler in Texas, Emil Kriewitz, and included a groundbreaking list of Comanche words and their German translations. Berghaus also offered Kriewitz’s cultural notes on the Comanches, a discussion of the existing literature on the three tribes, and an original map of Comanche hunting grounds. Perhaps because it was published only in German, the existence of Berghaus’s study has been all but unknown to North American scholars, even though it offers valuable insights into Native American languages, toponyms, ethnonyms, hydronyms, and cultural anthropology. It was also a significant document revealing the history of German-Comanche relations in Texas. Daniel J. Gelo and Christopher J. Wickham now make available for the first time a reliable English translation of this important nineteenth-century document. In addition to making the article accessible to English speakers, they also place Berghaus’s work into historical context and provide detailed commentary on its value for anthropologists and historians who study German settlement in Texas. Comanches and Germans on the Texas Frontier will make significant contributions to multiple disciplines, opening a new lens onto Native American ethnography and ethnology.

The Years of Lyndon Johnson is the political biography of our time. No president—no era of American politics—has been so intensively and sharply examined at a time when so many prime witnesses to hitherto untold or misinterpreted facets of a life, a career, and a period of history could still be persuaded to speak. The Path to Power, Book One, reveals in extraordinary detail the genesis of the almost superhuman drive, energy, and urge to power that set LBJ apart. Chronicling the startling early emergence of Johnson’s political genius, it follows him from his Texas boyhood through the years of the Depression in the Texas hill Country to the triumph of his congressional debut in New Deal Washington, to his heartbreaking defeat in his first race for the Senate, and his attainment, nonetheless, of the national power for which he hungered. We see in him, from earliest childhood, a fierce, unquenchable necessity to be first, to win, to dominate—coupled with a limitless capacity for hard, unceasing labor in the service of his own ambition. Caro shows us the big, gangling, awkward young Lyndon—raised in one of the country’s most desperately poor and isolated areas, his education mediocre at best, his pride stung by his father’s slide into failure and financial ruin—lunging for success, moving inexorably toward that ultimate “impossible” goal that he sets for himself years before any friend or enemy suspects what it may be. We watch him, while still at college, instinctively (and ruthlessly) creating the beginnings of the political machine that was to serve him for three decades. We see him employing his extraordinary ability to mesmerize and manipulate powerful older men, to mesmerize (and sometimes almost enslave) useful subordinates. We see him carrying out, before his thirtieth year, his first great political inspiration: tapping-and becoming the political conduit for-the money and influence of the new oil men and contractors who were to grow with him to immense power. We follow, close up, the radical fluctuations of his relationships with the formidable “Mr. Sam” Raybum (who loved him like a son and whom he betrayed) and with FDR himself. And we follow the dramas of his emotional life-the intensities and complications of his relationships with his family, his contemporaries, his girls; his wooing and winning of the shy Lady Bird; his secret love affair, over many years, with the mistress of one of his most ardent and generous supporters . . . Johnson driving his people to the point of exhausted tears, equally merciless with himself . . . Johnson bullying, cajoling, lying, yet inspiring an amazing loyalty . . . Johnson maneuvering to dethrone the unassailable old Jack Garner (then Vice President of the United States) as the New Deal’s “connection” in Texas, and seize the power himself . . . Johnson raging . . . Johnson hugging . . . Johnson bringing light and, indeed, life to the worn Hill Country farmers and their old-at-thirty wives via the district’s first electric lines. We see him at once unscrupulous, admirable, treacherous, devoted. And we see the country that bred him: the harshness and “nauseating loneliness” of the rural life; the tragic panorama of the Depression; the sudden glow of hope at the dawn of the Age of Roosevelt. And always, in the foreground, on the move, LBJ. Here is Lyndon Johnson—his Texas, his Washington, his America—in a book that brings us as close as we have ever been to a true perception of political genius and the American political process.