With recent wars, both cold and hot, safely disposed, there remains for the military officer only one great fear: that of being called to testify before a congressional committee. Though officers are always seeking an opportunity to excel, few of them relish the chance to travel to Capitol Hill and present themselves before the members and staff of Congress. "I'd rather have a root canal without anesthesia," is the way one combat-decorated colonel expressed it to me one day. I expect this feeling is well-nigh universal among career members of the military, and there are good reasons for such trepidation. First of all, a hearing is not an equal contest. The congressional committee holds all the cards. Its members set the agenda, schedule the time, and tell you what they want you to talk about. They control the hearing room, and they invariably put you on a lower level physically, so that they can look down upon you from on high. If they are hostile in their questioning and you "win" the hearing on points by showing up one of the members or staff and making him look foolish, they have the last laugh when they cut your budget or punish you with report language that strips you of power and position. Second, the committee will probably spend longer preparing for the hearing than you will, and they may know more about the subject of the hearing than you do. Just as you have staff-or perhaps you are the staff officer preparing your superior for the hearing-congressional committees also have professional staff members, some 2000 of them at the end of 1991. Many of these individuals are young, bright, and aggressive, while others are older and have as much experience as you do-perhaps more. Third, though the committee staffers will probably do their best to tell you what they think the committee will want to know about, you can almost count on some member to ask a question that is totally off the subject.

The thoroughly updated and expanded Second Edition of Greg G. Chen, Lynne A. Weikart, and Daniel W. Williams’ Budget Tools: Financial Methods in the Public Sector brings together scores of exercises that will take students through the process of public budgeting, from organizing data through analysis and presentation. This thoroughly revised text has been restructured – it now has 30 compact modules to focus on individual skills and enhance flexibility, and is reorganized to cover more straightforward skills early in the book and more complex tools later on. Using budgets from all levels of government as well as from nonprofit organizations, the authors give students the opportunity to work with real budgeting data to cover a range of topics and skills.Budget Tools provides instruction in the techniques and implementation of budgeting skills at a granular level to support a wide range of approaches to teaching the subject.

Few social work students express an interest in politics, but now more than ever those voices are necessary in the political arena. Social programs and policies central to the client systems of social workers are determined in the political space. Brendan Young has written this book to inspire students to bring the unique value system embraced by social workers to the political process. Like all titles in the Social Work Modules series, the chapters in Political Social Work Practice follow courses in the standard social work curriculum. This allows the book to be used as supplementary reading to add a political component to any social work course, as well as in a stand-alone course on political social work.

“An elegant, impassioned demand that America see gender-based violence as a cultural and structural problem that hurts everyone, not just victims and survivors… It's at times downright virtuosic in the threads it weaves together.”—NPR Winner of the 2022 ABA Silver Gavel Award for Books From the woman who gave the landmark testimony against Clarence Thomas as a sexual menace, a new manifesto about the origins and course of gender violence in our society; a combination of memoir, personal accounts, law, and social analysis, and a powerful call to arms from one of our most prominent and poised survivors. In 1991, Anita Hill began something that's still unfinished work. The issues of gender violence, touching on sex, race, age, and power, are as urgent today as they were when she first testified. Believing is a story of America's three decades long reckoning with gender violence, one that offers insights into its roots, and paths to creating dialogue and substantive change. It is a call to action that offers guidance based on what this brave, committed fighter has learned from a lifetime of advocacy and her search for solutions to a problem that is still tearing America apart. We once thought gender-based violence--from casual harassment to rape and murder--was an individual problem that affected a few; we now know it's cultural and endemic, and happens to our acquaintances, colleagues, friends and family members, and it can be physical, emotional and verbal. Women of color experience sexual harassment at higher rates than White women. Street harassment is ubiquitous and can escalate to violence. Transgender and nonbinary people are particularly vulnerable. Anita Hill draws on her years as a teacher, legal scholar, and advocate, and on the experiences of the thousands of individuals who have told her their stories, to trace the pipeline of behavior that follows individuals from place to place: from home to school to work and back home. In measured, clear, blunt terms, she demonstrates the impact it has on every aspect of our lives, including our physical and mental wellbeing, housing stability, political participation, economy and community safety, and how our descriptive language undermines progress toward solutions. And she is uncompromising in her demands that our laws and our leaders must address the issue concretely and immediately.

'Ah! The Fringe! I can't think of a more delightful way of putting my liver, bank account, relationship, complexion, and mental stability under the greatest strain they've ever known!' Mel Giedroyc It is the world's largest arts festival, attracting everyone from student first-timers to Hollywood stars. Thrilling, inspiring and bewildering in equal measure, the Edinburgh Festival Fringe can make you a star or break your bank. So what is the secret of making it work for you? The Edinburgh Fringe Survival Guide draws on the experiences of the festival's leading figures - their disasters as well as their triumphs - to take you step by step through the process of making your show a success in the Scottish capital. From choosing a venue to keeping on top of the budget, from sorting out accommodation to securing the best press coverage, from generating word of mouth to making the most of a hit, this unique practical guide for performers, directors and producers helps you get your show the audience it deserves. Among those sharing their expert advice are playwright Simon Stephens, comedian Phil Nichol, actor Siobhan Redmond, producer Guy Masterson, Tiger Lillies front manMartyn Jacques, theatre critic Lyn Gardner, Foster's Edinburgh Comedy Award director Nica Burns, as well as the directors of all the major Fringe venues, top press officers, international promoters and insiders from the Fringe Society itself. The foreword is written by playwright Mark Ravenhill.